| Riz Ahmed | ... | Omar | |
| Arsher Ali | ... | Hassan | |
| Nigel Lindsay | ... | Barry | |
| Kayvan Novak | ... | Waj | |
| Adeel Akhtar | ... | Faisal | |
| Julia Davis | ... | Alice | |
| Craig Parkinson | ... | Matt | |
| Preeya Kalidas | ... | Sofia | |
| Wasim Zakir | ... | Ahmed | |
| Mohammad Aqil | ... | Mahmood | |
| Karl Seth | ... | Uncle Imran | |
| Waleed Elgadi | ... | Khalid (as Willliam El-Gardi) | |
| Alex Macqueen | ... | Malcolm Storge MP (as Alex MacQueen) | |
| Shameem Ahmad | ... | Chairwoman | |
| Jonathan Maitland | ... | Newsreader (as Jonny Maitland) | |
| Marcus Garvey | ... | Marathon Policeman | |
| Darren Boyd | ... | Sniper | |
| Kevin Eldon | ... | Sniper | |
| Adil Mohammed Javed | ... | Nabil | |
| Benedict Cumberbatch | ... | Negotiator | |
| Toby Longworth | ... | Heimlich Man | |
| Danny Ashok | ... | Phone Shop Assistant | |
| Will Adamsdale | ... | Alex | |
| rest of cast listed alphabetically: | |||
| Mike Friend | ... | Pret Server (uncredited) | |
| Ian Hughes | ... | Security Guard (uncredited) | |
| Mark Morrell | ... | Security Guard (uncredited) | |
| Christopher Morris | ... | Commentator on end credits (uncredited) | |
| Reece Noi | ... | Shoulderboy (uncredited) | |
| Chris Wilson | ... | Police Inspector (uncredited) | |
Directed by | |||
| Christopher Morris | (as Chris Morris) | ||
Writing credits | ||
| Christopher Morris | (written by) (as Chris Morris) & | |
| Sam Bain | (written by) & | |
| Jesse Armstrong | (written by) | |
| Simon Blackwell | (additional writing) | |
Produced by | |||
| Angus Aynsley | .... | executive producer | |
| Carole Baraton | .... | executive producer | |
| Peter Carlton | .... | executive producer | |
| Will Clarke | .... | executive producer | |
| Rita Dagher | .... | executive producer | |
| Mark Findlay | .... | executive producer | |
| Mark Herbert | .... | producer | |
| Afi Khan | .... | associate producer | |
| Caroline Leddy | .... | executive producer | |
| Alex Marshall | .... | executive producer | |
| Faisal A. Qureshi | .... | associate producer | |
| Rebekah Wray Rogers | .... | line producer: additional photography (as Rebekah Wray-Rogers) | |
| Tessa Ross | .... | executive producer | |
| Derrin Schlesinger | .... | producer | |
Cinematography by | |||
| Lol Crawley | (director of photography) | ||
Film Editing by | |||
| Billy Sneddon | |||
Casting by | |||
| Des Hamilton | |||
Production Design by | |||
| Dick Lunn | |||
Art Direction by | |||
| Julie Ann Horan | |||
Set Decoration by | |||
| Duncan Wheeler | (as Ducan Windram-Wheeler) | ||
Costume Design by | |||
| Charlotte Walter | |||
Makeup Department | |||
| Hannah Booth | .... | hair stylist | |
| Hannah Booth | .... | makeup artist | |
| Vikki Lawson | .... | hair designer | |
| Vikki Lawson | .... | makeup designer | |
| Fiona Lobo-Cranston | .... | hair stylist | |
| Fiona Lobo-Cranston | .... | makeup artist | |
| Magi Vaughan | .... | hair stylist: additional photography | |
| Magi Vaughan | .... | makeup artist: additional photography | |
Production Management | |||
| Michelle Camp | .... | post-production supervisor | |
| Vicky Chapman | .... | unit manager: additional photography | |
| Tracey Josephs | .... | head of production: Film4 | |
| Fiona Lamptey | .... | production manager: Film4 | |
| Rebekah Wray Rogers | .... | production manager (as Rebekah Wray-Eogers) | |
| Barry Ryan | .... | head of production: Warp Films | |
| Jack Suckling | .... | unit manager | |
| Alex Sutherland | .... | production manager: Spain | |
| Emma Zee | .... | post-production supervisor | |
Art Department | |||
| Roxanna Arefpour | .... | art department assistant: Spain | |
| Paul de Csernatony | .... | property master | |
| Samantha Harley | .... | stand-by art director (as Sam Harley) | |
| Lisa Kenny | .... | art director: additional photography | |
| Lisa Kenny | .... | assistant art director | |
| Mike Roberts | .... | dressing props | |
| Paul Robinson | .... | stand-by props | |
| Chris Swan | .... | property master: Spain | |
| Duncan Wheeler | .... | buyer (as Duncan Windram-Wheeler) | |
