Lisbeth is recovering in a hospital and awaiting trial for three murders when she is released. Mikael must prove her innocence, but Lisbeth must be willing to share the details of her sordid experiences with the court.
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free. He targets not only the killer but also the district attorney and others involved in the deal.
After taking a bullet to the head, Salander is under close supervision in a hospital and is set to face trial for attempted murder on her eventual release. With the help of journalist Mikael Blomkvist and his researchers at Millennium magazine, Salander must prove her innocence. In doing this she plays against powerful enemies and her own past. Written by
Dr. Anders Jonasson was originally named Anders Jakobsson, after a real-life doctor and close friend of Stieg Larsson. The real Jakobsson, however, confronted Larsson's father and brother about having denied Larsson's partner, Eva Gabrielsson, a share of the literary estate. In retaliation, the surviving Larssons changed the character's name. See more »
In the hospital Lisbeth's nasal cannula is on upside down. The tab always goes on the upper lip. See more »
After watching Hornet's Nest, you'll want to go back to Dragon Tattoo and experience all three films again in sequence. Like coming to the end of an exceptional book, you'll hope for more, surely another way to eke out a Lisbeth Salander film to enjoy. She has become with this trilogy one of the strongest female characters in 21st century film. No wonder actresses were battling to play her--she is the equivalent to Jason Bourne in any regard. (I can't imagine Hollywood doing a better job of these films--can you?)
I believe Hornet's Nest is best of the bunch. Salander is cornered, in hospital and under arrest, in danger of being recommitted to the institution that held her under guardianship. Despite her uncommunicative nature, Salander has friends, true friends who'll stick their necks out to protect her. But Salander is always willing to fight for herself, and she finds ways to do battle.
Hornet's Nest gives us a better film than the other in terms of suspense and dramatic flow. The pieces assemble, the foes are distinguished from the good guys, there is conflict and threat launched in surprising ways. Of the three, Hornet's Nest is the most suspenseful and best executed of the films in my opinion, a superb finish to a wonderful series.
Excuse me while I start reading the books.
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