Tim Lippe has no idea what he's in for when he's sent to Cedar Rapids, Iowa to represent his company at an annual insurance convention, where he soon finds himself under the "guidance" of three convention veterans.
Dispatched from his basement room on an errand for his widowed mother, slacker Jeff might discover his destiny (finally) when he spends the day with his unhappily married brother as he tracks his possibly adulterous wife.
The twisted, sexually offbeat memoir by author Jonathan Ames becomes this original adaptation about the sexual peccadilloes of the writer (playing himself) as he experiences masculinity ... See full summary »
Louis, a young teacher enamored of the age of F. Scott Fitzgerald, loses his job when he's caught trying on a bra he finds in a campus office. He decides to go to New York City to find himself and to be a writer. He answers an ad for a housemate placed by the eccentric and opinionated Henry Harrison; an odd-couple relationship starts. Louis gets a job selling advertising for a green magazine and fancies Mary, a co-worker. He meets Henry's neighbor, the hirsute Gershon, and Henry offers Paul schooling in the gentleman's world of being an "extra man" - a hired companion, a gigolo - for older women. Can Louis sort out these varied worlds as well as his own expectations? Written by
As Henry drives Louis and himself to the theater for the first time, Henry demonstrates that he is a wild driver, without concern for other drivers and pedestrians. At one point, a voice off-screen yells "Asshole!" This is what Otto would exclaim from time to time as he wildly drove through London in A Fish Called Wanda (1988). Both Henry and Otto are played by Kevin Kline. See more »
As the main characters ride in a convertible out of the city, the background scenery of a cemetery is continuously repeated. See more »
Great to see Kevin Kline in a witty role again. Cleverly written lines give some snickers, excellent techniques at times transported me. The physical slapstick was a little off, but the gags made up for it. If you like Kevin Kline, you'll like this movie. Give it a try. It will appeal to the astute mind. The rich old women are entertaining and the glimpses of the other side of life are sensitively done, with tongue in cheek. The metaphor of the pigeons is a clever one observed by Henry (Kevin Kline) himself, in this high-brow yet Oscar Wildeish thrust-and-parry into the world of the Henry and his protégé, the young gentleman. Ending on a feel-good note with the credits rolling to a zany variation of a Marc Bolan written T-Rex number 'Dandy in the Underworld'. 8/10.
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