Eight years after the Joker's reign of anarchy, the Dark Knight, with the help of the enigmatic Catwoman, is forced from his exile to save Gotham City, now on the edge of total annihilation, from the brutal guerrilla terrorist Bane.
When the menace known as the Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham, the Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a wookiee and two droids to save the galaxy from the Empire's world-destroying battle-station, while also attempting to rescue Princess Leia from the evil Darth Vader.
Despite his tarnished reputation after the events of The Dark Knight, in which he took the rap for Dent's crimes, Batman feels compelled to intervene to assist the city and its police force which is struggling to cope with Bane's plans to destroy the city. Written by
The masquerade ball sequence, in which Bruce Wayne and Selina Kyle dance together, is an homage to the masquerade ball scene in Batman Returns (1992). See more »
Towards the end, when Bane and Batman are dueling, just after Batman punches open one of the pipes of his mask, Bane punches a pillar while trying to punch Batman which damages the pillar. In later scenes, though, as they continue to duel, the same pillar is undamaged. See more »
I knew Harvey Dent. I was his friend. And it will be a very long time before someone... inspires us the way he did. I believed in Harvey Dent.
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This film features a new DC Comics logo. See more »
After eight years in seclusion, Batman resurfaces to face Bane, a mastermind bent on destroying Gotham and has ties to Bruce Wayne's past. Christopher Nolan's conclusion to his Dark Knight trilogy should be treated as a wrap up rather than a third installment. Despite many new characters being introduced, even their conflicts and motives are derived from events that occurred in the previous two films. Such an approach could be seen as a weakness, since the conflict could just end up being sort of a rematch rather than moving the story forward; however, Nolan's approach works terrificly. Over an hour is shot in stunning IMAX, but the film is more touching than it is intense and that's its best quality. Hardy steps in as the genius mercenary Bane, who is slightly bigger, slightly stronger and slightly smarter than Batman, thus making him a challenge best suited for the grand finale. The Joker works best as Batman's arch-nemesis since they are polar opposites, with The Joker standing for everything Batman stands against. Two-Face works best as Batman's most tragic enemy because Harvey Dent is very much like Bruce Wayne the only difference is: Dent copes with his tragedy through revenge rather than seeking justice as Wayne did. Bane works best as Batman's most challenging villain because of his physical and mental superiorityforget the Bane you saw in "BATMAN & ROBIN". Nolan carefully chose all his villains in the series wisely and executed them perfectly. Hardy had big shoes to fill following Ledger's posthumous Oscar winning performance; while Bane is no Joker, Hardy does a satisfying job and should not be compared to Ledger's performance as they are completely different roles. It is Michael Caine, however, that delivers the most memorable and touching performance of the entire film. A wonderful conclusion to a wonderful trilogy.
**** (out of four)
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