6.2/10
632
10 user 32 critic

Guy and Madeline on a Park Bench (2009)

Trailer
1:16 | Trailer
After connecting with the shy Madeline, a jazz trumpeter embarks on a quest for a more gregarious paramour, but through a series of twists and turns punctuated by an original score, the two lovers seem destined to be together.

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4,062 ( 520)
2 wins & 5 nominations. See more awards »
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Cast

Credited cast:
Jason Palmer ...
Guy
Desiree Garcia ...
Madeline
...
Elena
Rest of cast listed alphabetically:
Karen Adelman ...
Karen
Suzanne Bouffard ...
Dancer at Summer Shack
Kelly Burk ...
Dancer at Summer Shack
...
Laura
Bernard Chazelle ...
Paul
Gonzalo Digenio ...
John
Frank Garvin ...
Frank
Eli Gerstenlauer ...
Eli
Carolyn Glicklich ...
Dancer at Summer Shack
Greg ...
Greg Duncan
Keith Gross-Hill ...
Keith
Kevin Harris ...
Kevin
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Storyline

After connecting with the shy Madeline, a jazz trumpeter embarks on a quest for a more gregarious paramour, but through a series of twists and turns punctuated by an original score, the two lovers seem destined to be together.

Plot Summary | Add Synopsis

Genres:

Drama | Musical

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Details

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Release Date:

July 2010 (USA)  »

Also Known As:

Guy y Madeline en un banco del parque  »

Filming Locations:

 »

Box Office

Opening Weekend:

$3,233 (USA) (5 November 2010)

Gross:

$33,793 (USA) (27 May 2011)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Debut feature film of director Damien Chazelle and composer Justin Hurwitz, who also worked together on Whiplash and La La Land. See more »

Connections

Featured in Ebert Presents: At the Movies: Episode #1.16 (2011) See more »

Soundtracks

Cincinnati
Music by Justin Hurwitz
Lyrics by Damien Chazelle
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User Reviews

 
A missed opportunity
8 May 2011 | by (New York) – See all my reviews

I thought the conceit of the film was to juxtapose a micro budget with a lush symphonic score and Godardish realism with tap dance numbers, but that never really happens. The musical numbers are few and far between, and the only real one (Boy in the Park) doesn't come until 3/4 of the way into the film.

If you establish a premise in a film (characters break into song to express their feelings), you must be true to it, not afraid of it. It felt like the filmmaker couldn't decide whether to go all the way - I wish he had. It would've made for a far more watchable film. What we get is a film that is unsatisfying for those watching for the fantasy and for those watching for the realism.


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