| LeAnn Rimes | ... | Meg Galligan | |
| Eddie Cibrian | ... | Nate Burns | |
| Greg Lawson | ... | Ed Woolcott | |
| Rosanna Arquette | ... | Charlene Galligan | |
| Jayne Eastwood | ... | Mayor Hopp | |
| William MacDonald | ... | Deputy Otto Gruber | |
| Christianne Hirt | ... | Carrie Hawbacker | |
| Adrian Hough | ... | John | |
| Billy Merasty | ... | Jacob | |
| David Brown | ... | Max Hawbacker | |
| Marty Antonini | ... | Bing | |
| Justin Michael Carriere | ... | Jim Mackie (as Justin Michael Carrier) | |
| David Cowley | ... | Bill Mackie | |
| Alex Arsenault | ... | Stephen Thompson (as Alexander Arsenault) | |
| Rod Heatheringston | ... | Sgt. Coben (as Rod Heatherington) | |
| Stephen Huszar | ... | Pat Galligan | |
| Kyle Matrosovs | ... | Younger Ed |
Directed by | |||
| Mike Robe | |||
Writing credits(WGA) | ||
| Janet Brownell | (teleplay) | |
| Nora Roberts | (novel) | |
Original Music by | |||
| Chris Bacon | (co-composer) (as Chris P. Bacon) | ||
| Stuart Michael Thomas | (co-composer) | ||
Cinematography by | |||
| Craig Wrobleski | (director of photography) | ||
Film Editing by | |||
| Sabrina Plisco | |||
Casting by | |||
| Susan Glicksman | |||
Production Design by | |||
| Eric Fraser | |||
| Myron Hyrak | |||
Set Decoration by | |||
| Sean Blackie | |||
Costume Design by | |||
| Christopher Hargadon | |||
Makeup Department | |||
| Laura Demoissac | .... | key hair stylist (as Laura De Moissac) | |
| Joanne Jacobsen | .... | makeup department head | |
| Eva McKenzie | .... | assistant hair stylist (uncredited) | |
Production Management | |||
| Nancy Kirhoffer | .... | post-production supervisor | |
| Brian Leslie Parker | .... | unit production manager | |
| Felix Schröder | .... | post-production manager | |
| David Townsend | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Phil Chipera | .... | first assistant director | |
| Jesse Cooper | .... | second assistant director | |
| Dominika Jurek | .... | third assistant director | |
| Michelle Schwengler | .... | trainee assistant director | |
Art Department | |||
| Jackie Bagley | .... | assistant art director | |
| Dean Goodine | .... | property master | |
| Amber Humphries | .... | assistant set decorator | |
| Tom Johnson | .... | paint coordinator | |
| Jürgen Lutze | .... | construction coordinator (as Jurgen Lutze) | |
| James Weeks | .... | greens coordinator | |
| Susan Turner | .... | set designer (uncredited) | |
| Jordy Wihak | .... | assistant property master (uncredited) | |
Sound Department | |||
| David Brown | .... | boom operator | |
| G. Michael Graham | .... | sound supervisor | |
| Brian Harman | .... | sound mixer (as Brian R. Harman) | |
| Devon Heffley Curry | .... | adr supervisor | |
| Sherry Klein | .... | sound re-recording mixer | |
| Michael Playfair | .... | production sound mixer | |
| Tim Chilton | .... | foley artist (uncredited) | |
| Bob Costanza | .... | sound effects editor (uncredited) | |
| Kevin Fisher | .... | sound effects editor (uncredited) | |
| Brian Magrum | .... | adr mixer (uncredited) | |
| David Torres | .... | foley mixer (uncredited) | |
Special Effects by | |||
| Kelly Coe | .... | special effects assistant | |
| James Paradis | .... | special effects coordinator | |
| Maurice Routly | .... | special effects best boy | |
| Amanda Paller | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Ann-Marie Blommaert | .... | visual effects project manager (uncredited) | |
| Dan Brittain | .... | digital compositor (uncredited) | |
Stunts | |||
| Brent Woolsey | .... | stunt coordinator | |
Camera and Electrical Department | |||
| John Adshead | .... | key grip | |
| Chris Alexander | .... | b dolly grip | |
| Mark Cooper | .... | first assistant camera: "A" camera | |
| Greg Fullalove | .... | best boy grip | |
| Dale H. Jahraus | .... | camera operator: "b" camera (as Dale Jahraus) | |
| Mike Kolafa | .... | gaffer | |
| Todd MacLand | .... | best boy electric | |
| Marty McInally | .... | camera operator: "A" camera | |
| Dan Power | .... | stills photographer | |
| Robert Rozycki | .... | grip | |
