A special agent has for 8 years been deep undercover in Asia's lucrative organized crime trade as he plays protégé to one of the key players, Banker. Nick now has but he has started to feel loyalty to his new environment, and to the money.
Police inspector and excellent hostage negotiator Ho Sheung-Sang finds himself in over his head when he is pulled into a 72 hour game by a cancer suffering criminal out for vengeance on Hong Kong's organized crime Syndicates.
Policeman Don Lee often works with informants but numerous too-close calls and failed missions cause him to see the world as one betrayal after another - then he meets Guy, and is given a new chance to change his views.
Three people - a criminal, a bank officer and a cop - end up in a catastrophic situation in the midst of a global economical crisis and are forced to betray any morals and principles to solve their financial problems.
An espionage thriller set in the 1950s and adapted from the novel "Year Suan/Plot Against" by May Jia. Tony Leung Chiu Wai plays a blind man who works for a piano tuner. He is recruited for a spy mission because of his exceptional hearing.
A traffic accident changed their lives forever. In capturing wanted criminal Zhang Yidong, Sergeant Tang Fei (Nicholas Tse) was involved in a gunfight and car accident that put the criminal... See full summary »
The film is a breath of fresh air from the typical HK "crime drama" genre otherwise encumbered by formulaic plots, predictable character persona, and inane moral proselytizing. Sadly, it fails to live up to it's own aspirations and ends up defaulting on precisely what it needs to distance itself from.
The story revolves around three members of a police surveillance squad conducting an investigation into a financial investment group involved in criminal fraud. The focus of the plot, however, is actually on the three officers themselves who stumble upon an opportunity to capitalize on the information they gathered during their surveillance. The audience is given insights into the personal issues they are grappling with, the relationship between them, and why the temptation to breach their moral duty and professional obligations is so powerful. The temptation they confront and the attendant reasons that compel them to succumb to it become the very device that turns them into the film's antagonists.
Sadly, the script then makes a wrong turn. Instead of allowing this plot to unfold, it is shelved half-way through the film and becomes a side-plot to a criminal conspiracy involving murder, kidnapping, and revenge, rendering the film from an interesting exploration into a run-of-the-mill crime-drama action flick. None of the actors seemed particularly interested in their roles after that, with perhaps the exception of Michael Wong, who plays the head of the investment group with his usual steel-cold glare and villainous flair. He actually makes an entertaining performance in the latter half of the film when he receives more screen time because no one else seemed nearly as excited to be involved in this project anymore.
I don't know why the film's name was translated to English as "Overheard" since the electronic surveillance devices they used were also visual and not just audio. Perhaps something got "lost in translation", like the intention to produce a complex and interesting film.
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