Lisbeth is recovering in a hospital and awaiting trial for three murders when she is released. Mikael must prove her innocence, but Lisbeth must be willing to share the details of her sordid experiences with the court.
When the factory in Molkom shuts down, Robin leaves his beloved hometown to try his luck in Stockholm as a wedding photographer. This experience changes not merely his outlook on life but also his hairstyle.
After a sex-trafficking expose is written by journalist Mikael Blomkvist, cyberpunk hacker Lisbeth Salander is framed for three brutal murders. Blomkvist, convinced of Salander's innocence, must work to bring her justice.
After taking a bullet to the head, Salander is under close supervision in a hospital and is set to face trial for attempted murder on her eventual release. With the help of journalist Mikael Blomkvist and his researchers at Millennium magazine, Salander must prove her innocence. In doing this she plays against powerful enemies and her own past. Written by
The original novel also features a fictional appearance by a real person. In this case, former Prime Minister Thorbjörn Fälldin. See more »
In the flashback footage from The Girl Who Played with Fire when burning Zalachenko falls out of the car, he falls next to the container and the spilled "gasoline" that splattered when Salander threw it on him and dropped the container, but it doesn't ignite, proving it isn't gasoline. See more »
I will not call this a third part in the Millennium series, since it starts exactly where The Girl Who Played with Fire left off and continues with the same story. However, if the first film was a classic mystery thriller and the second film was more of an action thriller, The Girl Who Kicked the Hornets Nest goes in the direction of a political thriller. Spies, government agencies, covert operations, etc. It successfully explains things and closes all avenues opened by the first two films.
I have to say that I felt the movie both unreal and gratifying. Trained with US films about shadow agencies that kill anyone stand in their way, I found the Swedish counterparts meek and overly cautious. But what version is the more realistic one, I have no idea. So, yes, it felt strangely different from American thrillers, but it also made sense. Clearly it has a refreshing point of view on the matter.
Bottom line: I guess there is little purpose in watching this film and not watch the other two preceding it in the trilogy. And since you liked the other two, you should see this one as well. I enjoyed it, it explained everything that was left unexplained and everybody got their share. Of course, there is still room for another Micke and Lisbeth story, but clearly with a new plot.
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