Zoé decides to hit the road to approach a writer she admires. She believes that a road trip might give purpose to her life. On the way, she meets Adrien, a young comedian. Intrigued by her elusive personality, he decides to follow her.
Amélie van Elmbt
Alice de Lencquesaing,
Ibrahim left his family to try his luck in Tehran. But in this asphalt jungle where everything can be bought and sold a dream can easily become a nightmare. Involved into the traffic of ... See full summary »
Nader T. Homayoun
Ahmad Ali Abassian,
Mathias Pascal, saddled with a stupid wife and a nagging mother-in-law, leaves home and is extremely lucky at several gambling resorts. He returns home and discovers that a drowned man, ... See full summary »
A story about the transition from late youth to early maturity, the film follows several friends and lovers as they come to make decisions on how to live their lives--getting a job more in ... See full summary »
In the first half, Gregoire, a movie producer of great charm, owner of Moon Films, plays with his younger daughters, talks with his wife and his eldest daughter, and keeps his studio going while one project hemorrhages money and creditors circle. In the second half, Sylvia, his Italian wife, tries to hold the family together as she looks fully into Moon Films' troubles. She meets with a banker, a temperamental Swede, Russian TV magnates, a film lab exec, and Moon's lawyer. Clémence, the oldest daughter, goes on her own search. Debt can crush; how does a family pick up the pieces? Written by
'The Father Of My Children' tells the story of the family of a film producer who comes under financial stress. Plot-wise, the film surprises when the expected ending occurs half-way through; we thus get to also see the aftermath. There's nothing wrong with this per se, although it means we really have two stories in one, and the overall narrative arc is thus slightly broken. But I don't think this is the only reason this film seems strangely devoid of dramatic tension. Even though there are some fairly notable developments, nothing really seems to upset the serenity of its affluent characters. At one point, there's a power cut and the lights go off; after a few minutes, they come back on again, and in some ways, that's how the whole film feels: stuff happens, but the consequences always seem not to actually matter that much. I normally like understated films; but this one, although nicely put together, feels underplayed, and therefore, just a little uninteresting.
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