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Mommo (2009) More at IMDbPro »

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Mommo -- Can a boy of nine be a big brother, a father, a mother and a luminary all at once? For young AyÅŸe, the answer is yes. In fact, as far as she's concerned, her big brother, Ahmet, is afraid of nothing at all. But the truth is, Ahmet is a child too; and he too has his fears. Equally, it's impossible for him to know everything. Their father, Kazim, has gone off to marry another woman and abandoned the two children to their fate with Hasan, their elderly and half-crippled grandfather. But in spite of everything, brother and sister never seem to lose hope.Based on a real-life story, MOMMO borrows its name from a make-believe horror character, a regional version of the bogeyman routinely invoked to intimidate young children.This simple tale of the relationship between a brother and sister in a small village portrays one of the grittier realities of Anatolia.
Mommo -- A brother and sister are split up after their mother dies, their father remarries, and their new stepmother rejects them.
Mommo -- Can a boy of nine be a big brother, a father, a mother and a luminary all at once? For young Ayse, the answer is yes. This simple tale of a village and the relationship between a brother and sister in the village portrays one of the grittier realities of


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Atalay Tasdiken (screenplay)
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Release Date:
17 April 2009 (Turkey) See more »
A brother and sister are split up after their mother dies, their father remarries, and their new stepmother rejects them. | Full synopsis »
Plot Keywords:
3 wins & 1 nomination See more »
User Reviews:
Where childhood dreams meet adult duplicity See more (4 total) »


  (in credits order)

Directed by
Atalay Tasdiken 
Writing credits
Atalay Tasdiken (screenplay)

Produced by
Atalay Tasdiken .... producer
Original Music by
Erkan Ogur 
Cinematography by
Ali Özel 
Film Editing by
Serhat Solmaz 
Sound Department
Mustafa Bolukbasi .... sound
Meriç Erseçgen .... sound effects editor
Nurkut Ozdemir .... consultant: dolby film sound
Cem Uner .... sound re-recording mixer
Special Effects by
Sencer Yalcin .... special effects crew
Camera and Electrical Department
Ahmet Yesevi Özel .... electrician
Editorial Department
Tolga Girici .... colorist
Sencer Yalcin .... on-line editor

Production CompaniesDistributors

Additional Details

Also Known As:
"The Bogeyman" - Europe (English title) (festival title)
See more »
Argentina:94 min | Germany:94 min (Berlin International Film Festival)
Aspect Ratio:
1.85 : 1 See more »
Filming Locations:


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5 out of 5 people found the following review useful.
Where childhood dreams meet adult duplicity, 24 July 2012
Author: Roger Burke from Brisbane, Australia

The child's bogeyman – the one who steals away children – is a terror we all know about. But as we grow, we learn the truth about the myth. In this downbeat yet engaging story, two young siblings – older brother, Ahmet (Mehmet Bulbul), younger sister, Ayse (Elif Bulbul) – discover that the bogeyman also comes in a familiar guise...

Set in an Anatolian village of Turkey, the story centers upon the two children caught in a familial vise: their mother is dead, their father has left them for a new wife who rejects them, their grandfather is barely able to care for them, and their aunt in Germany is having difficulties is arranging immigration for them to live with her. And looming over the hapless children, as the story opens, is the prospect of being sent off to an orphanage sometime soon.

Slow pacing, excellent photography, faultless acting and simple dialog allow the receptive viewer to fully appreciate the heartbreaking horror of shattered childhood needs that are all too easily compromised by adults who just can't or won't cope. Sure, this type of story has been done before: Oliver Twist (1948 et al), perhaps, being the most well-known example of abused childhood.

But this story doesn't have the twists and turns of grandiose narrative. Instead, the camera, up close and personal, constantly fixes upon and searches the faces of the protagonists as they try to, and do accommodate their daily, simple, emotional abuses; and significantly, there is no comedic relief in the entire story. Throughout, brother and sister find comfort with each other in a series of unforgettable vignettes, all of which flesh out their characters and demonstrate their mutual dependency. Understandably then, we are perhaps reminded of our own childhood losses and disappointments, especially as the closing sequence fades into our memory. Only the hardest of hearts will shrug, shift gears, and then turn away.

The director, Atalay Tasdiken, has written and directed a well-crafted movie; his style reminds me of Nuri Ceylan (Distant, Climates, Three Monkeys etc), who is a master of minimal talk and maximum camera. The child actors are just perfect, while the other players provide exemplary support. The sound track is barely noticeable, even when it is present. For some viewers, though, the pacing will seem sluggish at times.

As the credits roll, there is a statement that the story is based upon true events. I don't doubt that for one moment.

Give this one eight out of ten. Recommended for all.

July 25, 2012

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