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Directed by | |||
| Daniel Alfredson | |||
Writing credits(in alphabetical order) | ||
| Stieg Larsson | novel | |
| Ulf Ryberg | screenplay (as Ulf Rydberg) | |
Produced by | |||
| Klaus Bassiner | .... | executive producer | |
| Susann Billberg-Rydholm | .... | line producer | |
| Gunnar Carlsson | .... | executive producer | |
| Anni Faurbye Fernandez | .... | executive producer | |
| Wolfgang Feindt | .... | executive producer | |
| Jenny Gilbertsson | .... | associate producer | |
| Lone Korslund | .... | executive producer | |
| Jon Mankell | .... | coordinating producer | |
| Peter Nadermann | .... | executive producer | |
| Søren Stærmose | .... | producer | |
| Ole Søndberg | .... | executive producer | |
| Mikael Wallen | .... | executive producer | |
Original Music by | |||
| Jacob Groth | |||
Cinematography by | |||
| Peter Mokrosinski | |||
Film Editing by | |||
| Håkan Karlsson | |||
Casting by | |||
| Tusse Lande | |||
Art Direction by | |||
| Maria Håård | |||
| Jan Olof Ågren | |||
Costume Design by | |||
| Cilla Rörby | |||
Makeup Department | |||
| Jenny Fred | .... | makeup designer | |
| Love Larson | .... | special makeup effects artist | |
| AnnaCarin Lock | .... | assistant makeup artist (as Anna-Carin Lock) | |
| Oskar Wallroth | .... | assistant makeup effects artist | |
Production Management | |||
| Tobias Åström | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Lisa Eriksdotter | .... | first assistant director | |
| Kerstin Sundberg | .... | first assistant director | |
Art Department | |||
| Kennet From | .... | props | |
| Ola Handberg | .... | property master | |
| John Lindquist | .... | assistant property master | |
| Steffen Martinsson | .... | carpenter | |
| Doreen Möllerström | .... | property master | |
| Peder Svensk | .... | stand-by props | |
Sound Department | |||
| Niels Arild | .... | sound editor | |
| Niels Arild | .... | sound re-recording mixer | |
| Günther Friedhoff | .... | dialogue recordist | |
| Nalle Hansen | .... | sound designer | |
| Nalle Hansen | .... | supervising sound editor | |
| Anne Jensen | .... | foley recordist | |
| Andreas Kongsgaard | .... | sound designer (as Andreas Kongsgaard Mogensen) | |
| Per Nyström | .... | dialogue editor | |
| Mikkel Sørensen | .... | foley recordist | |
| Olle Tannergård | .... | additional sound designer | |
| Dan Widegren | .... | boom operator | |
Visual Effects by | |||
| Tobias Bach Hansen | .... | digital conform | |
| Martin Madsen | .... | visual effects | |
Stunts | |||
| Lars Hjelm | .... | stunt double | |
| Deni Jordan | .... | stunts | |
| Cecilia Lidén | .... | stunts | |
| Pernilla Ribeiro Novais | .... | stunt double | |
| Björn Persson | .... | stunt double | |
| Kimmo Rajala | .... | stunt coordinator | |
| Matti Tepsa | .... | stunts (as Matti Tepsä) | |
| Hannah Wahlberg | .... | stunts | |
| Martin Zetterlund | .... | stunts (as Martin K.R. Zetterlund) | |
Camera and Electrical Department | |||
| Aimar Bergan | .... | electrician (as Ainar Bergan) | |
| David Gylje | .... | second assistant camera | |
| Stefan Jonsson | .... | electrician | |
| Knut Koivisto | .... | still photographer | |
| Wayne Mansell | .... | second electric | |
| Misio Mokrosinski | .... | assistant camera | |
| Knut K. Pedersen | .... | steadicam | |
| Jan Pehrson | .... | assistant camera | |
| Otto Stenov | .... | gaffer | |
Editorial Department | |||
| Ola Bäccman | .... | digital intermediate colorist | |
| Mattias Morheden | .... | editor | |
Music Department | |||
| Rasmus Hansen | .... | orchestrator | |
Other crew | |||
| Camilla Ahlgren | .... | script editor | |
| Maria Billberg | .... | location manager | |
| Henning Cronheim | .... | production assistant | |
| Alexandra Hummingson | .... | voice-over artist | |
| Janne Lindqvist | .... | swat team | |
| Hans Lönnerheden | .... | completion guarantor | |
| Sigrid Strohmann | .... | script editor | |
| Martin Strömberg | .... | publicist | |
| Eva Svenstedt Ward | .... | story consultant | |
| Johanna Wennerberg | .... | production coordinator | |
| Lotta Westberg | .... | script supervisor | |
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| The Girl Who Played with Fire | The Girl with the Dragon Tattoo | The Best of Youth | The Interpreter | Machete |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Sweden section |
Perspective: I am 25, Danish (thus understanding Swedish) and have not read the books.
The final movie covering Stieg Larssons Millennium trilogy ties all the pieces together and explains the deeper reasons for Lisbeth Salanders unreasonable treatment by society.
Compared to its predecessors, I found the first movie highly gripping for its unique roughness and interesting characters, while the sequel didn't really catch me due to a plain storyline and little creativity. This movie however is back on track, keeping a good pace of events and complexity.
If you have already followed Salander and Blomkvist during the previous books/movies, you will surely enjoy watching how the conspiracy is being unraveled through intense investigations and court trials. You will experience how the opposition crumble beneath Salander and Blomkvists combined efforts at exposing and confronting the deeper reasons for Salanders struggles, and how they piece the puzzle together to clear her name and taking down the shady factions of society.
The movie has a nice level of well thought out detail, but also a several logical breaches. You leave the cinema with a feeling of wanting to know much more about how the initial conspiracy evolved and how parts of the investigation (not involving the key characters) is carried out. This is likely due to the dept of Stieg Larssons books, being impossible to portrait in just 150 swift minutes. This may eventually be a teaser lurking me into reading the books.