| Neil Griffiths | .... | dresser (uncredited) | |
| Neil Griffiths | .... | stand-by props (uncredited) | |
| Russell Lee | .... | props (uncredited) | |
| Anthea Nelson | .... | designer: additional photography (uncredited) | |
| Paul Robinson | .... | standby art director: additional photography (uncredited) | |
Sound Department | |||
| Jim Allen | .... | sound maintenance | |
| Adam Armitage | .... | sound effects editor | |
| Stuart Bagshaw | .... | foley editor | |
| Darren Banks | .... | sound effects editor | |
| Oliver Brierley | .... | sound effects editor | |
| James Feltham | .... | post-production sound coordinator | |
| Alex Fielding | .... | assistant sound re-recording mixer (as Alexander Fielding) | |
| Nigel Heath | .... | sound re-recording mixer | |
| Malcolm Hirst | .... | sound recordist | |
| Stefano Mascitti | .... | synchronization | |
| David Mitchell | .... | sound recordist: additional photography | |
| Rebecca Morgan | .... | sound maintenance: additional photography | |
| Dani Munoz | .... | boom operator: Spain | |
| Keith Partridge | .... | foley mixer | |
| Stefan Podolczuk | .... | trainee sound editor | |
| Alex Sawyer | .... | dialogue editor | |
| Barnaby Smyth | .... | foley artist | |
| Chris Sturmer | .... | dolby sound consultant (uncredited) | |
Special Effects by | |||
| Paul Gorrie | .... | special effects supervisor | |
| Mike Kelt | .... | special effects supervisor | |
| Juan Ramón Molina | .... | special effects: Spain (as Juan Ramon Molina) | |
Visual Effects by | |||
| Avtar Bains | .... | lead visual effects compositor: Framestore | |
| Martin Bovingdon | .... | cg modeller: Framestore | |
| Jason Burnett | .... | visual effects compositor: Framestore | |
| Kevin Curtis | .... | elements shoot: Framestore | |
| Anthony Gibbs | .... | animator: Framestore | |
| Anthony Gibbs | .... | digital designer: Framestore | |
| Timothy Greenwood | .... | lead visual effects compositor: Framestore (as Tim Greenwood) | |
| Max Horton | .... | colourist | |
| Katie Isaksen | .... | roto artist: Framestore | |
| Pete Jones | .... | visual effects production assistant: Framestore | |
| David Lochhead | .... | cg animator: Framestore | |
| Sharon Lock | .... | digital designer: Framestore | |
| James Long | .... | visual effects data operator: Framestore | |
| Alix Ludlam | .... | visual effects compositor: Framestore | |
| Savneet Nagi | .... | visual effects compositor: Framestore | |
| Darran Nicholson | .... | lead visual effects compositor: Framestore | |
| Adam Parry | .... | animator: Framestore, Superfad | |
| Adam Parry | .... | digital designer: Framestore, Syperfad | |
| Simon Whalley | .... | visual effects producer: Framestore | |
| Will Yarrow | .... | visual effects compositor: Framestore | |
| Adam Hawkes | .... | digital compositor (uncredited) | |
Stunts | |||
| Andy Merchant | .... | stunt performer | |
| Gareth Milne | .... | stunt coordinator | |
| Chris Newton | .... | stunt performer | |
Costume and Wardrobe Department | |||
| Juani Cabrera | .... | costume assistant: Spain | |
| Carmen Cristea | .... | costumer | |
| Lisa Phillips-Dodsworth | .... | costume assistant: additional photography | |
| Fraser Purfit | .... | costumer | |
| Doina Raducut | .... | costumer | |
| Hannah Walter | .... | costume supervisor: additional photography | |
Editorial Department | |||
| Matthew Bristowe | .... | digital intermediate producer | |
| James Cundill | .... | online editor | |
| Dan Dolan | .... | digital intermediate film recorder | |
| Richard Etchells | .... | senior on-line editor | |
| Matthew Gray | .... | assistant editor (as Matt Gray) | |
| Max Horton | .... | digital intermediate colorist | |
| Scott Liddle | .... | digital intermediate film recorder | |
| Jason Rayton | .... | assistant editor: additional photography | |
| Ben Setterfield | .... | digital intermediate film recorder | |
| Cliff Thomas | .... | arri coordinator | |
| Mandy Miller | .... | post-production paperwork (uncredited) | |
Music Department | |||
| Phil Canning | .... | music supervisor | |