| Stephen Sebert | .... | first assistant camera: "B" Camera | |
| Landin Walsh | .... | generator operator | |
| Ivona Mikulic | .... | camera trainee (uncredited) | |
| Tim Milligan | .... | dolly grip (uncredited) | |
| Kyle Robson | .... | lighting technician (uncredited) | |
Casting Department | |||
| Candice Elzinga | .... | casting: Canada | |
| Rhonda Fisekci | .... | casting: Canada | |
| Alyson Lockwood | .... | extras casting | |
| Martina Smyth | .... | casting: Canada | |
| Damian Barret | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Margaret Perry | .... | assistant costume designer | |
| Devora Brown | .... | costume set supervisor (uncredited) | |
| Shelly Goldsack | .... | costume buyer (uncredited) | |
Editorial Department | |||
| Michael Kaz | .... | assistant editor | |
| Richard Lowe | .... | post-production assistant (uncredited) | |
Music Department | |||
| James Newton Howard | .... | score producer | |
| Tom Trafalski | .... | music editor | |
Transportation Department | |||
| Coleman Robinson | .... | transportation coordinator | |
| Dean Robinson | .... | transportation captain | |
Other crew | |||
| Bob Bedard | .... | head chef | |
| Doug Bos | .... | additional trainer | |
| Cheryl Brauer | .... | assistant production coordinator (as Cheryl Bauer) | |
| Stacey Douglas | .... | trainee production coordinator | |
| Katherine Engelman | .... | additional trainer | |
| Kim Goddard-Rains | .... | production coordinator | |
| Mel Green | .... | production assistant | |
| Steven Kajorinne | .... | assistant: Mr. Robe | |
| Flo Krisko | .... | dog trainer | |
| Ruth LaBarge | .... | head trainer (as Ruth La Barge) | |
| George Lakes | .... | production controller | |
| Cameron Macgowan | .... | assistant to the co-producer | |
| Marion Milner | .... | script supervisor | |
| Marr Morgan | .... | production accountant | |
| Merlind Mueller | .... | pre-sales manager | |
| Matthias Nitschke | .... | business affairs: Tandem International | |
| Nora Roberts | .... | consultant | |
| Donna Serafinus | .... | business & legal affairs | |
| Andrew Simpson | .... | main trainer | |
| Darryl Solly | .... | location manager | |
| William Wagner | .... | assistant location manager | |
| Matt Watterworth | .... | business affairs coordinator | |
| Fareed Abdelhak | .... | assistant: producers (uncredited) | |
| Fareed Abdelhak | .... | clearances coordinator: Calgary (uncredited) | |
| Tara Howie | .... | second assistant accountant (uncredited) | |
| Julianne Larson | .... | production assistant (uncredited) | |
| Samantha Nottingham-Carew | .... | first assistant accountant (uncredited) | |
| Barbara Unrau | .... | first assistant accountant: payroll (uncredited) | |
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| Boy A | In Her Shoes | The Black Dahlia | Empire Falls | King Kong |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Someone should tell LeAnn Rimes that simply reading the lines with a bitchy attitude doesn't make you an actress. I was never a huge fan of Meg in the novel, but Rimes managed to suck what I did like right from the character.
I understand that an adaptation has to change things in the screen version, but is it necessary to strip all the good stuff? I made it through the first half hour of this mess and I had to turn it off. A complete disappointment with none of the atmosphere that sucked me in while reading the book. Eddie Cibrian was fine as Nate, but I missed the setup to the story that had been done in the novel -- with Nate settling in as sheriff that really made the book for me. It was a murder mystery sure, but there were more to it in the book and I missed that in this adaptation.
This is just like the 2007 collection that aired -- I could only get myself through one of out of the four movies more than once. They keep taking Nora Roberts and pairing her wonderful novels to barely anything at all. Why does a mediocre guy like Nicholas Sparks get all of his novels on the big screen and Nora gets no special treatment beyond stunt casting?