After being cut from the USA softball team and feeling a bit past her prime, Lisa finds herself evaluating her life and in the middle of a love triangle, as a corporate guy in crisis competes with her current, baseball-playing beau.
A chronicle of country music legend Johnny Cash's life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis and Carl Perkins.
In 2008 while rehearsing for a charity event, actor Joaquin Phoenix, with Casey Affleck's camera watching, tells people he's quitting to pursue a career in rap music. Over the next year, we watch the actor write, rehearse, and perform to an audience. He importunes Sean Combs in hopes he'll produce the record. We see the actor in his home: he parties, smokes, bawls out his two-man entourage, talks philosophy with Affleck, and comments on celebrity. Written by
Joaquin Phoenix possesses the unique ability to make himself throw up without even having to stick his fingers down his throat. This gift came in handy for the scene after his disastrous rap performance where he is seen barfing into a toilet. See more »
When Phoenix first meets Diddy in the hotel, he knocks on the door on the right side of the hall, then the camera switches and Diddy is opening the door on the left side of the hall. It can't just be a change in camera angle since the door is the last one on the hall. See more »
Do the snow angel, dude. I can reach you, do the fucking snow angel. Dude, do the fucking snow angel. Do the snow angel, man. Do the fucking snow angel, dude. Do the fucking snow angel!
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"Joaquin, I'm sorry you couldn't be here tonight." David Letterman
As a piece of performance art, I'm Still Here is as good a mockumentary about celebrity insanity as you will ever get, except, of course, for This is Spinal Tap, which is the real deal of satire. Director Casey Affleck follows his brother-in-law for more than a year after Phoenix's decision to retire from his successful acting career and become a hip-hop artist.
The iconic, Nick-Nolte-like image of Phoenix with a beard and sunglasses, a sort of Blues Brother and Smith Brother all in one, is both hilarious and sad, depending on whether you believe the story of his retirement or see it as a smart marketing campaign for this film and his career. His expertly scoring blow and constantly smoking weed have an authentic air about them although a good actor could simulate. His abuse of his many paid assistants is accurate for a star but almost unbelievable for such a talented one (Walk the Line, Revolution Road). The poor quality of the sound and image makes it a Blair-Witch kin or a device to evoke realism.
I am a disbeliever because although Phoenix convinces me he is sincere about retirement, the actual lack of talent he has, evidenced more than once in the film, leads me to think it's a finely-wrought hoax. No actor as smart as Phoenix could ever judge himself talented, especially as he forms a relationship with Sean Combs, one of the great rappers of our time and in the film a shrewd judge of Phoenix's sophomoric attempts. Phoenix's gig with Letterman, see quote at beginning, could have been a part of the hoax. Throwing up after a performance looked real enough.
Phoenix could make himself into a minor rap artist if he wantedwitness his successful learning to play guitar and sing as Johnny Cashyet it seems he prefers not to learn well just so he can fail and return into acting, where the dollars will follow.
The title is instructivedoes it mean the acting Phoenix is still here, or does it suggest his whole personamusician and actoris here. I don't know the answer; I just know my film critic side thinks it sees a con.
If it is all true, Joaquin Phoenix will have time to get back to his real talent, acting. If not, he'll spend time mending a reputation he has willfully wrecked.
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