Lisbeth is recovering in a hospital and awaiting trial for three murders when she is released. Mikael must prove her innocence, but Lisbeth must be willing to share the details of her sordid experiences with the court.
After a sex-trafficking expose is written by journalist Mikael Blomkvist, cyberpunk hacker Lisbeth Salander is framed for three brutal murders. Blomkvist, convinced of Salander's innocence, must work to bring her justice.
After taking a bullet to the head, Salander is under close supervision in a hospital and is set to face trial for attempted murder on her eventual release. With the help of journalist Mikael Blomkvist and his researchers at Millennium magazine, Salander must prove her innocence. In doing this she plays against powerful enemies and her own past. Written by
Dr. Anders Jonasson was originally named Anders Jakobsson, after a real-life doctor and close friend of Stieg Larsson. The real Jakobsson, however, confronted Larsson's father and brother about having denied Larsson's partner, Eva Gabrielsson, a share of the literary estate. In retaliation, the surviving Larssons changed the character's name. See more »
It is stated that Lisbeth was born in 1981 and that her mother was 17 when that happened. But on the mother's grave it says she was born in 1957, which would make her 24 in 1981. See more »
I will not call this a third part in the Millennium series, since it starts exactly where The Girl Who Played with Fire left off and continues with the same story. However, if the first film was a classic mystery thriller and the second film was more of an action thriller, The Girl Who Kicked the Hornets Nest goes in the direction of a political thriller. Spies, government agencies, covert operations, etc. It successfully explains things and closes all avenues opened by the first two films.
I have to say that I felt the movie both unreal and gratifying. Trained with US films about shadow agencies that kill anyone stand in their way, I found the Swedish counterparts meek and overly cautious. But what version is the more realistic one, I have no idea. So, yes, it felt strangely different from American thrillers, but it also made sense. Clearly it has a refreshing point of view on the matter.
Bottom line: I guess there is little purpose in watching this film and not watch the other two preceding it in the trilogy. And since you liked the other two, you should see this one as well. I enjoyed it, it explained everything that was left unexplained and everybody got their share. Of course, there is still room for another Micke and Lisbeth story, but clearly with a new plot.
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