| Photos (See all 19 | slideshow) | Videos (see all 17) |
| Julianne Moore | ... | Catherine Stewart | |
| Liam Neeson | ... | David Stewart | |
| Amanda Seyfried | ... | Chloe | |
| Max Thieriot | ... | Michael Stewart | |
| R.H. Thomson | ... | Frank | |
| Nina Dobrev | ... | Anna | |
| Mishu Vellani | ... | Receptionist | |
| Julie Khaner | ... | Bimsy | |
| Laura de Carteret | ... | Alicia (as Laura De Carteret) | |
| Natalie Lisinska | ... | Eliza | |
| Tiffany Lyndall-Knight | ... | Trina (as Tiffany Knight) | |
| Meghan Heffern | ... | Miranda | |
| Tamsen McDonough | ... | Waitress | |
| Kathryn Kriitmaa | ... | Waitress 2 | |
| Arlene Duncan | ... | Party Guest | |
| Adam Waxman | ... | Bartender | |
| Krysta Carter | ... | Young Co-Ed | |
| Severn Thompson | ... | Nurse | |
| Sarah Casselman | ... | Orals Student | |
| David Reale | ... | Student 1 | |
| Milton Barnes | ... | Student 2 | |
| Kathy Maloney | ... | Student 3 | |
| Kyla Tingley | ... | Woman behind bar | |
| Sean Orr | ... | Chloe's Client #1 | |
| Paul Essiembre | ... | Chloe's Client #2 | |
| Rod Wilson | ... | Chloe's Client #3 | |
| Riley Jones | ... | Stunt Hockey Player | |
| David Gustav Fraser | ... | Rivoli Patron | |
| rest of cast listed alphabetically: | |||
| Rosalba Martinni | ... | Maria (uncredited) | |
Directed by | |||
| Atom Egoyan | |||
Writing credits(WGA) | ||
| Erin Cressida Wilson | (screenplay) | |
| Anne Fontaine | (motion picture "Nathalie") | |
Original Music by | |||
| Mychael Danna | |||
Cinematography by | |||
| Paul Sarossy | |||
Film Editing by | |||
| Susan Shipton | |||
Casting by | |||
| Joanna Colbert | |||
| Richard Mento | |||
Production Design by | |||
| Phillip Barker | |||
Art Direction by | |||
| Kim McQuiston | |||
Set Decoration by | |||
| Jim Lambie | |||
Costume Design by | |||
| Debra Hanson | |||
Makeup Department | |||
| Suzanne Benoit | .... | makeup department head | |
| Suzanne Benoit | .... | personal hair & makeup artist: Liam Neeson | |
| Diane Mazur | .... | makeup artist: Amanda Seyfried | |
| Ryan Reed | .... | hair stylist: Amanda Seyfried | |
| Susan Reilly LeHane | .... | makeup artist: Julianne Moore | |
| Zinka Shankland | .... | hair stylist: Julianne Moore | |
| Ava Stone | .... | makeup artist | |
Production Management | |||
| Gerald D. Moon | .... | production executive | |
| Stephen Traynor | .... | production manager | |
| Douglas Wilkinson | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Richard Black | .... | second assistant director (as Rick Black) | |
| Adam Bocknek | .... | third assistant director | |
| Melanie Foley | .... | trainee assistant director | |
| Daniel J. Murphy | .... | first assistant director | |
Art Department | |||
| Paul Accadia | .... | on set carpenter | |
| James Becker | .... | construction coordinator | |
| Nitram Dass | .... | set dresser | |
| John Furrow | .... | head carpenter | |
| John Galbraith | .... | key scenic (as John Gailbraith) | |
| Craig Grant | .... | property master | |
| Jesse Hutchins | .... | set dresser | |
| Brent Kelly | .... | lead set dresser | |
| Jordan Kerner | .... | set dresser | |
| Mayumi Konishi-Valentine | .... | set designer | |
| Stephen J. MacDougall | .... | on-set dresser | |
| Janet Macleod | .... | set buyer | |
| James McCrindle | .... | set dresser | |
| Aaron Morrison | .... | graphics | |
| Tracey Strikwerda-Valeriote | .... | trainee assistant art director (as Tracey Strikwerda) | |
| Matthew Alan Taylor | .... | storyboard artist | |
| Wayne Weston | .... | set dresser | |
| Cindy Yetman | .... | assistant property master | |
Sound Department | |||
| Dominic Boucher | .... | dialogue recording engineer | |
| Richard Cadger | .... | adr editor | |
| Roberto Cappannelli | .... | sound re-recording mixer | |
| Paul Capuano | .... | sound consultant: Dolby | |
| Jenna Dalla Riva | .... | foley recording assistant | |
