Bob Saginowski finds himself at the center of a robbery gone awry and entwined in an investigation that digs deep into the neighborhood's past where friends, families, and foes all work together to make a living - no matter the cost.
Ivan Locke, a dedicated family man and successful construction manager, receives a phone call on the eve of the biggest challenge of his career that sets in motion a series of events that threaten his carefully cultivated existence.
A young man who was sentenced to seven years in prison for robbing a post office ends up spending three decades in solitary confinement. During this time, his own personality is supplanted by his alter-ego, Charles Bronson.
In the early 1970s during the Cold War, the head of British Intelligence, Control, resigns after an operation in Budapest, Hungary goes badly wrong. It transpires that Control believed one of four senior figures in the service was in fact a Russian agent - a mole - and the Hungary operation was an attempt to identify which of them it was. Smiley had been forced into retirement by the departure of Control, but is asked by a senior government figure to investigate a story told to him by a rogue agent, Ricky Tarr, that there was a mole. Smiley considers that the failure of the Hungary operation and the continuing success of Operation Witchcraft (an apparent source of significant Soviet intelligence) confirms this, and takes up the task of finding him. Written by
Gary Oldman plays George Smiley, a retired British agent who is placed back into the field to try and uncover the identity a mole within the ranks of the M16's who is giving information to Russia. TINKER TAYLOR SOLDIER SPY, adapted from John le Carre's novel, is certainly a very well-made movie and it features some terrific performances but I must admit that I got lost several times. It seems most people are commenting that they can't figure out the story and it seems many people are hating the movie for this and I can't blame them. However, even though I couldn't figure out all of the plot points, this type of confusion reminded me of THE BIG SLEEP with Humphrey Bogart, another movie where you couldn't follow the story but that didn't take away from the entertainment. Director Tomas Alfredson (LET THE RIGHT ONE IN) does a marvelous job at keeping the film moving at a good pace even though it's deliberately a very slow one. It seems like the director wants to get every bit of detail within the frame so there are very slow, drawn out sequences where not much happens but you can look around and just about everything will grab your attention because you never know if it's a clue or not. I really loved the cold atmosphere that he brought to the film and it's almost identical to his vampire movie. The other very strong point is that you got some terrific actors doing strong work. Oldman is so great here that I'm surprised he's gotten as much attention as he has. This isn't James Bond and there's not a single bit of flash to his character but that's what makes the performance so great. I'm sure most actors would have wanted to add more flair to the part and this is something that Oldman did in many of his early great performances. He doesn't do that here and instead he really gives such a low-key performance that you just sit there riveted because his eyes tell you everything you need to know. What also impressed me was the way he came off to be constantly thinking about everything he's taking in. Several actors have talked that it's important to listen and think while on camera and Oldman does that brilliantly here. It certainly doesn't hurt that you have impressive support by Colin Firth, Benedict Cumberbatch, Toby Jones, Ciaran Hinds, David Hencik, John Hurt and Tom Hardy. Again, the story makes very little sense or at least to me, someone who hasn't read the novel but everything else is just so perfectly done that the film remains entertaining.
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