Transported to Barsoom, a Civil War vet discovers a barren planet seemingly inhabited by 12-foot tall barbarians. Finding himself prisoner of these creatures, he escapes, only to encounter Woola and a princess in desperate need of a savior.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
Sent to the market by his uncle to sell their horse and buy thatch for their roof, Jack meets the beautiful Princess Isabelle whom he rescues her from ruffians. He returns home only with a handful of beans given to him by a monk who claimed they were sacred but that does little to impress his uncle who tosses them away. In the night the Princess arrives having run off to keep from marrying Roderick who is clearly only interested in becoming king. Soon the beans take root with a giant stalk carrying away the princess and Jack's house. He soon sets off on an adventure with the king's guards to rescue the princess only to find that a mythical land filled with giants really exists. Written by
Creating the giants took four main steps. The first step was using performance capture, which was used to capture the actor's facial/body movements and render them in a real-time virtual environment. The second step took place during principal photography, where Simulcam technology was used to help the human characters virtually interact with the giants that were rendered earlier. The third step was a second performance capture shoot to adjust giants' movements to seamlessly fit the live-action performances. The final step involved putting the finishing touches on the giant's animation, skin, hair and clothing, and composition in the shots. See more »
Near the end when the two headed giant swallows the bean and is torn apart; his hand lands next to Jack. The crown on two fingers of the giant, is bigger than Jack's waist, let alone his head. See more »
Did you really think you were the hero of this story? Don't you know we all think that?
[he tries to stab Elmont's hand, but he takes the blade and stabs his own hand, which goes through Roderick's foot]
I may not be the hero of this story, but at least I get to see the end of it!
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The legendary logo emits the same glowing as the crown does in the film. See more »
It's pretty much a guarantee that if you grew up with fairy tales, you would certainly know the story of Jack and The Beanstalk. I know I have; when I was a kid, this story was everywhere. I saw it played out by Mickey Mouse in the "Fun and Fancy Free," by Snoopy in "The Charlie Brown and Snoopy Show," and by Bugs Bunny in "Jack Wabbit and The Beanstalk." The tale is a timeless child's fantasy story, and for that alone, this movie mostly succeeds.
After the opening credits, the film opens with an introduction of our two main characters: Jack (played by Nicholas Hoult, fresh off his role in last month's "Warm Bodies") and princess Isabelle (played by Elanor Tomlinson). Just like in the original fairy tale, Jack is a poor farm hand who is tricked into trading valuable livestock (in this movie it's a horse rather than a cow) for supposed "magic beans." Princess Isabelle, however is pretty much the textbook definition of a Disney princess. Her mother is dead, her father is an over-protective king who wants her to marry someone she doesn't like, she's tired of her boring life in the palace and dreams of adventure. When I first came across this character, I immediately planned on chastising her as extremely clichéd in this review. However, once I began watching this in the context of a kids movie, I found this to be much more tolerable. Though in a 2013-released film, it still feels kind of dated.
Those expecting another "Hansel and Gretel: Witch Hunters" will be disappointed. This movie is pretty family-friendly overall and has a light hearted attitude throughout. Despite this film's hefty body count, the characters consistently joke around and get themselves into shenanigans. It could very well be irritating to those expecting a more mature fantasy based on the rating and advertising, as it does admittedly feel too silly at times. However, as a family film, the combination of violence and silliness makes it somewhat a fusion of the family films of the 80's and 90's respectively.
The rest of the characters are decently developed, including the sinister Lord Roderick (played by Stanley Tucci) and the noble knight Elmont (played by Ewan McGreggor). No character was given that much development, which I actually didn't really mind. I knew enough about each character, and in a fast-paced fairy tale like this, keeping the plot moving and interesting were the most important aspects.
The giants were pretty interesting too. In a way, they reminded me of the trolls in last year's "The Hobbit: an Unexpected Journey," as they are excessively gross, uncivilized and high-tempered. I'm certain that kids will get a laugh out of their flatulent, booger-eating ways. I was initially concerned that this film would just portray them as unstoppable villains with no personality. Instead, the film fleshes them out a bit and gives them a motive for their actions. I certainly wouldn't mind a prequel film giving more meat to their hatred for mankind.
The cast gives their all, especially Nicholas Hoult. Here he brings to Jack the same charm and timidity he gave to R in "Warm Bodies." I feel that he he has the capability and likability to carry a movie as the lead role, and I look forward to his future endeavors next year.
"Jack The Giant Slayer" will reasonably divide critics and audiences, but if I had kids, I would have no problem taking them to see this. It's a fun little adventure that kids and open-minded adults will get a kick out of.
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