| Videos (see all 6) |
| Dragos Bucur | ... | Cristi | |
| Vlad Ivanov | ... | Anghelache | |
| Ion Stoica | ... | Nelu | |
| Irina Saulescu | ... | Anca | |
| Cerasela Trandafir | ... | Gina | |
| Marian Ghenea | ... | Prosecutor | |
| Cosmin Selesi | ... | Costi | |
| Serban Georgevici | ... | Sica | |
| George Remes | ... | Vali | |
| Adina Dulcu | ... | Dana | |
| Dan Cogalniceanu | ... | Gica | |
| Costi Dita | ... | Officer on Duty | |
| Alexandru Sabadac | ... | Alex | |
| Anca Diaconu | ... | Doina | |
| Radu Costin | ... | Victor | |
| Viorel Nebunu | ... | Alex's Father | |
| Emanoela Tigla | ... | Alex's Mother | |
| Daniel Bîrsan | ... | Barman | |
| Mioara Bungeanu | ... | Shopkeeper |
Directed by | |||
| Corneliu Porumboiu | |||
Writing credits(in alphabetical order) | ||
| Corneliu Porumboiu | screenplay | |
Produced by | |||
| Corneliu Porumboiu | .... | producer | |
| Marcela Ursu | .... | executive producer | |
Cinematography by | |||
| Marius Panduru | |||
Film Editing by | |||
| Roxana Szel | |||
Production Design by | |||
| Mihaela Poenaru | |||
Costume Design by | |||
| Georgiana Bostan | (as Giorgiana Bostan) | ||
Makeup Department | |||
| Cristina Ilie | .... | make-up artist | |
Production Management | |||
| Sorina Dumitru | .... | production manager | |
Art Department | |||
| Cosmin Brezuica | .... | props | |
| Paul Dinescu | .... | props | |
| Negoita Mihai | .... | props (as Mihai Negoita) | |
| Eugen Pisau | .... | props | |
| Adrian Sofran | .... | property master | |
Sound Department | |||
| Alex Dragomir | .... | sound (as Alexandru Dragomir) | |
| Christian Mike Sugar | .... | sound recordist | |
| Attila Tõzsér | .... | sound re-recording mixer | |
| Sebastian Zsemlye | .... | sound | |
Camera and Electrical Department | |||
| Nica Constantin | .... | focus puller (as Costel Nica) | |
| Dinu Costel | .... | gaffer (as Costel Dinu) | |
| Sebastian Imbrea | .... | grip | |
| Cristi Lupu | .... | camera mechanic | |
Costume and Wardrobe Department | |||
| Monica Florescu | .... | costume assistant | |
Editorial Department | |||
| Dana Cioplea | .... | negative cutter | |
| Mariana Cosor | .... | negative cutter | |
| Catalin Miloiu | .... | telecine colorist | |
Transportation Department | |||
| Sorin Aftene | .... | driver: film | |
| Ionut Buburuz | .... | driver: crew | |
| Nicolae Chioveanu | .... | driver: prop van | |
| Dorel Dohotaru | .... | driver | |
| Ion Gramaticu | .... | driver: production van | |
| Daniel Haba | .... | driver: actors | |
| Beatrice Popa | .... | transport coordinator | |
Other crew | |||
| Sergiu Balan | .... | runner | |
| Roxana Comes | .... | production secretary | |
| Dragos Gîlea | .... | production assistant | |
| Adriana Mînoru | .... | production coordinator: Kodak Cinelabs Romania | |
| Marius Pandelea | .... | consultant | |
| Marius Pandelea | .... | location manager | |
| Mihai Tirziman | .... | production assistant | |
| Eliza Tolu | .... | customer service representative | |
| Maria Voican | .... | lawyer | |
Thanks | |||
| Naeif Abugamea | .... | thanks: Minimarket Asia | |
| Petru Asmarandei | .... | thanks | |
| Nuta Baetu | .... | thanks | |
| Nica Bocu | .... | thanks: Vaslui County Council | |
| Marcel Bot | .... | thanks: S.C. MIRCO ITALIA S.R.L. | |
| Valeriu Caragata | .... | thanks: Vaslui Municipal Council | |
| Mihai Carp | .... | thanks: Vaslui County Police Inspectorate | |
| Florin Ciurariu | .... | thanks: Vaslui County School Inspectorate | |
| Radu Corozel | .... | thanks: Vaslui County Police Inspectorate | |
| Aurora Cracea | .... | thanks | |
| Cornel Cracea | .... | thanks | |
| The Vieru Family | .... | thanks | |
| Aurel Felincioiu | .... | thanks | |
| Constantin Galescu | .... | thanks: Vaslui Municipal Police | |
| Laurentiu Maxim | .... | thanks: Viitorul Vaslui Sport Club | |
| Vasile Mihalachi | .... | thanks: Vaslui County Council | |
| Laurentiu Morosanu | .... | thanks: Vaslui County Police Inspectorate | |
| Baclea Nicusor | .... | thanks: Vaslui County Police Inspectorate | |
| Sorin Oprea | .... | thanks: General Directorate for Combating Organized Crime and Antiterrorism | |
| Vasile Paval | .... | thanks: Vaslui Municipal Council | |
| Thierry Perronnet | .... | thanks | |
| Gheorghe Popa | .... | thanks: Vaslui County Police Inspectorate | |
| Claudiu Rapa-Haj | .... | thanks: Vaslui Municipal Police | |
| George Sava | .... | thanks: Vaslui Municipal Police | |
| Manuel Stamate | .... | thanks: Vaslui Municipal Police | |
| Aurora Stefan | .... | thanks | |
| Dragos Sterian | .... | thanks: Bar Magnolia | |
| Laurentiu Turbatu | .... | thanks: Vaslui Communal Police | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Romania section |
In "Police, Adjective", Romanian director Corneliu Porumboiu devotes himself to the story of a small town cop reluctant of busting a minor for endorsing hashish with friends. Although vague at first, we learn that the civil police Cristi is having an unease conscience about nailing the young man, which may inflict seven years in prison for what Cristi believes to be a petty crime that will soon enough be looked upon more liberated. Throughout pic we follow his daily routines and interactions in the downbeat and austere town of Vaslui, including scenes of parodic bureaucracy and laudable lengthy takes.
"Police, Adjective" is admittedly in many ways difficult to interpret. The first half of the film deals with classic police work (classic as in reality, not classic as in previously depicted on film) including Cristi's pursuit of suspects and filing reports. For an audience used to clustered action flicks, this may seem as tedious and unbearable to endure. From a more objective perspective, I find it somewhat original and daring. This course of the film is harmless, it is on the contrary a certain, yet inevitable cul-de-sac initiated by a mere typo, that pushes it in a slightly too academic stand. On the other hand, it could also be considered an ironic twist when deciding how Cristi's moral dilemmas should be solved.
One of the more unfortunate aspects of Porumboiu's directing, in particular substantial for "Police, Adjective" but nonetheless equally visible in previous film "12:08 East of Bucharest", is that the (black) humor sometimes may appear so subtle that when juxtaposed to foreigners it can be completely lost (in translation.)
Watching Porumboiu's battle between an objective and supreme law versus Cristi's subjective conscientious law is evidently quite fascinating, despite being a bit too submissive at times.