From aboard the IMDboat at San Diego Comic-Con, Kevin Smith talks to the cast of "Teen Wolf" about the solemn yet celebratory panel for the upcoming season. This news and more in our Guide to Comic-Con.
1987. Naive Sherrie Christian has just arrived in Hollywood from Tulsa looking to become a rock star. She is just like Drew Boley was when he first arrived in Hollywood, he, now the Hollywood veteran, who works as a bar back at the Bourbon Club, known as the center of the rock scene in town and the place where many of the biggest acts in rock got their big break. The two meet as Drew helps Sherrie with a situation when she first arrives in town. Despite Dennis Dupree, the Bourbon's owner/manager, not liking to hire people like Drew or Sherrie - someone who has musical aspirations - as service staff, Drew is able to convince Dennis and his assistant Lonny to hire Sherrie as a server, Drew and Sherrie who have a blossoming mutual attraction. Dennis and Lonny, who are having financial difficulties, are able to convince rock star Stacee Jaxx, the perpetually stoned front man for the band Arsenal who got his first break performing at the Bourbon, to perform for free at a benefit concert at... Written by
Contrary to belief, the major changes to the story were not at the insistence of Warner Brothers, but that of Adam Shankman. Openly admitting that he didn't care for the original stage play, he vowed to "fix" its problems, despite originally gaining critical praise and a cult audience. Much of the changes took away the "R" rated raciness in favor of something more appropriate for a general audience. See more »
When Sherrie Christian walks outside after her fight with Drew Boley, her big hair has already flattened and is wet without having walked into the rain. See more »
I'm 60, I want to have some fun, and this movie was fun
I'm 60, I want to have some fun, and this movie was fun. It put me right in the Bourbon Room audience, blithely wearing the tasteless and bizarre outfits that I couldn't wear because I was setting a standard of decorum for my kids in those days, and embarrassing them was anathema. It features a period of Rock (1987) when the genre was flanked by inane crap "music" aimed at the 13-16 year olds I was raising. Fortunately they didn't bite. This movie features the memorable music of the decade that my grandson is now still honoring. This music and that of the late 60's and early 70's helped me as a beleaguered working mom "Rock" through a day of commutes, housework, and culture shock. I don't "get " the focus on plot and antics that some of the more "serious" reviewers are stroking themselves with. I paid $8.00 and didn't fancy myself being at a rock concert or a stage play, but I got all of that feel and more. I would have paid $30 just to see Baldwin grunged, and desperate but hopeful. Cruise's character looked shaky at first. But as usual, in trademark style, he starts off blasé and then explodes into passion and surprise. Paul Giamatti and Zeta-Jones were fun to despise in their hypocrisy. Hough and Boneta were fresh, talented and beautiful. Mary J. Blige (Justice Charlier) was superb, and although I never "got" Russell Brand before, he was the most fun of all. Leave your pretense at home. PLOT!? Yada Yada. If you are pushin' or draggin' 60, go pig out on some Italian and party with "Rock of Ages".
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