Edit
Storyline
Having been captured by the Dharma Initiative on the island in 1977 after being mistaken for a "hostile", Sayid meets a young Ben Linus who offers to help him escape, while Sawyer and the Dharma members try to interrogate him for information. Sayid flashes back to his days as an assassin for Ben who releases him from his contract, and how Sayid later met the manipulative adult Ben in Dominica who persuaded him persuade him to return to the island, and how Sayid met Ilana, a private investigator/contract killer, who abducted him to return to Australia for his past crimes. Written by
matt-282
Plot Summary
|
Plot Synopsis
Edit
Did You Know?
Trivia
During the scene in Moscow, the fake snow damaged some of the cars and ABC had to pay for paint jobs on many of them.
See more »
Goofs
When Sayid shows up at the marina, he tells Ben "If I see you again, it'll be extremely unpleasant for us both." However, in the original episode this conversation occurred in (S5E05 - 'This Place Is Death'), the line was "And if I see you, or him, again, it'll be extremely unpleasant for all of us."
See more »
Quotes
Ilana:
I like sad men.
Sayid Jarrah:
I'm sorry to hear that.
See more »
Soundtracks
"End Title"
(uncredited)
Written by
Michael Giacchino
Performed by
The Hollywood Studio Symphony See more »
Few episodes of "Lost" are as dull and inconsequential as "He's Our You", and coming from writers as accomplished as Edward Kitsis and Adam Horowitz it's quite shocking how mediocre this script is. There is none of their usual humor or their knack for great character-driven drama here. Their last episode before this was "This Place is Death". If you compare both scripts and think this is even in the same league you need to correct your taste and get checked for mental health issues. Even the ending to this episode isn't all it's cracked up to be. Sure it'll keep us chattering for a week but we know they'll solve it easily. If they don't I'll edit this out but until then I find nothing special about this ending, aside from an initial moment of surprise.
The episode is character-centric, but all "Lost" episodes are. It has become a common defense for some "Lost" fans to use when describing mediocre episodes with no action, regardless of whether or not the characters are interesting in the episode or not.. "He's Our You" will be defended by some as a great character episode, or a good character episode. It is not. It is a dumb, simplistic rehash of themes which have been present in Sayid episodes since season one's "Solitary". It adds nothing new to the mix and where it could have done so, in the relationship between Sayid and Ben, it didn't. At least not until near the end of the episode.
All the other character interactions are boring and pointless. The conclusion of Sayid's hit-man missions for Ben is perfunctory and uninteresting, same goes for Ilana's background and how her and Sayid ended up on the plane. When did "Lost" turn into "24"? The truth-telling drug was probably one of the silliest bits "Lost" has ever done. Poorly-written, poorly-conceived, extremely convenient, and a total disaster when it comes to the handling of tone in a scene. I blame director Greg Yaitanes for that bit. (edit: after seeing the episode again, I must disagree with myself on that point, but I don't like the episode much as a whole).
This episode is as close to 'filler' as we've gotten on "Lost" since the abominable Hydra island storyline.