In I'LL HAVE WHAT PHIL'S HAVING, Rosenthal sets his sights on kitchens both on and off the well-worn gastronomic path, where he meets those who are keeping traditions alive and creating new... See full summary »
The show takes place in Moscow house, where in three-room apartment lives a young family. The main characters - a sports commentator Konstantin (head of the family), his wife Vera (... See full summary »
When fans cannot get close to the real thing, these professionals step in to fill the void. As the old adage goes, 'imitation is the sincerest form of flattery.' From a celebrity ... See full summary »
More money flows through the family courts, and into the hands of courthouse insiders, than in all other court systems in America combined - over $50 billion a year and growing. Through ... See full summary »
The documentary consists of tape of Don's show (never been filmed before), interviews with Don's contemporaries, (Steve Lawrence, Bob Newhart, Debbie Reynolds, etc.), established comedians ... See full summary »
Harry Dean Stanton,
Follow Phil Rosenthal, creator of the hit TV series 'Everybody Loves Raymond,' in this incredibly funny true story of the attempt to translate 'Raymond' into a Russian sitcom. A hilarious, warm and intimate journey of one man, considered an expert in his country, who travels to a distant land to help people that don't seem to want his help. Lost in Moscow, lost in his mission, lost in translation, Phil tries to connect to his Russian colleagues but runs into unique characters and situations that conspire to drive him insane. The movie is a true international adventure, a genuine 'fish out of water' comedy that could only exist in real life. Written by
Philip Rosenthal wrote and produced the TV show "Everybody Loves Raymond". Now that the show has run its course in the States, Rosenthal is trying to sell the idea of the series to the Russians. The problem is that the cultures are very, very different. What's funny in America isn't always funny in Russia and vice-versa. As "Raymond" wasn't as broadly written as some more successful comedies in Russia (such as "The Nanny"). And, in addition, so often Rosenthal has no idea what's going on when he visits the country--so much gets lost in translation.
I noticed that another reviewer found this documentary hilarious. Well, I didn't--and this isn't a complaint, really. It is occasionally droll. But what I think is that the film is insightful and gives the viewer a look at cross-cultural differences--and that's what I appreciated about the film. Not a must-see, but very enjoyable. And, in some ways it reminds me of the Albert Brooks film "Looking For Comedy In The Muslim World" combined with an episode of Anthony Bourdain or Andrew Zimern's shows on travel and gastronomy. Rosenthal just visits with various Russians and films whatever happens--for good or bad. Interesting.
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