Realism and fantasy collide in Jonathan Lethem's genre-bending coming-of-age story, which follows two estranged brothers as they try to leave New York City for a new life in California only... See full summary »
Anthony M. Bertram
The Hollywood Memorial Park cemetery was run down and bankrupt. Tyler Cassity, a young visionary from St. Louis, bought it for a song. Not only did he renovate the cemetery (the burial ... See full summary »
A mattress salesman finds his plan to adopt a Chinese baby augmented by the arrival of a young woman, who comes into his workplace, falls asleep on one of the beds, and starts to affect his life upon waking up.
Middle-aged chambermaid Hélène's newfound obsession with the game of chess leads her to seek the tutelage of a reclusive American expat, transforming both of their ho-hum lives in the ... See full summary »
The twisted, sexually offbeat memoir by author Jonathan Ames becomes this original adaptation about the sexual peccadilloes of the writer (playing himself) as he experiences masculinity ... See full summary »
Louis, a young teacher enamored of the age of F. Scott Fitzgerald, loses his job when he's caught trying on a bra he finds in a campus office. He decides to go to New York City to find himself and to be a writer. He answers an ad for a housemate placed by the eccentric and opinionated Henry Harrison; an odd-couple relationship starts. Louis gets a job selling advertising for a green magazine and fancies Mary, a co-worker. He meets Henry's neighbor, the hirsute Gershon, and Henry offers Paul schooling in the gentleman's world of being an "extra man" - a hired companion, a gigolo - for older women. Can Louis sort out these varied worlds as well as his own expectations? Written by
The first party which Henry (Kevin Kline) takes Louis (Paul Dano) to takes place in a Manhattan Art Museum named "Neue Galerie New York," which means literally "New Gallery New York," and which specializes exclusively in 20th Century Austrian and German art and decorative art. When Meredith (Celia Weston) mentions that someone is "over by the Klimt," the reference is to a painting called "Adele Bloch-Bauer I," seen on screen prominently, which was painted by Gustave Klimt in 1907. See more »
As the main characters ride in a convertible out of the city, the background scenery of a cemetery is continuously repeated. See more »
Unfortunately, I said something that offended her, and we had a falling out.
What did you say that offended her?
I told her that her ass is big, that she's a saddleback and possibly a moral imbecile.
Henry, that seems a lot to recover from.
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Henry Harrison (Kevin Kline) is "The Extra Man", but to him, he's an "essential man". He seems to live in a time and class that he doesn't physically occupy. Louis Ives (Paul Dano) would really just like to be a character in an F. Scott Fitzgerald novel. These characteristics were so intriguing at the beginning of the film because there are a lot of thoughtful and interesting directions to take it.
They make a great pairing, except for the fact that Henry isn't just homophobic, but proudly and defiantly, extremely homophobic, and Louis is proudly and completely confused. And neither of them understand the nature of their friendship. When the film chooses to explore Louis' inner transvestite and getting deeper into Henry's obsession as the essential man, everything just gets weird.
"The Extra Man" is an extremely intelligent film. There was clearly a lot of effort put into the writing, the characters, the acting and the making of this film, but the weird directions it took were too much for me. I want to recommend it to those who like smart, philosophical, but weird, independent films. Just look out for some "sexually deviant behaviour".
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