Realism and fantasy collide in Jonathan Lethem's genre-bending coming-of-age story, which follows two estranged brothers as they try to leave New York City for a new life in California only... See full summary »
Anthony M. Bertram
Middle-aged chambermaid Hélène's newfound obsession with the game of chess leads her to seek the tutelage of a reclusive American expat, transforming both of their ho-hum lives in the ... See full summary »
A mattress salesman finds his plan to adopt a Chinese baby augmented by the arrival of a young woman, who comes into his workplace, falls asleep on one of the beds, and starts to affect his life upon waking up.
Working in a Boston homeless shelter, Nick Flynn re-encounters his father, a con man and self-proclaimed poet. Sensing trouble in his own life, Nick wrestles with the notion of reaching out yet again to his dad.
The twisted, sexually offbeat memoir by author Jonathan Ames becomes this original adaptation about the sexual peccadilloes of the writer (playing himself) as he experiences masculinity ... See full summary »
Louis, a young teacher enamored of the age of F. Scott Fitzgerald, loses his job when he's caught trying on a bra he finds in a campus office. He decides to go to New York City to find himself and to be a writer. He answers an ad for a housemate placed by the eccentric and opinionated Henry Harrison; an odd-couple relationship starts. Louis gets a job selling advertising for a green magazine and fancies Mary, a co-worker. He meets Henry's neighbor, the hirsute Gershon, and Henry offers Paul schooling in the gentleman's world of being an "extra man" - a hired companion, a gigolo - for older women. Can Louis sort out these varied worlds as well as his own expectations? Written by
The wedding scene at the end of the film, and the rice throwing on the street afterward, took place at The New Middle Collegiate Church, Second Avenue, East Village, located between Sixth and Seventh Streets. See more »
As the main characters ride in a convertible out of the city, the background scenery of a cemetery is continuously repeated. See more »
Great to see Kevin Kline in a witty role again. Cleverly written lines give some snickers, excellent techniques at times transported me. The physical slapstick was a little off, but the gags made up for it. If you like Kevin Kline, you'll like this movie. Give it a try. It will appeal to the astute mind. The rich old women are entertaining and the glimpses of the other side of life are sensitively done, with tongue in cheek. The metaphor of the pigeons is a clever one observed by Henry (Kevin Kline) himself, in this high-brow yet Oscar Wildeish thrust-and-parry into the world of the Henry and his protégé, the young gentleman. Ending on a feel-good note with the credits rolling to a zany variation of a Marc Bolan written T-Rex number 'Dandy in the Underworld'. 8/10.
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