Harry, Billy and Dean are three hustlers at different stages in their careers. All must deal with the realities of their profession. One falls in love with a client, another enters deeper into denial, and another begins to learn the ropes.
On a train in 1945 a train conductor is in charge of a motley bunch: a failed author who means well but creates chaos; a soldier who is actually on the wrong train; a doctor who wants to ... See full summary »
Two young misfits head for New York City to celebrate their idol and muse, Stevie Nicks, at The Night of 1,000 Stevies. Along the road, in order for them to escape their painful pasts, they... See full summary »
Bloody Boys follows three families through three parallel stories... Birgitta decides to end her apartment lease to move in with yet another man, leaving her son, Simon, without a place to ... See full summary »
Shaker K. Tahrer
A description of Romania before Ceausescu's downfall, through the story of Nela. Daughter of a former colonel of the Securitate, the romanian political police. She refused to become as her ... See full summary »
Vibrantly moody and emotionally charged treatment of trademark Jonas Gardell topic themes...
This 4-part mini-series follows the fates of three families in Sweden between 1970 and today, and intertwines everything in their lives from inadequate parenthood, growing pains, homosexuality, alcoholism, neo-nazism, to the devastating heritage of religious bigotry. Mainly shown from the children's point of view, as its title memorably refers to old time family portraits that depicted both living and dead family members.
Scriptwriter Jonas Gardell's trademark dark topic themes (that certainly keeps the anguished drama tradition a' la Bergman & Lars Norén alive) are given a vibrantly moody and emotionally charged treatment, for sure. I guess I could have a go at the one-sided, all-male gender child- and teenhood perspective, but I won't... Told in one of those frantically paced time-overlapping storytelling styles, it keeps the uncertainty hovering and the cliffhanger addiction flying between the episodes, (despite a somewhat unnecessarily solemn tone) to find out exactly how things hang together from past to present.
Although the content may be not too original, it's still pertinent, and when handled as strongly and sensibly as this by director Kaijser, I don't really mind the message repetition at all! Wonderfully acted, mainly by its youngster cast, plus an uproarious performance by Dencik as a mentally abusive husband/control freak. Excellent production values, too, although some uneven make-up qualities distract the eye...
7 out of 10 from Ozjeppe
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