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Das letzte Schweigen (2010) 6.7
Ratings:
6.7/10 from 1,255 users
Metascore: 72/100
Reviews: 13 user | 50 critic | 12 from Metacritic.com 13-year-old Sinikka vanishes on a hot summer night. Her bicycle is found in the exact place where a girl was killed 23 years ago. The dramatic present forces those involved in the original case to face their past. Director:Baran bo Odar |
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Cast
| Cast overview, first billed only: | |||
| Ulrich Thomsen | ... |
Peer Sommer
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Wotan Wilke Möhring | ... |
Timo Friedrich
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| Katrin Saß | ... |
Elena Lange
(as Katrin Sass)
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| Sebastian Blomberg | ... |
David Jahn
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| Burghart Klaußner | ... |
Krischan Mittich
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Karoline Eichhorn | ... |
Ruth Weghamm
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Roeland Wiesnekker | ... |
Karl Weghamm
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Jule Böwe | ... |
Jana Gläser
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Oliver Stokowski | ... |
Matthias Grimmer
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| Claudia Michelsen | ... |
Julia Friedrich
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Amon Robert Wendel | ... |
Malte
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Kara McSorley | ... |
Laura
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Anna Lena Klenke | ... |
Sinikka
(as Anna-Lena Klenke)
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Helene Luise Doppler | ... |
Pia
(as Helene Doppler)
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Eric Bouwer | ... |
Azubi Polizei
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Storyline
13-year-old Sinikka vanishes on a hot summer night. Her bicycle is found in the exact place where a girl was killed 23 years ago. The dramatic present forces those involved in the original case to face their past.
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Details
Country:
GermanyLanguage:
GermanRelease Date:
19 August 2010 (Germany) See more »Also Known As:
Il était une fois un meurtre See more »Box Office
Budget:
€2,300,000 (estimated)Opening Weekend:
$7,992 (USA) (8 March 2013)Gross:
$85,809 (USA) (17 May 2013)Company Credits
Production Co:
Cine Plus, Lüthje & Schneider Filmproduktion, Das Kleine Fernsehspiel (ZDF) See more »
Show detailed
company contact information
on
IMDbPro »
Oh dear. Germany has produced quite a few films like this. They contain long, long silences, which are meant to be artistic and profound. In fact, the result is often boredom, and perhaps even worse than that, a lack of proper development of the situation, the characters and the plot. It's as if any German (or Swiss, in this case) director worth his or her salt must disdain anything that might smack of conventional, clichéd storytelling. Unfortunately, they just swap them for other clichés and become lethargic in the process. Apparently this film has been compared to the Killing (the Danish TV serial) and I can see some similarities - except that the Danes know how to combine the elegaic with interesting characters and a story that moves.
It's a shame, because there are good actors in here, especially Möhring and Blomberg. The latter might overact a bit, but he is nevertheless compelling to watch.
I can't recommend it.