| John Cazale | ... | Fredo Corleone / Stan / Sal / Stan (archive footage) | |
| Steve Buscemi | ... | Himself | |
| Sam Rockwell | ... | Himself | |
| Al Pacino | ... | Himself | |
| Meryl Streep | ... | Herself | |
| Philip Seymour Hoffman | ... | Himself | |
| Richard Shepard | ... | Himself | |
| Fred Roos | ... | Himself | |
| Francis Ford Coppola | ... | Himself | |
| Richard Dreyfuss | ... | Himself | |
| Brett Ratner | ... | Himself | |
| Sidney Lumet | ... | Himself | |
| Olympia Dukakis | ... | Herself | |
| Robyn Goodman | ... | Herself | |
| Israel Horovitz | ... | Himself | |
| Mark Harris | ... | Himself | |
| Gene Hackman | ... | Himself | |
| Carol Kane | ... | Herself | |
| Marvin Starkman | ... | Himself | |
| Steve Cazale | ... | Himself | |
| Robert De Niro | ... | Himself | |
| John Savage | ... | Himself |
Directed by | |||
| Richard Shepard | |||
Produced by | |||
| Prudence Arndt | .... | producer: archive | |
| Bryan Furst | .... | executive producer | |
| Sean Furst | .... | executive producer | |
| Lisa Heller | .... | supervising producer: Home Box Office | |
| Sheila Nevins | .... | executive producer: Home Box Office | |
| Brett Ratner | .... | producer | |
| Stacey Reiss | .... | line producer | |
| Stacey Reiss | .... | producer | |
| Richard Shepard | .... | producer | |
| Jay Stern | .... | executive producer | |
Original Music by | |||
| Adam Gorgoni | |||
Film Editing by | |||
| Adam Lichtenstein | |||
Production Management | |||
| Brad Arensman | .... | post-production supervisor | |
Art Department | |||
| Eileen Bertumen | .... | designer | |
| Howard Nourmand | .... | designer | |
Sound Department | |||
| Rick Albright | .... | sound | |
| Frank Coakley | .... | additional sound | |
| Jeff Edrich | .... | sound (as Jeff Erdreich) | |
| Robert Getty | .... | sound supervisor (as Rob Getty) | |
| Cindy Green | .... | additional sound | |
| Matthew Iadarola | .... | sound re-recording mixer | |
| Matthew Iadarola | .... | sound supervisor | |
| Hing Ng | .... | additional sound (as Hng Ng) | |
| Greg Rothschild | .... | sound | |
| Andrew Shirley | .... | additional sound | |
| Rafael Sienkiewicz | .... | additional sound | |
| Jim Williams | .... | additional sound (as Jimmy Williams) | |
Editorial Department | |||
| Christine Carr | .... | post-production account manager | |
| Randy Coonfield | .... | colorist | |
| Michael Levy | .... | post-production account manager | |
| Frank McGrath | .... | assistant editor | |
| Kristen Snyder | .... | editorial facilities manager | |
| Bob Williamson | .... | on-line editor | |
Music Department | |||
| Adam Gorgoni | .... | music producer | |
| Tony Hoffer | .... | composer: additional music | |
| Liza Richardson | .... | music supervisor | |
| Michael Saltzman | .... | music coordinator | |
| Jake Belnick | .... | assistant to music supervisor (uncredited) | |
Other crew | |||
| Susan Franks | .... | crew coordinator | |
| Samantha Grill | .... | production assistant | |
| Robert Koch | .... | legal services | |
| Kasia Nabialczyk | .... | assistant: Brett Ratner | |
| Anthony Reyes | .... | production assistant | |
| Michael Schenkman | .... | legal services | |
| Eric Scofield | .... | title designer | |
| Darren M. Trattner | .... | legal services (as Darren Trattner) | |
| Alan Wertheimer | .... | legal services | |
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| Directed by John Ford | 1925 Studio Tour | Lon Chaney: A Thousand Faces | Easy Riders, Raging Bulls: How the Sex, Drugs and Rock 'N' Roll Generation Saved Hollywood | Tarnation |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
Yeah, it's great to revisit the mammoth talent that was John Cazale, but the best thing about this DVD is the two black and white films that are to be found in the extras section. These films show John as an up and coming actor and as a cameraman. These two films are largely surrealistic attempts at social commentary or in visual puns. Both are excellent and should have captured a larger audience's attention.
But the main feature, the documentary, it is good, a little short, but good nonetheless. I read that Talia Shire's interview footage wasn't used. That's too bad, the film makers could have used a few extra minutes to pad this documentary out.
Great for novice film buffs and for fans of Cazale.