Nathalie is the name a Parisian prostitute assumes for a special mission or "private investigation." She is engaged in this unusual and secretive task by a professional, upper-middle-class ... See full summary »
Catherine and David, she a doctor, he a professor, are at first glance the perfect couple. Happily married with a talented teenage son, they appear to have an idyllic life. But when David misses a flight and his surprise birthday party, Catherine's long simmering suspicions rise to the surface. Suspecting infidelity, she decides to hire an escort to seduce her husband and test his loyalty. Catherine finds herself 'directing' Chloe's encounters with David, and Chloe's end of the bargain is to report back, the descriptions becoming increasingly graphic as the meetings multiply. Written by
In the middle of March 2009, Liam Neeson interrupted filming his scenes in order to visit his wife Natasha Richardson in hospital after she had a skiing accident. The brain injury she received from this accident lead to her death a few days later. Just few days after her death, Neeson voluntarily returned to the set and completed his performance. The filmmakers changed the script accordingly and Neeson completed his performance in two days. See more »
In numerous shots involving taxis, the same Beck Taxi car and license plate number is used. See more »
[Calling Catherine in her clinic]
Where are you?
I'm in your waiting room. Didn't you see me when I came in?
[camera pans to Chloe, standing in the doorway]
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Erotic, exotic, beautifully shot, and with a score that is special
It was great to see the crowd for this film at my local cinema. Yes, the reviews for this look like they are all over the map. But let it be said that without this fantastic casting (Julianne Moore, Liam Neeson and Amanda Seyfried-a powerful erotic trio), the glorious cinematography and the wildly gorgeous sound track, it might be all of what these arm chair critics are saying. We live only a few miles from Canada by air but it might as well be Istanbul in the hands of this director. Magically the city of Toronto in winter is like another world, with a sleek modern feel that is alluring and cold at the same time. This is the perfect setting for a movie rich in the cloaked emotion of the upper class, lost in a deep freeze. Watching the film in spring in California, makes it seem even more unreal and foreign. In this landscape of ice, we see the characters emerge as modern people lost, alienated, hungary for love and even just human touch. This is a movie of antithesis, and startling allusions of the duality between trust and fear, openness and truth and the hard fact of emotional allusion and mirror like dreams. This film has nothing to do with Hitchcock and everything to do with Bunuel, and the deep wave of surrealist magic still washing on the shore of French thought and culture. Yes the ending is dubious, but it can't crush your response. For those of you wide awake enough to enjoy this, you will be rewarded in ways that American directors rarely seem to reach. What I say is bravo!I believe that for these moments, such dreams are very real.
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