Seeing a way to reassert control over her adult son's life when he faces manslaughter charges, an affluent Romanian woman sets out on a campaign of emotional and social manipulation to keep... See full summary »
An apartment kitchen: a man and a woman discuss Little Red Riding Hood, their voices hushed, mindful of waking the little girl sleeping next room. Waste land on the city outskirts: behind a... See full summary »
"Somewhere in Palilula" tells the story of Serafim, a fresh graduate of a medical school, in 60's Romania. He is brought by destiny to the strange town of Palilula. Nowhere, that is. ... See full summary »
Anne Marie Chertic,
After being the sole unfortunate witness of a domestic quarrel that ends up in a murder, Patrascu finds himself at odds with two very close neighbors: one is the bizarre murderer, the other one his very own conscience.
Paul Hanganu loves two women. Adriana his wife and the mother of their daughter, the woman with whom he's shared the thrills of the past ten years, and Raluca the woman who has made him redefine himself. He has to leave one of them before Christmas.
Security guard Aurel (Andi Vasluianu) and his wife Irene have a moderately happy marriage and a moderately comfortable lifestyle in urban Romania. Irene takes a working trip to Cairo and ... See full summary »
In 1911-12, the Romanian movie director Grigore Brezianu and the financial tycoon Leon Popescu made together the 2 hours long movie "Romania's Independence" - an as faithful as possible ... See full summary »
Marius Florea Vizante,
If you want a movie in Hollywood's sense of entertainment, this is not it. The pace is slow, and over the whole of the 2 hours very little happens. There is no spy catch or car chase. To stick to realism, the film has no score.
If you want a psychological experiment, well... You are knocking on the right door. This is a voyeuristic "big brother" into the intimacy of a family. An ideal family, as you might think towards the beginning of the movie. The parents are old now, the father is afflicted by illness, but even so, they talk nicely and support each other. The younger daughter lives in the same city and we understand remains in close contact with her parents. The older daughter, Felicia, has left a while ago, but still comes back regularly to the nest. You can't but be impressed by the amount of motherly love she receives. And then it only takes a missed flight for things to turn upside down. Is there such a thing as "too much motherly love"? The film would argue that "yes". At times, I felt like screaming at the mother "give her a break!". With a mother who is too busy to give waves and waves of what she thinks is "tender loving care", but it's only done for her to feel satisfied, with no regard for the subject, the daughter's character ends up broken: she cannot assert herself, has a failed marriage and broken and superficial relationships. All painstakingly revealed scene after scene, in the film's flawless construction. The culmination is in Felicia's outburst at the end, which I'm glad I had the patience to stay and watch.
This is not a film for everyone, and even then, it's not for every mood.
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