Realism and fantasy collide in Jonathan Lethem's genre-bending coming-of-age story, which follows two estranged brothers as they try to leave New York City for a new life in California only... See full summary »
Anthony M. Bertram
Middle-aged chambermaid Hélène's newfound obsession with the game of chess leads her to seek the tutelage of a reclusive American expat, transforming both of their ho-hum lives in the ... See full summary »
A mattress salesman finds his plan to adopt a Chinese baby augmented by the arrival of a young woman, who comes into his workplace, falls asleep on one of the beds, and starts to affect his life upon waking up.
Working in a Boston homeless shelter, Nick Flynn re-encounters his father, a con man and self-proclaimed poet. Sensing trouble in his own life, Nick wrestles with the notion of reaching out yet again to his dad.
The twisted, sexually offbeat memoir by author Jonathan Ames becomes this original adaptation about the sexual peccadilloes of the writer (playing himself) as he experiences masculinity ... See full summary »
Louis, a young teacher enamored of the age of F. Scott Fitzgerald, loses his job when he's caught trying on a bra he finds in a campus office. He decides to go to New York City to find himself and to be a writer. He answers an ad for a housemate placed by the eccentric and opinionated Henry Harrison; an odd-couple relationship starts. Louis gets a job selling advertising for a green magazine and fancies Mary, a co-worker. He meets Henry's neighbor, the hirsute Gershon, and Henry offers Paul schooling in the gentleman's world of being an "extra man" - a hired companion, a gigolo - for older women. Can Louis sort out these varied worlds as well as his own expectations? Written by
Louis's car was a 1974 Pontiac Grand Ville 2 door, which was the last full-size convertible built by Pontiac. Pontiac Grand Ville was the top-trim model in Pontiac's full-sized line from 1971 to 1975. It replaced Pontiac Bonneville, which had been Pontiac's top-trim model since 1958. See more »
As the main characters ride in a convertible out of the city, the background scenery of a cemetery is continuously repeated. See more »
Gershon was a slave to his libido. He used to bring prostitutes from the Bronx into his apartment, and they would steal things. He couldn't stop, so he turned to me for help. I told him to develop other interests, like reading the dictionary to improve his vocabulary, and bicycle riding - which so far has worked wonders. Course, he's still an obsessive masturbator.
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Kevin Kline creates the sort of character we haven't seen in a long time, not since Clifton Webb, Noel Coward or even George Sanders, an actor dares to step into the uncomfortable zone with so much wit and panache. He is the reason to see the film and in my book, that's reason enough. Paul Dano is wonderful but he projects a strange feeling. As if he has been removed from the pot a bit too quickly. He doesn't look quite done yet. Thoroughly undercooked. One has the overwhelming feeling, he won't be able to survive in this world. The film, as film, doesn't have the aspirations of Paul Schrader's "The Walker" nor its darkness but if you're not put off by a slightly tentative direction, you're in for a treat.
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