A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
A young man leaves Ireland with his landlord's daughter after some trouble with her father, and they dream of owning land at the big give-away in Oklahoma ca. 1893. When they get to the new... See full summary »
1987. Naive Sherrie Christian has just arrived in Hollywood from Tulsa looking to become a rock star. She is just like Drew Boley was when he first arrived in Hollywood, he, now the Hollywood veteran, who works as a bar back at the Bourbon Club, known as the center of the rock scene in town and the place where many of the biggest acts in rock got their big break. The two meet as Drew helps Sherrie with a situation when she first arrives in town. Despite Dennis Dupree, the Bourbon's owner/manager, not liking to hire people like Drew or Sherrie - someone who has musical aspirations - as service staff, Drew is able to convince Dennis and his assistant Lonny to hire Sherrie as a server, Drew and Sherrie who have a blossoming mutual attraction. Dennis and Lonny, who are having financial difficulties, are able to convince rock star Stacee Jaxx, the perpetually stoned front man for the band Arsenal who got his first break performing at the Bourbon, to perform for free at a benefit concert at... Written by
The story is set in 1987 but the characters sing songs written after that year, including Warrant's 'Heaven' (1988), Extreme's 'More Than Words' (1990), Poison's 'Every Rose Has Its Thorn' (1988), and Skid Row's 'I Remember You' (1989). Within the movie's "musical" illusion of reality, these songs are meant to be representative of the mid-1980s-through-early-1990s era as a whole, since this film is a nostalgic fantasy representation of the era rather than a historically accurate recreation of a specific year. Keep in mind also that an important plot element is the notion that the song "Don't Stop Believin'" is written in 1987 by the fictitious Drew Boley, but in real life was written by Journey in 1981, and was already a well known song by 1987. See more »
I'm 60, I want to have some fun, and this movie was fun
I'm 60, I want to have some fun, and this movie was fun. It put me right in the Bourbon Room audience, blithely wearing the tasteless and bizarre outfits that I couldn't wear because I was setting a standard of decorum for my kids in those days, and embarrassing them was anathema. It features a period of Rock (1987) when the genre was flanked by inane crap "music" aimed at the 13-16 year olds I was raising. Fortunately they didn't bite. This movie features the memorable music of the decade that my grandson is now still honoring. This music and that of the late 60's and early 70's helped me as a beleaguered working mom "Rock" through a day of commutes, housework, and culture shock. I don't "get " the focus on plot and antics that some of the more "serious" reviewers are stroking themselves with. I paid $8.00 and didn't fancy myself being at a rock concert or a stage play, but I got all of that feel and more. I would have paid $30 just to see Baldwin grunged, and desperate but hopeful. Cruise's character looked shaky at first. But as usual, in trademark style, he starts off blasé and then explodes into passion and surprise. Paul Giamatti and Zeta-Jones were fun to despise in their hypocrisy. Hough and Boneta were fresh, talented and beautiful. Mary J. Blige (Justice Charlier) was superb, and although I never "got" Russell Brand before, he was the most fun of all. Leave your pretense at home. PLOT!? Yada Yada. If you are pushin' or draggin' 60, go pig out on some Italian and party with "Rock of Ages".
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