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Cast
Other cast: | |||
Terrence Howard | ... |
Self - Host
|
Directed by
Cody Cayou | ||
Nick Clark | ||
Tracy Rector | ||
Annie Silverstein | ||
Travis Tom |
Produced by
Sally Jo Fifer | ... | executive producer |
Craig Harris | ... | coordinating producer |
Tracy Rector | ... | executive producer / producer |
Annie Silverstein | ... | executive producer / producer |
Shirley K. Sneve | ... | executive producer |
Lois Vossen | ... | producer |
Music by
Force Theory |
Editing by
Eric Frith | ||
Amanda Larson |
Editorial Department
Shane Dillon | ... | colorist / on-line editor |
Production Management
Heather Lyon Weaver | ... | post-production manager |
Art Department
Richard McFarland | ... | graphic designer |
Victor Pascual | ... | designer / illustrator |
Sound Department
Dave Howe | ... | sound mixer |
Camera and Electrical Department
Cody Cayou | ... | camera operator |
Nick Clark | ... | camera operator |
Tracy Rector | ... | camera operator / still photographer |
Annie Silverstein | ... | camera operator |
Travis Tom | ... | camera operator |
Music Department
Jim Boyd | ... | composer: additional music |
Eagleheart | ... | composer: additional music |
Additional Crew
Dana Arviso | ... | advisor |
Francene Blythe | ... | advisor |
Yolanda Cieters | ... | production assistant / transcriptor / translator |
Corey Contreras | ... | production assistant |
Penny Costello | ... | advisor |
Jamie Donatuto | ... | production assistant |
Alix Foster | ... | legal counsel |
Emily R. Hutchinson | ... | legal counsel |
Katie Jennings | ... | advisor |
Dawn Lambert | ... | accountant |
Gretchen Ludwig | ... | advisor |
Jacqueline Olive | ... | production coordinator |
Allan Olson | ... | legal counsel |
Fiona Otway | ... | additional footage / advisor / trailer |
Rose Stiffarm | ... | transcriptor |
Theresa Trebon | ... | archivist |
Zachary Wright | ... | legal counsel |
Production Companies
Distributors
Special Effects
Other Companies
Storyline
Plot Summary |
Travis, Nick and Cody have been friends almost all their lives, growing up on the Swinomish Reservation in Washington State. When they find themselves in trouble with drugs and alcohol, the teens are offered an opportunity to participate in Native Lens, Longhouse Media's filmmaking program. Figuring it's better than spending afternoons in drug court, they dream about making a film with car crashes and rap music. But they are asked to make a documentary about the impact of two oil refineries on their tribal community instead. In this coming of age story the boys discover themselves, their community and the threat their people face. Written by Tracy Rector |
Plot Keywords | |
Genres | |
Parents Guide | Add content advisory for parents » |
Certification |
Additional Details
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Box Office
Budget | $400,000 (estimated) |