| Jordan Darville | .... | sound intern | |
| Rolando Duque | .... | sound assistant | |
| Markus Glunz | .... | adr recordist | |
| Christopher Guglick | .... | mix studio assistant | |
| Jack Heeren | .... | foley recording mixer | |
| Goro Koyama | .... | foley artist | |
| John Loranger | .... | conform editor | |
| Andy Malcolm | .... | foley artist | |
| Jorge Muniz | .... | boom operator | |
| Steve Munro | .... | sound designer | |
| Dave Nelson | .... | adr recordist | |
| Daniel Pellerin | .... | supervising sound re-recording mixer | |
| Jan Rudy | .... | sound re-recording mixer | |
| Bissa Scekic | .... | sound mixer | |
| Paul Shikata | .... | sound effects editor | |
| David Drainie Taylor | .... | dialogue editor | |
| Don White | .... | foley recording mixer | |
| Dave Wilson | .... | adr mixer: Atlanta | |
Special Effects by | |||
| David Antonacci | .... | special effects technician | |
| Brock Jolliffe | .... | special effects supervisor | |
| Rudy Rivas | .... | key special effects | |
| John Sandever | .... | special effects technician | |
| Mark Wotton | .... | special effects assistant | |
Visual Effects by | |||
| Ian Britton | .... | lead compositor | |
| Robert Crowther | .... | visual effects supervisor | |
| Robert Greb | .... | digital compositor | |
| Matt Hansen | .... | lead cgi artist | |
| Mary Holding | .... | compositor | |
| Megumi Kanazawa | .... | digital compositor | |
| Terence Krueger | .... | visual effects | |
| Anthony Paterson | .... | visual effects producer | |
| Ram Ravichandran | .... | 3D lighting and rendering artist | |
| Davin Robbins | .... | visual effects coordinator | |
| Derek Robertson | .... | visual effects coordinator | |
| Tom Turnbull | .... | visual effects consultant (as Thomas Turnbull) | |
| Chris Wallace | .... | digital intermediate colourist | |
| Iqbal Zafar | .... | digital compositor | |
Stunts | |||
| Marco Bianco | .... | stunt rigger | |
| Dana Jones | .... | stunt double | |
| Curtis Parker | .... | stunt performer | |
| Alison Reid | .... | stunt coordinator | |
| Jennifer Vey | .... | stunt double: Chloe Stunt Double | |
Casting Department | |||
| John Buchan | .... | casting: Canada | |
| Christine Colvin | .... | casting assistant | |
| Jason Knight | .... | casting: Canada | |
| John McAlary | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Kim Forrest | .... | assistant costume designer | |
| Jenn Lantz | .... | set costume supervisor | |
| Emily McHugh | .... | truck costume supervisor | |
| Crystal Olsen Silden | .... | costume buyer (as Crystal Silden) | |
| Soo Luen Tom | .... | wardrobe assistant | |
Editorial Department | |||
| Chris Dover | .... | colorist: dailies | |
| Debora Filippi | .... | digital dailies | |
| Lee Hughes | .... | digital intermediate project manager | |
| Tom Mayclim | .... | digital intermediate scanner and recorder | |
| Cam McLauchlin | .... | digital intermediate editor | |
| Dave Muscat | .... | digital intermediate editor | |
| Marc Roussel | .... | first assistant editor | |
Music Department | |||
| Brent Brooks | .... | music editor | |
| Mychael Danna | .... | musician: guitars | |
| Mychael Danna | .... | orchestrator | |
| Nicholas Dodd | .... | conductor | |
| Nicholas Dodd | .... | orchestrator | |
| Eve Egoyan | .... | music coach | |
| Eve Egoyan | .... | musician: piano | |
| Eve Egoyan | .... | soloist: piano | |
| Jainder Parkash | .... | musician: bansuri | |
| Dan Parr | .... | music copyist | |
| Dennis Patterson | .... | music engineer | |
| Dennis Patterson | .... | music mixer | |
| Lenny Solomon | .... | orchestra contractor | |
Transportation Department | |||
| Glen Creswell | .... | transportation captain | |
| Mike Curran | .... | transportation coordinator | |
| Joseph Ramdath | .... | unit driver | |
| Mike Wood | .... | driver: honeywagon | |
