13-year-old Sinikka vanishes on a hot summer night. Her bicycle is found in the exact place where a girl was killed 23 years ago. The dramatic present forces those involved in the original case to face their past.
Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
Joseph, a man plagued by violence and a rage that is driving him to self-destruction, earns a chance of redemption that appears in the form of Hannah, a Christian charity shop worker.
Two pairs of parents hold a cordial meeting after their sons are involved in a fight, though as their time together progresses, increasingly childish behavior throws the evening into chaos.
Director:
Roman Polanski
Stars:
Jodie Foster,
Kate Winslet,
Christoph Waltz
In New York City, Brandon's carefully cultivated private life -- which allows him to indulge his sexual addiction -- is disrupted when his sister arrives unannounced for an indefinite stay.
Director:
Steve McQueen
Stars:
Michael Fassbender,
Lucy Walters,
James Badge Dale
A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
Director:
Pedro Almodóvar
Stars:
Antonio Banderas,
Elena Anaya,
Marisa Paredes
The lives of two Danish families cross each other, and an extraordinary but risky friendship comes into bud. But loneliness, frailty and sorrow lie in wait.
Director:
Susanne Bier
Stars:
Mikael Persbrandt,
Wil Johnson,
Markus Rygaard
Disgruntled Korean War vet Walt Kowalski sets out to reform his neighbor, a young Hmong teenager, who tried to steal Kowalski's prized possession: his 1972 Gran Torino.
Director:
Clint Eastwood
Stars:
Clint Eastwood,
Christopher Carley,
Bee Vang
13-year-old Sinikka vanishes on a hot summer night. Her bicycle is found in the exact place where a girl was killed 23 years ago. The dramatic present forces those involved in the original case to face their past.
The seemingly obvious reference to Fargo, having Jule Böwe play a pregnant cop, is in fact not a reference. When she auditioned for the part it wasn't known she was pregnant. It wasn't until she got the part that she told the director she was three months pregnant, when she in fact was six months pregnant. In the end the director liked the idea and decided to write it into the script. See more »
Most murders are committed by people who know their victim, a fact that is standard fare in most whodunits. Rarely are murders committed at random, although the recent horrific thriller Funny Games (1997, remade 2007) presents the worst possible scenario.
But random murders do occur in real life: all over the world, people disappear and forever remain 'dead' with family and friends who are forever in limbo, unable to achieve closure. Only sometimes are the perpetrators caught.
With that thematic background, The Silence presents just that scenario with the rape and murder of a young female teen that remains on the books of the local police for 23 years until it happens again to another teen, on the same day of the year, at the same place, and with the same modus operandi.
Unlike other serial killer movies for example, The Silence of the Lambs (1991) we know the identity of the killer from the get-go. Moreover, we also immediately know there are two perpetrators, although one of them is obviously reluctant to participate, even passively as he watches. As the two criminals, Ulrich Thomsen (as Peer Sommer) and Woltan Mohring (as Timo Friedrich) give strong and believable performances that center upon their individual but similar proclivities for depravity: brave actors both to take on such abhorrent roles.
But why a gap of 23 years? Well, that's where the story really starts, after we see the first murder in the first five minutes. And when the second murder occurs, so also occurs the retirement party for the local police detective (Krischan Mittich played by Burghart Klaussner) who failed to solve the first; so also the return to duty of an eccentric, grieving, widowed officer (David Jahn played by Sebastian Blomberg) who is obviously still distraught by the loss of his wife (to cancer) and who engages in bizarre activity; and so also the emotional awakening of the mother of the first murdered teen (Elena Lange played by Katrin Sass), who has been locked in unrelenting grief for over twenty years.
And in that mix there is repressed and introverted Timo now a successful architect, beautiful home, lovely wife, two munchkins, the works who, when he reads about the second murder, knows immediately who it is and decides something must be done But, what?
