In 2018, a mysterious new weapon in the war against the machines, half-human and half-machine, comes to John Connor on the eve of a resistance attack on Skynet. But whose side is he on, and can he be trusted?
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 19-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
A new theme park is built on the original site of Jurassic Park. Everything is going well until the park's newest attraction--a genetically modified giant stealth killing machine--escapes containment and goes on a killing spree.
Bryce Dallas Howard,
In the near future, crime is patrolled by a mechanized police force. When one police droid, Chappie, is stolen and given new programming, he becomes the first robot with the ability to think and feel for himself.
A cryptic message from Bond's past sends him on a trail to uncover a sinister organization. While M battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind SPECTRE.
When John Connor (Jason Clarke), leader of the human resistance, sends Sgt. Kyle Reese (Jai Courtney) back to 1984 to protect Sarah Connor (Emilia Clarke) and safeguard the future, an unexpected turn of events creates a fractured timeline. Now, Sgt. Reese finds himself in a new and unfamiliar version of the past, where he is faced with unlikely allies, including the Guardian (Arnold Schwarzenegger), dangerous new enemies, and an unexpected new mission: To reset the future...
Sarah (Emilia Clarke) states that Pops (Arnold Schwarzenegger) saved her in 1973 when she was 9. This would mean that Sarah was born in 1964 and she was 20 years old in 1984 and she would be 53 in 2017. See more »
History has now changed concerning the future war, kyle, sarah and the guardian are now stuck in 2017, with no way to return to 1984 so john connor can be conceived, also there are now 2 kyle reeses'. Maybe these will be addressed in the next movie. See more »
Before they died, my parents told me stories about how the world once was; what it was like long before I was born; before the war with the machines. They remembered a green world, vast and beautiful, filled with laughter and hope for the future. It's a world I never knew. By the time I was born, all this was gone.
"Skynet," a computer program designed to automate missile defense. It was supposed to protect us, but that's not what happened. August 29th, 1997, Skynet woke...
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There is an extra scene during the credits. See more »
The first two Terminator films are among the best of their genre and are brilliant films also in their own right. Rise of the Machines started the series' decline and had its faults but also had some good things that made it better than its reputation, while Terminator Salvation although with its moments was even more disappointing. While not a complete disaster, the latest in the Terminator franchise is the worst yet and sees a once classic series at rock bottom.
Are there any good points? Not many, but yes there are. The best thing about Terminator Genisys is Arnold Schwarzenegger, while more subdued than he can be he is rock-solid and has the most intensity and charisma of the entire cast. Despite not having a lot of screen time and being mute, Byung-hun Lee is nonetheless credible as T-1000. Some of the scenery is quite atmospheric and striking.
Everything else was severely wanting. The rest of the cast are not good at all, with Jai Courtney being by far the worst actor for Kyle Reese of the series in a performance that is both insipid and annoying (which didn't entirely surprise me seeing as out of the little I've seen of him he's always struck me as a lazy actor with an arrogant ego). Just as much as the anaemic Emilia Clarke faring the worst of all the actresses playing Sarah Connor, who behaves in a way that you'd expect a stereotypical bratty and vapid high school teenager to act but not Sarah Connor. Jason Clarke is not quite as stiff as Christian Bale was in Terminator Salvation, but it is still a shock to see the role of John Connor being performed and written so blandly. The chemistry between them is also barely there, most of the time it's even non-existent. JK Simmons is basically wasted, and his dialogue and character are forced and out of place.
The characters are like personality-less ciphers, with none of what made them so memorable before as characters and no convincing conflict, in a film that definitely could have benefited from less characters and more development (which is non-existent) . The script is overstuffed and confused, as well as tonally unbalanced with overly-complex scientific jargon, cheesy one-liners (even Schwarzenegger's don't work particularly well this time), misplaced comedy (that's even more distracting than in Rise of the Machines and used with even less subtlety) and too many ideas barely explored. The story, as well as having a stitched-together episodic feel, is at best a head-scratcher, with it being confused to being at times incoherent as a result of doing too little with too much. It's also very dull, not just because of the leaden pacing but because there is not much new and little interesting is done with the ideas presented in the film and it completely lacks atmosphere, thrills, mystery or suspense, and any drama is both heavy handed and lacking in heart.
Direction from Alan Taylor is lazy, favouring spectacle over depth and story and character development. And unfortunately the spectacle is not that good. The special effects are not terrible, but they at best never rise above just-passable (the worst of the series in this regard, they are quite poor actually in the beginning section and fake-looking too in other parts), are used with little to no imagination, and there is too many of them (sometimes in places where they were not even needed). The action sequences are equally painfully unimaginative, are sloppily edited, are leadenly and predictability choreographed and contain no tension or thrills whatsoever, let alone any fun. It's very erratically shot and scored with a mix of overbearing bombast and dirge-like drone. The ending also felt incredibly forced and tacked on.
Overall, Terminator Genisys was a pretty poor and disappointing film, and is by far the worst of the Terminator franchise. 3/10 Bethany Cox
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