Carmilla, A journalism student, meets a group of kids that play a role-game called "Eternal Blood". She gets interested in this hobby by "M", a young man she met in a philosophy seminar. "M... See full summary »
Juan Pablo Ogalde,
This show is a sequel to the Disney movie "Descendants" which is about the children of all the Disney characters. The children decided they don't want to follow in their parents' footsteps ... See full summary »
Salina Marie Carter,
In an undefined future, the earth has been destroyed by man, and the air polluted with a mysterious virus that turns humans into zombies. Only a few children are immune to the disease and have adapted to these extreme conditions and survived. Camille, a nine year old girl wanders through these desolate wastelands, protecting herself from zombies and the armed military forces that roam the land killing anyone who might be infected. However, the little girl will find other kids like her that share a recurring dream of: they all have visions of the ocean as their destiny. Together they will try to survive the journey to the ocean in search of an escape from the military who seem to be as determined on their destruction as on the zombies. Written by
David Pollison/Solos Website
Misunderstood Film Deserves Ovation Rather Than Derision
South American cinema at its most powerful. Jose Olguin, director of the fascinating film, Eternal Blood, has left a deep mark upon Chilean cinema and it is clear why his impact has been so profound with this masterpiece. This motion picture certainly is an attempt to reconcile Chile's history of military dictatorships and violation of human rights with the enlightened nation it has become. Beautifully filmed with stylistic cinematic flourish, the imagery is hauntingly stark and surrealistic in intent. Some of what is depicted involving the innocents is shocking but justifiable in light of the artistic purposes of the director. The film is unrated or NC- 17 because of the violence directed at children but these sequences are clearly misinterpreted in their true meaning as metaphor. In the end, Olquin refers stunningly to Magic Realism and the film's conclusion is overwhelmingly mesmerizing. A true treasure of Chile's cinematic legacy.
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