As the police investigate, and as the clues are revealed, the net so to speak tightens without the two miscreants knowing. But, as viewers, we know it all, and gradually we move to the edge of our seat as we see how the wrong decisions are made, how the wrong inferences are drawn, how actions by one can be misconstrued by another all too easily, and ultimately how facts can be ignored or discarded for political expediency or professional jealousy and for the need to close a case, once and for all.
Arguably, suspenseful story doesn't get much better than this; although some viewers might argue about narrative holes and coincidence. However, because it's so believable it's so much better, especially the ending which I'm sure many maybe most viewers will not see coming, including me. Only in the last thirty seconds, perhaps when the full irony hits you between the eyes.
The setting is semi-rural, ordinary and faultless; the production is well paced, even at two hours; the dramatic acting there is absolutely no comic relief is flawless; and the direction is so good, well, a glance or look truly is more effective than a thousand words. The background music is appropriate but, at times, borders on clichéd, I think. However, this is a movie I'll watch again not only for the story but also for the narrative structure that combines so many different threads of lives shattered by indifference, inaction, inadequacy or inconsolable sadness.
Highly recommended.
November 2011.
33 of 35 people found this review helpful.
Was this review helpful to you?
Most murders are committed by people who know their victim, a fact that is standard fare in most whodunits. Rarely are murders committed at random, although the recent horrific thriller Funny Games (1997, remade 2007) presents the worst possible scenario.
But random murders do occur in real life: all over the world, people disappear and forever remain 'dead' with family and friends who are forever in limbo, unable to achieve closure. Only sometimes are the perpetrators caught.
With that thematic background, The Silence presents just that scenario with the rape and murder of a young female teen that remains on the books of the local police for 23 years until it happens again to another teen, on the same day of the year, at the same place, and with the same modus operandi.
Unlike other serial killer movies for example, The Silence of the Lambs (1991) we know the identity of the killer from the get-go. Moreover, we also immediately know there are two perpetrators, although one of them is obviously reluctant to participate, even passively as he watches. As the two criminals, Ulrich Thomsen (as Peer Sommer) and Woltan Mohring (as Timo Friedrich) give strong and believable performances that center upon their individual but similar proclivities for depravity: brave actors both to take on such abhorrent roles.
But why a gap of 23 years? Well, that's where the story really starts, after we see the first murder in the first five minutes. And when the second murder occurs, so also occurs the retirement party for the local police detective (Krischan Mittich played by Burghart Klaussner) who failed to solve the first; so also the return to duty of an eccentric, grieving, widowed officer (David Jahn played by Sebastian Blomberg) who is obviously still distraught by the loss of his wife (to cancer) and who engages in bizarre activity; and so also the emotional awakening of the mother of the first murdered teen (Elena Lange played by Katrin Sass), who has been locked in unrelenting grief for over twenty years.
And in that mix there is repressed and introverted Timo now a successful architect, beautiful home, lovely wife, two munchkins, the works who, when he reads about the second murder, knows immediately who it is and decides something must be done But, what?
As the police investigate, and as the clues are revealed, the net so to speak tightens without the two miscreants knowing. But, as viewers, we know it all, and gradually we move to the edge of our seat as we see how the wrong decisions are made, how the wrong inferences are drawn, how actions by one can be misconstrued by another all too easily, and ultimately how facts can be ignored or discarded for political expediency or professional jealousy and for the need to close a case, once and for all.
Arguably, suspenseful story doesn't get much better than this; although some viewers might argue about narrative holes and coincidence. However, because it's so believable it's so much better, especially the ending which I'm sure many maybe most viewers will not see coming, including me. Only in the last thirty seconds, perhaps when the full irony hits you between the eyes.
The setting is semi-rural, ordinary and faultless; the production is well paced, even at two hours; the dramatic acting there is absolutely no comic relief is flawless; and the direction is so good, well, a glance or look truly is more effective than a thousand words. The background music is appropriate but, at times, borders on clichéd, I think. However, this is a movie I'll watch again not only for the story but also for the narrative structure that combines so many different threads of lives shattered by indifference, inaction, inadequacy or inconsolable sadness.
Highly recommended.
November 2011.