The true story of Whitey Bulger, the brother of a state senator and the most infamous violent criminal in the history of South Boston, who became an FBI informant to take down a Mafia family invading his turf.
The film tells the story of the identical twin gangsters Reggie and Ronnie Kray, two of the most notorious criminals in British history, and their organised crime empire in the East End of London during the 1960s.
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A cryptic message from Bond's past sends him on a trail to uncover a sinister organization. While M battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind SPECTRE.
Steve Jobs takes us behind the scenes of the digital revolution, to paint a portrait of the man at its epicenter. The story unfolds backstage at three iconic product launches, ending in 1998 with the unveiling of the iMac.
Based on a true story of James "Whitey" Bulger, an Irish Mob godfather and FBI informant who had a "secret trading" deal with his brother, William "Billy" Bulger, a state senator and a Boston public figure, and John Connolly, an FBI agent. They planned to take down the Italian mob and mafia in Boston, which went awry and things turned massively violent. When the credence for each other began fading out, drug dealing, murders, and extortion started to rise, and forced the FBI's Boston office to confirm that Whitey Bulger was one of the most notorious criminals in US history and also one of the FBI's Ten Most Wanted List criminals. Written by
In order to ensure that Johnny Depp's performance was true to the actual James 'Whitey' Bulger, Scott Cooper hired some of Bulger's old associates as consultants to the film with each of them praising Depp's performance by simply saying, "That's Whitey." See more »
Although the Angulios' address in Boston's North End was 98 Prince St., the street used to characterize events happening at that address in the picture, was actually a side street nearby Prince St. Probably a lot easier to shoot on the little side street than it would have been to shoot the scene on Prince St., which is longer, and a lot more heavily traveled than the street where the scenes were actually shot. See more »
Before we start, I want you to kow something. I'm not a rat. You understand? I want that on record before we start.
DEA Agent Eric Olsen:
Okay. You are not a rat. And it's on record. Mr. Weeks, the charges against you, racketeering, extortion, kidnapping, and accomplice to murder, are very serious. Am I correct in stating that you are here today to make a deal with the federal government?
DEA Agent Eric Olsen:
And am I correct in stating that you are going from trusted confidant to one of South Boston's most ...
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As the actors are listed, pictures and footage of the real people they portrayed are shown. See more »
I try not to get my hopes up too much for certain movies, and "Black Mass" (which I got very excited about) just reminds me why.
Oh, Scott Cooper... how did you manage to make one of the most twisted, unusual, and mysterious gangster stories into an emotionless web of a film? From acting to editing, there was so much wrong that it's almost surprising.
My main issue was the nonexistence of a certain necessity: stakes. In all great mafia flicks, stakes are essential. Would "Goodfellas" have been as remarkable if it didn't feel like any wrong move would set off a universe-ending set of events? Would the "Godfather" have been considered the greatest film of all time if a war wasn't seconds away from breaking out? "Black Mass" managed to keep a story that easily could've had those steaks from having any at all. This was, of course, caused by the emotionless acting, but more on that in a second. But this film really made me not care if the protagonist (whether you consider that to be Bulger or Connolly) lives or dies; and in a mob movie, that is a worse crime than anything committed on screen.
So the acting I blame entirely on Cooper. Every single actor did a great job with what they were given, but the problem is that they were given the wrong thing. For example, Depp was probably told to play a silent yet psychotic, friendly yet intimidating crime lord. Did he do that well? Absolutely. Is that who the character was written as? Not at all. Same goes for Joel Edgerton's - who I thought did the best job out of all of the actors - character, Jesse Plemons' character, and even smaller characters like Adam Scott's. All those actors did well, but not in the right parts.
The list goes on with issues, so let's talk about why the movie got 2 stars rather than zero (therefore, let's talk about the positives). I've heard some critics discuss the overuse of violence in the film. Though there is quite a bit of violence, I thought it was used very tastefully. No blood was used where it didn't seem necessary, and personally, I think that the violence becomes numbing, which takes us even further into the mob guys' mentality on murder. Also, I thought the shooting locations were very well chosen, as they really captured the narrow-mindedness of the lead characters' lives.
So should you see this movie? -If you love mafia movies of any shape or size, then go see it. -If you love Johnny Depp, wait until it comes out on demand. -If you don't love mafia movies, haven't seen many mafia movies, or just have none of the listed qualities above, then don't see this film.
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