The Rocker tells the story of a failed drummer who is given a second chance at fame. Robert "Fish" Fishman is the extremely dedicated and astoundingly passionate drummer for the eighties ... See full summary »
Beca, a freshman at Barden University, is cajoled into joining The Bellas, her school's all-girls singing group. Injecting some much needed energy into their repertoire, The Bellas take on their male rivals in a campus competition.
In this irreverent comedy, a failed actor-turned-worse-high-school-drama-teacher rallies his Tucson, AZ students as he conceives and stages politically incorrect musical sequel to Shakespeare's Hamlet.
In 2008 while rehearsing for a charity event, actor Joaquin Phoenix, with Casey Affleck's camera watching, tells people he's quitting to pursue a career in rap music. Over the next year, we watch the actor write, rehearse, and perform to an audience. He importunes Sean Combs in hopes he'll produce the record. We see the actor in his home: he parties, smokes, bawls out his two-man entourage, talks philosophy with Affleck, and comments on celebrity. Written by
The final sequence in the film, where Joaquin Phoenix is trekking through the river, was actually longer in the original cut. It was almost another three minutes longer, but Casey Affleck thought that it was "beating a dead horse" at that point and decided to cut it shorter, and that is what we see in the final film. See more »
When Phoenix first meets Diddy in the hotel, he knocks on the door on the right side of the hall, then the camera switches and Diddy is opening the door on the left side of the hall. It can't just be a change in camera angle since the door is the last one on the hall. See more »
Well great, I'd like a fucking joint. And to be anywhere other than Washington fucking D.C. But life is not a Christmas day.
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A scathing and hilarious indictment of the category of celebrity
Under normal circumstances, I might have given this title a slightly lower rating, but the criminally low scores given by some reviewers demanded a strong counterpoint.
This was an immensely intelligent and relevant film to come out of Hollywood, made by actors, celebrities in their own right, who are clearly sickened by the solipsistic egoism of the entertainment industry and its undeserved position of prominence in American culture.
The grotesque character Phoenix and Affleck bring to the screen, perhaps crystallized best in an instance where the former physically attacks a heckler during a performance and subsequently voids his stomach after all the exertion, instantly - and irrevocably - shatters the glamorous veneer that surrounds the category of 'the celebrity'. This, I suspect and fear, may be one of the reasons why some of the reviewers in these pages had an aversion to the film.
As a Brit, I've been brought up on slightly surreal, and often fairly, dark humour - a la Chris Morris's 'Jam' and 'Brass Eye'. But this really pushed things further, and I felt myself challenged as a viewer, which is always a good thing in my book.
My advice would be to watch this film and make up your own mind. Perhaps the best way to recommend this feature is to mention the fact that, almost 12 hours after having seen it, I still feel a warm sense of edification, a feeling that is rarely induced by watching movies (I'm more of a reader).
A timely satire that bursts the celebrity bubble.
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