A Czech journalist joins a Prague radio station that broadcasts Nazi propaganda in order to protect his Jewish wife. However, as the Nazi rule over Czechoslovakia calls for more and more ... See full summary »

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Cast

Credited cast:
Matthias Brandt ...
Radio Director
Jan Budar ...
Colleague
Marek Daniel ...
Emil Vrbata
Cyril Drozda
Tomás Mechácek ...
Petr
Klára Melísková ...
Vera
Martin Mysicka ...
Franta
Leos Noha
Sandra Nováková ...
Krista
Jirí Ornest ...
Fantl
...
Hana Vrbatová
Josef Polásek ...
Producer
Jan Rehák
...
Gestapo Officer
Daniel Sidon ...
Transported
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Storyline

A Czech journalist joins a Prague radio station that broadcasts Nazi propaganda in order to protect his Jewish wife. However, as the Nazi rule over Czechoslovakia calls for more and more collaboration, his relationship with his wife spirals downward. Written by IMDb

Plot Summary | Add Synopsis

Genres:

Drama

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Details

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Release Date:

5 August 2011 (USA)  »

Also Known As:

Protector  »

Box Office

Budget:

$3,000,000 (estimated)

Opening Weekend:

$2,968 (USA) (5 August 2011)

Gross:

$2,968 (USA) (5 August 2011)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Did You Know?

Trivia

Czech Republic's official submission to 82nd Academy Award's Foreign Language in 2010. See more »

Connections

Referenced in Vsechnopárty: Episode dated 28 June 2013 (2013) See more »

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User Reviews

 
Excellent film
24 October 2009 | by (United States) – See all my reviews

This is a review I posted on another forum.

Let me get the beauty of it out of the way first - it looks astonishing. The colors are fantastic, the highlights are beautiful and the shadows are surprisingly tense and deep. Take a classically beautiful noir film and make it even more beautiful, on better film stock, and add a better DP. Whoa man! However, with the editing, it throws you into many different spirals always wondering what is actually happening to the man, changing which characters you care about more and changing how you think a character is going to act - sending all of your ideas about what could happen next all over the spectrum.

My one complaint about the editing was that sometimes to relate scenes (relating scenes as in the way Tarantino did it with Pulp Fiction by having diegetic music in one scene that spills over into the next scene. It's done very often), the editor would show clips from the next scene in the current scene. Now it's very interesting, because it doesn't give you any idea what's going to happen next, it just adds to the emotion you are supposed to feel during that scene. While it adds a lot to the storytelling, it is noticeable. Like sound design, 99% of the time, good editing should go nearly unnoticed by the viewer. It's not at all that I don't like the editing, I just found it awkward at some points.

I won't even get into the score and music. See the movie! There was also one big problem with the ending - and I won't give any important information away, it's just that there should be no credit music. Once you see it, you'll know exactly what I mean.

Now maybe it won't win Best Foreign Film, but I'll be surprised if it isn't nominated.


20 of 29 people found this review helpful.  Was this review helpful to you?

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