| Jonathan Whitehead | .... | composer: Trailer Music (uncredited) | |
Transportation Department | |||
| Peter Connelley | .... | unit driver | |
| Craig Hudson | .... | driver: facilities | |
| Karl Jones | .... | unit driver | |
| Ian Kitchingman | .... | driver: camera car | |
| Paul Pearson | .... | unit driver | |
Other crew | |||
| Tim Adams | .... | production runner | |
| Reno Antoniades | .... | legal services: Lee & Thompson | |
| Angie Bailey | .... | unit nurse | |
| Natalie Bass | .... | legal services: Lee & Thompson | |
| Colin Batchford | .... | security | |
| Penny Brockhurst | .... | auditor: Shipleys | |
| Mike Brookes | .... | legal services: Lee & Thompson | |
| Neil Calder | .... | completion bond: Film Finances UK | |
| Vicky Chapman | .... | assistant location manager: marathon unit | |
| Sue Clark | .... | animal supplier and coordinator: Timber Tops | |
| Nalika Da Silva | .... | production runner | |
| Harry Dixon | .... | head of business affairs: Film4 | |
| Samuel Donovan | .... | script coordinator | |
| Libby Durdy | .... | representative: Warp Films | |
| Jacqui Edwards | .... | archive consultant | |
| John Ensby | .... | laboratory contact | |
| Jim Ferguson | .... | unit nurse | |
| Juan Fernández | .... | location manager: Spain | |
| Nick Ginerver | .... | unit nurse | |
| Ally Gipps | .... | representative: Warp Films | |
| Richard Godfrey | .... | location manager: second unit | |
| Robin Gutch | .... | representative: Warp Films | |
| Silvia Gómez | .... | production coordinator: Spain (as Silvia Gomez) | |
| Dan Hillsdon | .... | production accountant | |
| Ruth Hodgson | .... | completion bond: Film Finances UK | |
| Tommy Husband | .... | representative: Warp Films | |
| Steve Joberns | .... | auditor: Shipleys | |
| Gareth Jones | .... | post-production accountant | |
| Jen Kenwood | .... | representative: Warp Films | |
| Richard Knight | .... | location manager | |
| Tor Kristoffersen | .... | production runner: additional photography | |
| Sam Lavender | .... | development executive: Film4 | |
| Sharon Lock | .... | title designer: Framestore | |
| Paco Lozano | .... | crowd fixer: Spain | |
| Imran The Man | .... | field consultant | |
| Cristina Martin | .... | production assistant: Spain | |
| Charles McDonald | .... | unit publicist | |
| Helene Michaelides | .... | runner | |
| Christos Michaels | .... | legal services: Optimum Releasing, Lee & Thompson | |
| Antonio Molina | .... | armorer: Spain | |
| Sarah Moloney | .... | floor runner | |
| Iain Morris | .... | script consultant | |
| Nicola Morrow | .... | production coordinator: additional photography (as Nicola Morror) | |
| Veronique Mousnier | .... | representative: Optimum Releasing | |
| Stephen Murphy | .... | legal services: Optimum Releasing, Lee & Thompson | |
| Javier Navarrete | .... | production assistant: Spain | |
| Anna Ortaga | .... | first aider: Spain | |
| Raquel Palermo | .... | production assistant: Spain | |
| Lisa Parman | .... | unit nurse | |
| Linda Pather | .... | completion bond: Film Finances UK | |
| Danny Perkins | .... | representative: Optimum Rekeasing | |
| Rebecca Pick | .... | legal services: Lee & Thompson | |
| Natasha Pilbrow | .... | legal services: Lee & Thompson | |
| Jim Ranyard | .... | risk and safety management officer | |
| Sophia Rashid | .... | language coach | |
| Rogelio Rodriguez | .... | production assistant: Spain | |
| Jen Rooks | .... | production assistant: additional photography (as Jennifer Rooks) | |
| Kate Ruddock | .... | unit nurse | |
| Rebecca Rycroft | .... | script supervisor | |
| Andy Shakesby | .... | unit nurse | |
| Niall Shamma | .... | finance manager: Warp Films | |
| Mark Shelley | .... | armorer | |
| Sudie Smyth | .... | completion bond: Film Finances UK | |
| Andrea Sumnall | .... | unit nurse | |
| Antoine Taupin | .... | production loan: Natixis Coficine | |
| Christopher Vidal | .... | production loan: Natixis Coficine (as Christople Vidal) | |
| Matthew Whitney | .... | assistant location manager (as Matt Whitney) | |
| Hannah Yarberry | .... | unit nurse | |
