Add FLAT LOVE to the the growing body of films made less for
conventional exhibition than for the art gallery public. It is a
suspect phenomenon. Think the Cremaster cycle.
This one is a handsome high end art short.
The plot, if you call it that, has the MOMA visitor fixating the girl
in the Rauchenberg style picture, who intrudes into his real life with
Lots of elaborate effects work to go with a technical assurance and
Rossellini's toney narration show that we were supposed to take this
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