The violent story of Jay and Jonnie Linski, two Polish-Irish brothers who try to come to terms with the brutal murder of their youngest sibling, Danny. The story follows the terrible ... See full summary »
Emmett J Scanlan,
Based on the Japanese novel In Love With The Dead, from acclaimed author Kei Oishi (Apartment 1303, The Last Supper), the film centres on an isolated and death-fixated young man who tries ... See full summary »
Emma Eliza Regan
After his family is murdered, and he's left for dead, a farmer awakens in the desert and finds himself transformed into a savage warrior, with all the powers and skills of the ancient gods.... See full summary »
The son (Wes Bentley) of a wealthy man whose funeral is disrupted by the presence of a mysterious Latin American woman (Ana Serradilla), sets out to salvage his family's reputation by ... See full summary »
José Pepe Bojórquez
Set in Ireland, a family moves to a new city neighborhood, taking residence in a large, old house that is rumored to have a dodgy past. Their young daughter Katie is caught in a power ... See full summary »
First, I wanna quote FlashCallahan with his brilliant words that really express one of the main points of this movie: "the film carries some heavy morals about getting revenge, it can eat away at you and turn you into the one thing you despise.". This key idea is extremely important for all the mankind. And another key idea I saw is that violence generates violence - not a new one for me, but shown in a very illustrative way which reflects a deadlock principle "eye for eye". In fact, the main character's transformation into "the man, who is able to stand up" is a developmental dead end to a savage, not a human. Indeed, Darren Healy's character had no self-defense skills, probably, had no experience of being attacked or hurted, unable to fight. Anyway, his "compensation" all these missed things transformed him neither to a "real man", nor to human at all. The ability to kill, to revenge, to destroy is not a true attribute for a real man, if we refer it to human being. And revenge is displayed as more powerful thing than love, because even love cannot stop revenge from its destroying a person who chose it. The director of the film mercilessly destroyed the ideas of humanism, having carried them to our society. But in this way he strongly focuses on them, highly paying attention on the impossibility of their existence on the way the main character chose. Of course, the emphasized problem is always actual and very difficult. The difficulty is about what to do with a destroyed and changed life when society gives you 2 options - to follow it and substitute human concepts in which a man is a one who is able to kill and avenge (and degrade within), or to die from such concepts. No, a choice is always exists, but there is a very delicate balance between a right choice and those given options. Although the director told nothing in this film. This movie really impressed me, though I don't like violence on the screen.
Especially I admired Darren Healy's play done. It's a harsh and rough film but it can make you think much.
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