| Luke Glover | .... | runner (uncredited) | |
| Tommy Husband | .... | production assistant (uncredited) | |
| Jen Kenwood | .... | production assistant (uncredited) | |
| Sarah Parfitt | .... | delivery paperwork coordinator (uncredited) | |
| Russell Smith | .... | production counsel (uncredited) | |
Thanks | |||
| Richard Ayoade | .... | special thanks | |
| Peter Baynham | .... | special thanks | |
| Layla Blackman | .... | special thanks | |
| Jake Bussmann | .... | special thanks | |
| Jonathan Coleman | .... | film made possible thanks to (as Jono) | |
| Stephen Davies | .... | film made possible thanks to | |
| Chris Dickens | .... | special thanks | |
| Brian Eno | .... | special thanks | |
| William Heath | .... | film made possible thanks to | |
| Lorraine Heggessey | .... | special thanks | |
| Phillip Hylander | .... | film made possible thanks to | |
| Armando Iannucci | .... | special thanks | |
| Claire Keelan | .... | special thanks | |
| Muzz Khan | .... | special thanks | |
| Jeremy Kimberlin | .... | special thanks | |
| Paul Lashamar | .... | special thanks | |
| Amber Loke | .... | special thanks | |
| Jonathan Maitland | .... | film made possible thanks to (as Jonny Maitland) | |
| Silke Matzpohl | .... | thanks | |
| Beatrice McMillian | .... | special thanks | |
| Stephen Merchant | .... | special thanks (as Steve Merchant) | |
| Prash Naik | .... | special thanks | |
| Anthea Nelson | .... | special thanks | |
| Lucille Pardee | .... | special thanks | |
| Tony Ryan | .... | film made possible thanks to | |
| Lorne Sommerville | .... | film made possible thanks to | |
| Matt Stone | .... | special thanks | |
| Luke Wray Rogers | .... | special thanks (as Luke Wray) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
The film can be approached from two angles; as a comedy and as an important contemporary cultural text. As a comedy it succeeded beyond expectations. Part of the pleasure surely came from the spectacle of the event; a sold out screening with cast and crew present along with regional cultural references that resonated infectiously with many in the audience, but this can take nothing away from the many levels of comedy at work within this film. There were elements of overacted screwball comedy; there were underplayed facial expressions and reactions that added a wealth of character and personality to the comedy; further still, there were elaborately constructed situational set pieces. All these elements along with explosively dynamic dialogue that was well delivered combined to send the audience into tears of laughter.
In a separate issue to the comedy there was the cultural commentary, which is always going to draw attention when it is such a taboo subject as Jihad: a word that is often avoided at all costs. The film unapologetically offers a plethora of questions around motivation, meaning and justification which it never falls into the trap of giving patronizing, melodramatic answers to nor does it preach any solutions.
The many characters were all utilised to give different points of views and different perspectives; the main protagonist Omar (Riz Ahmed) was fully fleshed out, with the other characters used to offer differing ideas and obviously the above mentioned comic relief. Omar's brother for instance had such a minor part but raises questions around what he considers a true following of Islam, which he promotes as peaceful, but is then exposed as intrinsically sexist due to the way he practically locks his wife in a cupboard. That being said, Islam itself was to a large extent sidelined and the film much more overtly dealt with identification and senses of belonging for a demographic that has partial but not complete grips on the many angles of where its identity is created; this includes Barry (Nigel Lindsay), the Caucasian convert amongst the group.
Four Lions is easily funny enough to reach a very wide audience, where viewers will be left without answers and therefore forced to discuss these issues, which are too often brushed under the proverbial rug.
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