7.5/10
1,338
6 user 21 critic

L'uomo che verrà (2009)

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Winter 1943. Martina is small child, who stopped talking since the death of her infant brother some years before. She lives in a rural area of central Italy. Her mother is pregnant again ... See full summary »

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20 wins & 25 nominations. See more awards »
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Cast

Cast overview, first billed only:
Greta Zuccheri Montanari ...
Martina
Claudio Casadio ...
Armando
...
Beniamina
...
Lena
Vito ...
Signor Bugamelli (as Stefano 'Vito' Bicocchi)
Bernardo Bolognesi ...
Partigiano Gianni
Stefano Croci ...
Dino
Zoello Gilli ...
Dante
Francesca Gnech ...
Cielia
...
Ufficiale medico SS
Giovanni Macchiavelli ...
Guglielmo Bugamelli
Germano Maccioni ...
Don Ubaldo Marchioni
Eleonora Mazzoni ...
Signora Bugamelli
Thaddäus Meilinger ...
Ufficiale SS
Francesco Modugno ...
Antonio
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Storyline

Winter 1943. Martina is small child, who stopped talking since the death of her infant brother some years before. She lives in a rural area of central Italy. Her mother is pregnant again and Martina lives for the arrival of her new brother. Meanwhile, the war is getting closer and closer, forcing the people of the village to tread a difficult path, torn between the partisan brigades and the Nazi Army. On practically the same day as the birth of Martina's brother, the SS start a massive roundup of civilians in the area, an infamous event that will come to be known as the Marzabotto massacre during which more than 770 people were killed in houses, cemeteries and churches. Written by Palm Springs Internation Film Festival

Plot Summary | Add Synopsis

Genres:

Drama | War

Certificate:

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Details

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Release Date:

22 January 2010 (Italy)  »

Also Known As:

L'uomo che verrà  »

Box Office

Budget:

€3,000,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Goofs

There is a scene of partisans walking through the snow at around 26:30. There are four shots in total, with three shots (1st, 2nd and 4th) showing seven partisans, and the other (3third shot showing nine partisans. See more »

Soundtracks

Su! del Nilo al sacro lido
  • Alto primo, scena primo da Aida

Music by Giuseppe Verdi and lyrics by Antonio Ghislanzoni
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User Reviews

 
Two incompatible aims.
12 January 2010 | by (Italy) – See all my reviews

"The Man Who Will Come" is a drama set in an Italian's region, the Romagna (and not the Tuscany, although many shots come from there), during the II world war. The movie tells an interesting and cruel episode of the passing of the front in Italy: the Slaughter of Marzabotto, a dreadful tragedy, which becomes greater because of the number of children involved (more than two hundreds less-twelve-years-old children). This is the reason for the title, something like a dedication of the movie to children ("The Man Who Will Come" is a baby who survives to tragedy, he represents the generations of tomorrow), and in order to make stronger this connection history-childhood, a female child who doesn't speak is the protagonist of the movie. Director's aims, when he decides to coming this project, as he said recently, were two: to bring the spectator in a time travel, in a reality unknown for many people, and to narrate the war from the child's point of view. Probably, with this movie he reached to bring the spectator in the past (the choice to use the dialect, as Visconti's La Terra Trema, gives more realism to the narration, and makes the movie more eclectic than the others with the same themes; the care for details, from the lights to the clothes, is almost obsessive) but I think the point of view of the young female is just a little part of the movie: final point of view is quite objective, because there are many points of view, and this gives the taste of a good historical reconstruction. To say that this movie shows the war from the child's point of view is probably reductive, or just wrong: a movie which shows the point of view of a child in some historical period is very different from this work. Result? Nice job, but it's impossible to have an historical reconstruction of facts through a subjective point of view or, if it's possible, this movie couldn't reach it.


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