Other crew | |||
| John Bardswich | .... | project manager | |
| Christina Buchli | .... | legal services | |
| Jill Carter | .... | script supervisor | |
| Angela 'Mega' Clarke | .... | first assistant accountant | |
| Catherine Crawford | .... | assistant location manager | |
| Greg Denny | .... | assistant production coordinator | |
| Claude Forest | .... | insurance broker | |
| Alice Wickwire Foster | .... | production coordinator | |
| Lisa Ghione | .... | unit publicist | |
| Doug Gillespie | .... | production accountant | |
| Ed Goldin | .... | second assistant accountant | |
| Karen Han | .... | dust busting | |
| Ainslee Kennedy | .... | office production assistant | |
| David Kinnersly | .... | craft service | |
| Kyle Limkilde | .... | stand-in: Max Thieriot | |
| Kyle O'Connor | .... | assistant location manager | |
| Kait O'Leary | .... | assistant to producers | |
| Jillian Ordowich | .... | assistant production coordinator | |
| Gordon Pong | .... | location production assistant | |
| Eric Reich | .... | assistant: Mr. Reitman | |
| Graham Rogers | .... | office production assistant | |
| Jodi A. Tario | .... | assistant to Liam Neeson | |
| Johanna Weinstein | .... | title designer | |
| Greg Whiteside | .... | satellite technician | |
| Eardley Wilmot | .... | location manager | |
| Dave Wood | .... | office production assistant | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
If anyone was suited for remaking the French film Nathalie, it was Atom Egoyan, whose deeply twisted and occasionally perverse studies of sexuality, expressed through an apparently cold directorial eye, go hand in hand with a script that emphasized words over images (though there is a bit more flesh in the English-language transition). Hence the rather brilliant Chloe, whose prime accomplishment lies in its being less showy and pretentious than the director's previous foray into erotic secrets, the ambitious Where the Truth Lies.
Set in Egoyan's home town of Toronto, Chloe tells the story of the eponymous call girl (Amanda Seyfried) who is hired by gynecologist Catherine Stewart (Julianne Moore) when the latter starts to suspect her husband (Liam Neeson) is having an affair. Chloe's job is to casually approach him and see if he falls for her charm, thus indicating his propensity for adultery. However, as the girl's reports get more and more graphic, Catherine realizes she has put herself in an awkward position, one that it will be difficult to get out of.
A fascinating hybrid between psychological drama and erotic thriller (there's a vague hint of Fatal Attraction throughout the movie), Chloe is a rarity due to its attempt to analyze sex and its consequences without necessarily resorting to openly titillating imagery (a characteristic Egoyan shares with another Canadian maestro, David Cronenberg). The only downside of this approach is the same flaw that was much more evident in Where the Truth Lies, namely a deliberately slow pace that affects the thriller aspects but enhances the emotional poignancy, something that comes off as a paradox given the seemingly cold subject matter.
Furthermore, there is no coldness to be found in the carefully crafted performances: Neeson and Moore play the troubled couple with conviction, especially when things start getting more complicated (Moore's suspicious wife is a tour de force turn that should have received some award recognition), but the heart of the film lies, quite predictably, in Seyfried's hands, and she rises to the challenge by proving that she can do Big Love-style quality work on the big screen, embodying a complex, intriguing character light years away from her roles in Mamma Mia! and Mean Girls.
Overall, Chloe is a very good movie: sexy without being gratuitous, psychological without getting pompous and, like its title character, delightfully surprising.