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Directed by | |||
| Daniel Alfredson | |||
Writing credits(in alphabetical order) | ||
| Stieg Larsson | novel | |
| Ulf Ryberg | screenplay (as Ulf Rydberg) | |
Produced by | |||
| Klaus Bassiner | .... | executive producer | |
| Susann Billberg-Rydholm | .... | line producer | |
| Gunnar Carlsson | .... | executive producer | |
| Anni Faurbye Fernandez | .... | executive producer | |
| Wolfgang Feindt | .... | executive producer | |
| Jenny Gilbertsson | .... | associate producer | |
| Lone Korslund | .... | executive producer | |
| Jon Mankell | .... | coordinating producer | |
| Peter Nadermann | .... | executive producer | |
| Søren Stærmose | .... | producer | |
| Ole Søndberg | .... | executive producer | |
| Mikael Wallen | .... | executive producer | |
Original Music by | |||
| Jacob Groth | |||
Cinematography by | |||
| Peter Mokrosinski | |||
Film Editing by | |||
| Håkan Karlsson | |||
Casting by | |||
| Tusse Lande | |||
Art Direction by | |||
| Maria Håård | |||
| Jan Olof Ågren | |||
Costume Design by | |||
| Cilla Rörby | |||
Makeup Department | |||
| Jenny Fred | .... | makeup designer | |
| Love Larson | .... | special makeup effects artist | |
| AnnaCarin Lock | .... | assistant makeup artist (as Anna-Carin Lock) | |
| Oskar Wallroth | .... | assistant makeup effects artist | |
Production Management | |||
| Tobias Åström | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Lisa Eriksdotter | .... | first assistant director | |
| Kerstin Sundberg | .... | first assistant director | |
Art Department | |||
| Kennet From | .... | props | |
| Ola Handberg | .... | property master | |
| John F. Lindquist | .... | assistant property master (as John Lindquist) | |
| Steffen Martinsson | .... | carpenter | |
| Doreen Möllerström | .... | property master | |
| Peder Svensk | .... | stand-by props | |
Sound Department | |||
| Niels Arild | .... | sound editor | |
| Niels Arild | .... | sound re-recording mixer | |
| Günther Friedhoff | .... | dialogue recordist | |
| Nalle Hansen | .... | sound designer | |
| Nalle Hansen | .... | supervising sound editor | |
| Anne Jensen | .... | foley recordist | |
| Andreas Kongsgaard | .... | sound designer (as Andreas Kongsgaard Mogensen) | |
| Per Nyström | .... | dialogue editor | |
| Mikkel Sørensen | .... | foley recordist | |
| Olle Tannergård | .... | additional sound designer | |
| Dan Widegren | .... | boom operator | |
Visual Effects by | |||
| Tobias Bach Hansen | .... | digital conform | |
| Martin Madsen | .... | visual effects | |
Stunts | |||
| Lars Hjelm | .... | stunt double | |
| Deni Jordan | .... | stunts | |
| Cecilia Lidén | .... | stunts | |
| Pernilla Ribeiro Novais | .... | stunt double | |
| Björn Persson | .... | stunt double | |
| Kimmo Rajala | .... | stunt coordinator | |
| Matti Tepsa | .... | stunts (as Matti Tepsä) | |
| Hannah Wahlberg | .... | stunts | |
| Martin K.R. Zetterlund | .... | stunts | |
Camera and Electrical Department | |||
| Aimar Bergan | .... | electrician (as Ainar Bergan) | |
| David Gylje | .... | second assistant camera | |
| Stefan Jonsson | .... | electrician | |
| Knut Koivisto | .... | still photographer | |
| Wayne Mansell | .... | second electric | |
| Misio Mokrosinski | .... | assistant camera | |
| Knut K. Pedersen | .... | steadicam | |
| Jan Pehrson | .... | assistant camera | |
| Otto Stenov | .... | gaffer | |
Editorial Department | |||
| Ola Bäccman | .... | digital intermediate colorist | |
| Per Legelius | .... | on-line editor | |
| Mattias Morheden | .... | editor | |
Music Department | |||
| Rasmus Bosse | .... | orchestrator (as Rasmus Hansen) | |
Other crew | |||
| Camilla Ahlgren | .... | script editor | |
| Annica Bellander | .... | marketing manager | |
| Maria Billberg | .... | location manager | |
| Henning Cronheim | .... | production assistant | |
| Alexandra Hummingson | .... | voice-over artist | |
| Janne Lindqvist | .... | swat team | |
| Hans Lönnerheden | .... | completion guarantor | |
| Sigrid Strohmann | .... | script editor | |
| Martin Strömberg | .... | publicist | |
| Eva Svenstedt Ward | .... | story consultant | |
| Johanna Wennerberg | .... | production coordinator | |
| Lotta Westberg | .... | script supervisor | |
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| The Girl Who Played with Fire | The Girl with the Dragon Tattoo | The Best of Youth | The Interpreter | Machete |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Sweden section |
These Swedish films are based on author Stieg Larsson's very popular "Millennium" trilogy of books.
The "Girl With The Dragon Tattoo" is the first, and "The Girl Who Played With Fire" is the second, while "The Girl Who Kicked The Hornet's Nest" is the last in the series.
All three should be viewed in sequence. Be sure to get the Swedish originals instead of the Hollywood remakes.
Each of the three is stylistically different, but each is qualitatively in the top 10 percent of movies ever made - a 10 rating.
Tattoo is essentially a murder mystery and is nicely developed at a relaxed pace. The main point in this is the introduction of the girl, who is a fascinating personality that constitutes a underlying mystery within the mystery explored in the film itself. This mystery of the Girl is revealed in the next two films in the series.
Fire is a mystery-action movie, and unlike the relaxed pace of Tattoo (to emphasis the mystery), Fire has a fast pace that emphasizes the action.
The mystery of the Girl is completely revealed in Nest, the final movie. Simultaneous plots are shown in shifts back and forth, which is potentially confusing for some viewers. However, this is skillfully accomplished as the plots of the investigation, the trial, and the experiences of the girl through all of this are depicted.
This is an outstanding set of three movies. People that don't speak Swedish and who do not like sub-titles may not like this aspect of the movies, but there is also a fine version of Tattoo (the first movie) that is English dubbed. English dubbed versions of the second and third of the set may be forthcoming.