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Chloe (2009)

6.3
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Ratings: 6.3/10 from 46,223 users   Metascore: 48/100
Reviews: 146 user | 209 critic | 33 from Metacritic.com

A doctor hires an escort to seduce her husband, whom she suspects of cheating, though unforeseen events put the family in danger.

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Writers:

(screenplay), (motion picture "Nathalie")
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Title: Chloe (2009)

Chloe (2009) on IMDb 6.3/10

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2 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Receptionist
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Bimsy
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Alicia (as Laura De Carteret)
Natalie Lisinska ...
Eliza
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Trina (as Tiffany Knight)
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Waitress
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Waitress 2
Arlene Duncan ...
Party Guest
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Storyline

Catherine and David, she a doctor, he a professor, are at first glance the perfect couple. Happily married with a talented teenage son, they appear to have an idyllic life. But when David misses a flight and his surprise birthday party, Catherine's long simmering suspicions rise to the surface. Suspecting infidelity, she decides to hire an escort to seduce her husband and test his loyalty. Catherine finds herself 'directing' Chloe's encounters with David, and Chloe's end of the bargain is to report back, the descriptions becoming increasingly graphic as the meetings multiply. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

If the one you love was lying to you, how far would you go to find out the truth?


Motion Picture Rating (MPAA)

Rated R for strong sexual content including graphic dialogue, nudity and language | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

Release Date:

10 March 2010 (France)  »

Also Known As:

O Preço da Traição  »

Filming Locations:

 »

Box Office

Budget:

$11,000,000 (estimated)

Opening Weekend:

$900,688 (USA) (26 March 2010)

Gross:

$3,074,838 (USA) (9 July 2010)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Executive producer Jason Reitman helped persuading Amanda Seyfried to star in this film. See more »

Goofs

Throughout the film, Catherine receives text messages from Chloe. The dates that appear on her cell phone do not progress. One date towards the start of the film reads "March 27th," and another towards the end of the film reads "March 25th," despite that meaning time is moving backwards. See more »

Quotes

Chloe: I guess I've always been pretty good with words. In my line of business. It's as important to be able to describe what I'm doing as it is to do what I'm doing. When to say what. What words to select.
Chloe: Some men hate to hear certain terms. They can't stand specific moves and then they can't live without others. It's part of my job to know where to place my hand, my lips, my tongue, my leg and even my thoughts.
Chloe: What kind of pressure, for how long, when to stop. I can become your first kiss... or a ...
[...]
See more »

Crazy Credits

Daniel Pellerin (with thanks for 25 years of great work, from Atom) See more »


Soundtracks

Happy Birthday
Written by Mildred J. Hill and Patty S. Hill (as Patty Smith Hill)
With permission from Summy-Birchard Company
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Erotic, exotic, beautifully shot, and with a score that is special
27 March 2010 | by (United States) – See all my reviews

It was great to see the crowd for this film at my local cinema. Yes, the reviews for this look like they are all over the map. But let it be said that without this fantastic casting (Julianne Moore, Liam Neeson and Amanda Seyfried-a powerful erotic trio), the glorious cinematography and the wildly gorgeous sound track, it might be all of what these arm chair critics are saying. We live only a few miles from Canada by air but it might as well be Istanbul in the hands of this director. Magically the city of Toronto in winter is like another world, with a sleek modern feel that is alluring and cold at the same time. This is the perfect setting for a movie rich in the cloaked emotion of the upper class, lost in a deep freeze. Watching the film in spring in California, makes it seem even more unreal and foreign. In this landscape of ice, we see the characters emerge as modern people lost, alienated, hungary for love and even just human touch. This is a movie of antithesis, and startling allusions of the duality between trust and fear, openness and truth and the hard fact of emotional allusion and mirror like dreams. This film has nothing to do with Hitchcock and everything to do with Bunuel, and the deep wave of surrealist magic still washing on the shore of French thought and culture. Yes the ending is dubious, but it can't crush your response. For those of you wide awake enough to enjoy this, you will be rewarded in ways that American directors rarely seem to reach. What I say is bravo!I believe that for these moments, such dreams are very real.


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