In Los Angeles, a fallen soldier who has joined the ranks of the living dead reunites with his best friend in order to deal with the city's drug dealers and killers - a perfect way to collect the blood that one of them so desperately needs.
The night after his funeral, Bart, a soldier killed in Iraq gets up out of his grave and seeks out his best friend Joey. At dawn Bart's body falls to the floor, only to reawaken the following dusk. He and his buddy decide that he is a revenant: an articulate zombie that needs to drink blood to arrest the decomposition of his body. Written by
The poem that is attributed to "Anonymous Tombstone" at the beginning of the movie is actually the first stanza of a poem entitled "There Is No Death" by J.L. McCreery. See more »
When the Vigilante Gunslingers bust the corrupt cops in the warehouse, there are some close-up shots of their faces, wearing sunglasses. Through the glasses, it is visible that both actors aren't wearing the zombie contact lenses at that moment. See more »
Bart... you gotta kill me. You gotta kill me, man...
I can't go through eternity talking with a fuckin' dildo on my throat.
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Last night I watched The Revenant at the Toronto After Dark Film
Festival, and it was clear the film took everyone by surprise. Going
into the screening armed only with what I saw in the trailer, I wasn't
looking forward to much; I feel that I should make it clear to anyone
interested in seeing this film - the trailer for The Revenant
represents the film in only the most superficial way. Yes, it is a
buddy movie; yes, one of the buddies is undead; and yes, there is
sarcastic dialogue and gun-play - but those just building blocks to
what is, as a whole, a fantastic and sincere film which doesn't let
itself get stuck in a box. What impressed me most about The Revenant
was it never felt like it was trying to be cool. It was never trying to
imitate, or appeal to a specific market. Granted, it does deal with
supernatural elements; even so I would strain to call it specifically a
horror film. The characters acted honestly and with a sense of realism
that is too often neglected in the genre as of late. I enjoyed watching
them make decisions and think for themselves - these were real
characters, and real friends. The director was introduced as a special
effects artists, who has worked on such films as The Abyss, Bubba
Ho-Tep, and the Phantasm series - which is both impressive and
unfortunate. Watching The Revenant, he's definitely not just a special
effects artist taking a stab at directing; this is a film handled was
great confidence and ability, marking a start to what will hopefully be
a prosperous career. It would be a great shame if The Revenant just
winds up playing the festival circuit and falling into obscurity.
Someone needs to pick this thing up, it's gold.
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