2 items from 2015
A love letter to a bygone era of New York City, namely the late ‘80s, “Ten Thousand Saints” sees directing duo Shari Springer Berman and Robert Pulcini returning to a more personal approach to filmmaking — or at least as personal as possible when adapting another’s material, in this case the debut novel by author Eleanor Henderson. Part teen romance, part awkward love triangle, part generational-clash portrait, and almost all powered by nostalgia, this warmly conceived dramedy will likely resonate strongest with audiences who have a direct connection to the story’s place and time. Otherwise, there’s not much to suggest a theatrical windfall, and only slightly better odds in ancillary.
The story actually kicks off in 1980 Vermont, on a particularly eventful night for young hero Jude (Henry Kelemen). He’s hit with a double whammy: His no-nonsense mom, Harriet (Julianne Nicholson), has kicked his hippie dad, Les (Ethan Hawke »
- Geoff Berkshire
A first sampling of Sundance offerings reveals illuminating documentaries and compelling, if not perfect, narratives
A bit of friendly advice to the producers of “Ten Thousand Saints”: Please, please, please get rid of the opening narration in which the protagonist observes that life is like a river. It’s the worst line of dialogue in the whole movie, and it starts the proceedings off with a cringe.
Luckily, the script (by directors Shari Springer Berman and Robert Pulcini, adapting the novel by Eleanor Henderson) gets better from there. After the death of his best friend Teddy (Avan Jogia, also »
- Alonso Duralde
2 items from 2015
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