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Chloe (2009)

6.3
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Ratings: 6.3/10 from 49,340 users   Metascore: 48/100
Reviews: 154 user | 209 critic | 33 from Metacritic.com

A doctor hires an escort to seduce her husband, whom she suspects of cheating, though unforeseen events put the family in danger.

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(screenplay), (motion picture "Nathalie")
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2 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Receptionist
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Bimsy
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Alicia (as Laura De Carteret)
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Eliza
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Trina (as Tiffany Knight)
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Waitress
Kathryn Kriitmaa ...
Waitress 2
Arlene Duncan ...
Party Guest
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Storyline

Catherine and David, she a doctor, he a professor, are at first glance the perfect couple. Happily married with a talented teenage son, they appear to have an idyllic life. But when David misses a flight and his surprise birthday party, Catherine's long simmering suspicions rise to the surface. Suspecting infidelity, she decides to hire an escort to seduce her husband and test his loyalty. Catherine finds herself 'directing' Chloe's encounters with David, and Chloe's end of the bargain is to report back, the descriptions becoming increasingly graphic as the meetings multiply. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

If the one you love was lying to you, how far would you go to find out the truth?


Motion Picture Rating (MPAA)

Rated R for strong sexual content including graphic dialogue, nudity and language | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

Release Date:

10 March 2010 (France)  »

Also Known As:

O Preço da Traição  »

Filming Locations:

 »

Box Office

Budget:

$11,000,000 (estimated)

Opening Weekend:

$900,688 (USA) (26 March 2010)

Gross:

$3,074,838 (USA) (9 July 2010)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This marks one of the very few times that Atom Egoyan did not cast his wife 'Arsinee Khanjian' in a role. See more »

Goofs

Throughout the film, Catherine receives text messages from Chloe. The dates that appear on her cell phone do not progress. One date towards the start of the film reads "March 27th," and another towards the end of the film reads "March 25th," despite that meaning time is moving backwards. See more »

Quotes

Chloe: [Calling Catherine in her clinic] Hello Catherine.
Catherine Stewart: Where are you?
Chloe: I'm in your waiting room. Didn't you see me when I came in?
[camera pans to Chloe, standing in the doorway]
See more »

Crazy Credits

Daniel Pellerin (with thanks for 25 years of great work, from Atom) See more »


Soundtracks

Excerpt from 'Don Giovani' - Aria No. 4 'Madamina, il catalogo è questo'
Written by Wolfgang Amadeus Mozart (uncredited)
Performed by Ildebrando D'Arcangelo, Wiener Philharmoniker, Daniel Harding
A production of UNITEL in co-production with ORF and Classica in co-operation with the SALZBURG FESTIVAL
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Textbook Egoyan
18 July 2010 | by (Italy) – See all my reviews

If anyone was suited for remaking the French film Nathalie, it was Atom Egoyan, whose deeply twisted and occasionally perverse studies of sexuality, expressed through an apparently cold directorial eye, go hand in hand with a script that emphasized words over images (though there is a bit more flesh in the English-language transition). Hence the rather brilliant Chloe, whose prime accomplishment lies in its being less showy and pretentious than the director's previous foray into erotic secrets, the ambitious Where the Truth Lies.

Set in Egoyan's home town of Toronto, Chloe tells the story of the eponymous call girl (Amanda Seyfried) who is hired by gynecologist Catherine Stewart (Julianne Moore) when the latter starts to suspect her husband (Liam Neeson) is having an affair. Chloe's job is to casually approach him and see if he falls for her charm, thus indicating his propensity for adultery. However, as the girl's reports get more and more graphic, Catherine realizes she has put herself in an awkward position, one that it will be difficult to get out of.

A fascinating hybrid between psychological drama and erotic thriller (there's a vague hint of Fatal Attraction throughout the movie), Chloe is a rarity due to its attempt to analyze sex and its consequences without necessarily resorting to openly titillating imagery (a characteristic Egoyan shares with another Canadian maestro, David Cronenberg). The only downside of this approach is the same flaw that was much more evident in Where the Truth Lies, namely a deliberately slow pace that affects the thriller aspects but enhances the emotional poignancy, something that comes off as a paradox given the seemingly cold subject matter.

Furthermore, there is no coldness to be found in the carefully crafted performances: Neeson and Moore play the troubled couple with conviction, especially when things start getting more complicated (Moore's suspicious wife is a tour de force turn that should have received some award recognition), but the heart of the film lies, quite predictably, in Seyfried's hands, and she rises to the challenge by proving that she can do Big Love-style quality work on the big screen, embodying a complex, intriguing character light years away from her roles in Mamma Mia! and Mean Girls.

Overall, Chloe is a very good movie: sexy without being gratuitous, psychological without getting pompous and, like its title character, delightfully surprising.


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