In the beautiful, otherworldly Carpathian Mountains a woman is traveling with a small boy in a horse and cart, looking to punish those who once abused her. For years, Katalin has been ... See full summary »
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Katherine, who survived the Holocaust at the age of seven, visits her once left fatherland of Transylvania, Romania for the first time departing from Sweden with her family. Not only the ... See full summary »
Lucie Audibert, a student of Art History, does research work on Watteau. She is persuaded that a hidden sense that nobody has ever deciphered can be found in a few of his paintings. The ... See full summary »
Laurent de Bartillat
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Two scientists are selected to travel across the universe to the source of a distant transmission and potential life. As they travel further from home, and further into the isolation of ... See full summary »
In the beautiful, otherworldly Carpathian Mountains a woman is traveling with a small boy in a horse and cart, looking to punish those who once abused her. For years, Katalin has been keeping a terrible secret. Hitchhiking with two men, she was brutally raped in the woods. Although she has kept silent about what happened, she has not forgotten, and her son Órban serves as a living reminder. When her village discovers her secret, Katalin's husband rejects her. With nothing to lose, she is free to seek revenge on the perpetrators. As she puts human faces to horrible acts, she is forced to consider that morality might not be as black and white as she had imagined. Written by
Santa Barbara Intl Film Festival
Great, atmospheric effort from Strickland. I can only imagine he had some affinity with this part of Romania whether from childhood or other. The soundtrack and some of the slow lingering shots (esp. the scene looking at child, mother and horse not moving from behind, and the forest shot) were very affecting, and reminded me of Tarkovsky (not in a bad way ;)I got to thinking of the inextricable nature of all things, of how everything (as a single glorious 'entity') was so deviously and religiously bound up that to even attempt to extract something from it was tantamount to destructuring the whole (and thus destroying its royalty). That a film can inspire me (it has to be said not single-handedly)to such ends is indicative of a deep metaphysical quality within it.There is a particular sentence that the man utters towards the end of the film that resonates deeply towards this metaphysis. I shan't explicate it, nor even repeat it, but you shall know it when you hear it.
Thanks for this Strickland, and all who were involved in and outside it (even the guy who carted the extra film stock when, presumably, you ran out ;) 'Ultimately, there are no parts at all.' Fritjof Capra, The Web of Life.
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