Bill Williamson is back, alive and well and doing a recon mission around D.C. This time he wants to cause a major population disruption within the USA which result in devastating ... See full summary »
Jim, an average New Yorker, lives with a sick but loving wife. Suddenly, everything changes when the economy crashes and causes him to lose everything. Filled with anger and rage, Jim goes to seek revenge for the life taken from him.
American journalists in Sudan are confronted with the dilemma of whether to return home to report on the atrocities they have seen, or to stay behind and help some of the victims they have encountered.
In the ironically named city of Paradise, a recently laid-off loser teams up with his cult-leading uncle to steal a peculiar bounty of riches from their local amusement park; somehow, the recently arrived Taliban have a similar focus, but a far more sinister intent.
During the Vietnam War [1959-1975] a special US combat unit is sent out to hunt and kill the Viet Cong soldiers in a man-to-man combat in the endless tunnels underneath the jungle of Vietnam. Suicide squads of a special kind.
Controversial director Uwe Boll depicts the harsh reality of the process inside one of the most infamous Nazi death camps by using brutally realistic imagery. Book-ended by documentary ... See full summary »
An modern-day assassin, wanting out, is hired for one final job - to kidnap the kids of a local businessman. Things go haywire when it turns out he's chosen to return to the Middle Ages and bring back order to a kingdom in chaos.
Macaulay Culkin was offered the role of Billy, but turned it down. See more »
A bullet wound is visible on the waitress' back before the gun is fired. See more »
[In the middle of the killing spree, Williamson walks into the same coffee shop from yesterday]
Uh, hey, man, how are you?
Oh, hey man! You remember me?
Why don't you make me a Double-expresso... Macchiato... with extra foam?
Uh, you got it.
[Is about to go make it]
Whoa, whoa, whoa! Why don't you make it like your life depends on it?
[Gelato server starts to make the Macchiato]
[...] See more »
Is it because I expected so little that I found this movie so great?
The only movie I had seen from Boll was House Of The Dead. It was a lot of fun because it was so bad. I read reviews of other movies he made, and I suspect they weren't much better. I was infuriated with what he did with the Alone In The Dark franchise, with guns and bimbo scientist and all.
I went to see Rampage (at the L'Etrange Festival) with a smirk on my face. I missed the 15 first minutes and I'm almost glad I did: the lousy messages, the jump cuts, the ad lib dialogue were about to get me out of here. But the actors weren't bad, things kept moving, so I played along.
Then started the said "rampage". There is not much to tell about it. It feels like Boll wanted to stick the nose of GTA players into their own *bip*, asking "So you thinks that's funny? See what it's like, is that so much fun anymore?" The movie gets better every minute. By the end of it I also wondered if the beginning was playing on the fact that we expect something stupid, illogical and aimless from his movies.
The logic is not without faults, but nothing that couldn't be discussed, the humour is great, scarce and surprisingly witty, overall, for me it was a success. If you get a chance to watch it, stick with it, at the end you might find yourself surprised at how it got there, from where it started.
As a side comment I would like to add that Mr Boll is a very nice person, on the first day of the festival he stood in the middle of the multiplex for hours (without boxing gloves) just to talk with people. I'm familiar with festivals and you don't see a lot of directors doing that.
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