Gary Oldman went to Old Focals, an eyeglass store in Pasadena, to search for the right glasses to fit George Smiley: "Glasses are funny things. For Smiley, they're iconic. It's like Bond's Aston Martin or vodka martini." Oldman tried on hundreds of glasses frames before he found the appropriate spectacles.
In the 'Tinker, Tailor, Soldier, Spy' novel, Jim Prideaux's mission took place in Czechoslovakia; in the film the mission takes place in Hungary. The change in location was because Hungary offers a 20% tax reduction for film productions.
Tomas Alfredson had John le Carré write part of the dialogue for the Circus conference: "When we rehearsed it, it felt as if Bill Haydon should say something, but what would he say? Well, why not call John le Carré and see if he's in? And we called him and we described the situation. He thought for 15 seconds and he said, grab a pen, here it is! It was a fantastic moment." Colin Firth jokingly suggested a velvet cushion for the paper on which the line was written.
In one of the flashback scenes Control is speaking on the phone, on the desk behind him are two bulldogs draped in the Union Jack. These figurines were created by Royal Doulton during World War II to represent Patriotism. In Skyfall (2012), M (Judi Dench), the head of MI6, has the same Royal Doulton bulldog on her desk.
George Smiley first appears seven minutes into the film, and although he appears repeatedly in the following minutes, he does not speak his first line until eighteen minutes into the film. That line is, "I'm retired now, remember. You fired me."
To prepare for his role as Peter Guillam, Benedict Cumberbatch went to the Moroccan town of Essaouira, where Guillam had been stationed in the story: "It's got a slightly nightmare quality; I was wandering around the streets at night, thinking what it must be like to know that every turn could be my last."
Tomas Alfredson based the environment on his first impressions of London when he first visited the town in the 1970s: a brown and gray palette, shadows and uncovered light-bulbs, and dirty streets. "If you see London now and at that time, it's two different cities. Today it's a white city; then it was black; it was so dirty, and you could still feel the War all around."
Gary Oldman described Tomas Alfredson as taking a near-voyeuristic approach, by shooting with long lenses: "It was as if he was eavesdropping, like a peeping Tom, which is what you sort of want for a spy film."
The filmmakers consider this film's version of George Smiley as the most emotional one yet: "You see a wilder person inside Gary's eyes; he can probably be crueler, maybe even more melancholic. He's a man presenting himself one way, yet internally there's a great sadness..."
To prepare for the role of George Smiley, Gary Oldman ate a lot of treacle sponge and custard to "put on a bit of middle-aged tummy". Oldman also watched Sir Alec Guinness's performance in Tinker Tailor Soldier Spy (1979), and paid a visit to Smiley's creator John le Carré: "The way he touched his shirt, spoke and so on, I took all that and used it. I hope he won't mind, but Smiley is in his DNA."
John le Carré's 'Tinker, Tailor, Soldier, Spy' novel, was based on the uncovering, during the 1950s and 60s, of the Cambridge Five traitors who were KGB moles working within the SIS. It is the first book in le Carré's Karla or Quest for Karla Trilogy, the second and third parts being 'The Honourable Schoolboy' (1977) and 'Smiley's People' (1979).
As this movie is about the uncovering of an infiltrator into the British Secret Service and the director's previous film was called 'Let the Right One In' [Let the Right One In (2008)], this film was jokingly referred to as 'Get the Wrong One Out'.
Gary Oldman based his performance as George Smiley on a line from the 'Tinker, Tailor, Soldier, Spy' novel: "George is like a swift, Ann once told Haydon in George's hearing. He lowers his temperature until it's the same as the room around it. Then he doesn't lose heat by adjusting." Tomas Alfredson further compared Smiley to a turtle, "because the turtle has so much of its body hidden inside a shell; it is fixed, and it doesn't have a lot of different expressions."
Source author John le Carré included 'Tinker, Tailor, Soldier, Spy' as one of his four best novels during an interview on 5 October 2008 on BBC Four. The other best works he selected were 'The Spy Who Came in from the Cold', 'The Tailor of Panama' and 'The Constant Gardener'.
The Swedish song heard in Control's first scene is "Land, du välsignade" (Blessed Country) sung by Jussi Björling. The director Tomas Alfredson is Swedish; however the song also serves as an indication of Control's patriotism.
First appearance by novelist John le Carré in a filmed adaptation of his work since The Little Drummer Girl (1984). His cameo appearance in this movie is only the second time he has appeared in a filmed adaption of one of his books.
Writer John le Carré partially based his famous George Smiley character on a friend, the Lincoln College tutor and Oxford University don, the Reverend Vivian Green. Smiley was also based on le Carré's boss at Mi5, Lord Clanmorris, who wrote crime novels under the pseudonym of John Bingham.
This movie remake was made and released thirty-two years after the renowned TV series Tinker Tailor Soldier Spy (1979), just under thirty years after its sequel Smiley's People (1982) and thirty-seven years after the 'Tinker, Tailor, Soldier, Spy' novel was first published in 1974.
Filming took place at a disused army barracks in North London, a location much cheaper and affording wider space for the set designers than renting buildings in London for filming. The barrack's corridors and alcoves were used for interior shots, and the side of a building was 'dressed up' as a Wimpy bar.
The letters addressed to George Smiley's wife, Lady Ann, show the address as 18 Asherton Street, Islington, N1. In the books, Smiley famously lived off the Kings Road, at (No 9) Bywater Street, Chelsea, SW3.
When Jim Prideaux (played by Mark Strong) spotted George Smiley at the school, he asked one kid if the man was a beggar man or a thief. "Beggar man, thief" is the ending part of the children's rhyme which the movie's title was based upon.
At one point, the song "Mr Wu's A Window Cleaner Now" is played on the radio and sung along by several characters. This song was originally from To Hell with Hitler (1940), in which George Formby played a uke player mistaken for a spy.
The trivia items below may give away important plot points.
In the 'Tinker, Tailor, Soldier, Spy' novel, Peter Guillam was in a relationship with a female musician named Camilla. In the film he is a homosexual in a relationship with a man, according to Benedict Cumberbatch a creative decision that works well within the film: "Sexuality was a very powerful tool then. Guillam keeps his homosexuality secret because he is so open to blackmail; it necessitates a certain amount of secretiveness, which goes hand in hand with spying."
To prepare for his role as Bill Haydon, Colin Firth reviewed footage of Kim Philby's 1955 press conference. In this conference, held after the defection of the British traitors Donald MacLean and Guy Burgess, Philby vehemently denied that he was a traitor... seven years later he fled to Moscow. "You can see the tremendous tension in his body language and in his facial expression, but he cannot hide the sense of mischief."
The chess pieces Control uses in the film are: Karla as a white queen; Alleline (Tinker) as a white rook; Haydon (Tailor) as a white bishop; Bland (Soldier) as a black king; Esterhase (Poorman) as a black knight; and Smiley (Beggarman) as a black queen. Later on, Smiley uses Polyakov as a black bishop. Using the same piece for Smiley and Karla hints at their mastermind status and rivalry (the queen is the most powerful piece in chess); using the same piece for Haydon and Polyakov hints at their connection.
The French song heard in the film's closing scenes is "La Mer", sung by Julio Iglesias. This song was chosen by the filmmakers because they thought it was a song George Smiley would listen to when he was alone; Tomas Alfredson described the song as "everything the world of MI6 isn't."