| Videos (see all 2) |
| Lou Diamond Phillips | ... | Quirt Evans | |
| Deborah Kara Unger | ... | Temperance | |
| Luke Perry | ... | Loredo | |
| Terence Kelly | ... | Thomas (as Terrance Kelly) | |
| Merrilyn Gann | ... | Virginia | |
| Gig Morton | ... | John | |
| Michael Teigen | ... | Telegraph Operator (as Michael Teigan) | |
| John Tench | ... | Hondo | |
| Scott McNeil | ... | Auburn | |
| Don Thompson | ... | Doc Johnson | |
| Brendan Wayne | ... | Randy | |
| Winston Rekert | ... | Sam | |
| Garry Chalk | ... | Steve Carson | |
| Jennifer Copping | ... | Margaret | |
| Melanie Papalia | ... | Sandy Johnson | |
| Matthew Robert Kelly | ... | Jake | |
| Noah Beggs | ... | Pete | |
| Charles Andre | ... | Gunman 1 | |
| Jim Shield | ... | Gunman 2 | |
| Luis Javier | ... | Gunman 3 | |
| Stefan Arngrim | ... | Gambler | |
| Stephen Dimopoulos | ... | Bar Manager | |
| Teach Grant | ... | Baker Brother 1 |
Directed by | |||
| Terry Ingram | |||
Writing credits | ||
| Jack Nasser | (written by) | |
| James Edward Grant | story | |
Produced by | |||
| Tara Cowell-Plain | .... | co-executive producer | |
| Tara Cowell-Plain | .... | line producer | |
| Dureyshevar | .... | co-executive producer | |
| Jack Nasser | .... | executive producer | |
| Jack Nasser | .... | producer | |
| Joseph Nasser | .... | executive producer | |
Original Music by | |||
| Stu Goldberg | |||
Cinematography by | |||
| Anthony C. Metchie | (director of photography) (as Anthony Metchie) | ||
Film Editing by | |||
| Gordon Rempel | |||
Casting by | |||
| Candice Elzinga | |||
| Danny Roth | |||
Production Design by | |||
| Tony Devenyi | |||
Set Decoration by | |||
| Jennifer Kom-Tong | |||
Costume Design by | |||
| Aieisha Li | (as Aieisha Li Louis) | ||
Makeup Department | |||
| Victoria Fernandez | .... | key hair stylist (as Victoria Alicia Fernandez) | |
| Trisha Porter | .... | swing hair/makeup | |
| Candice Stafford | .... | key makeup artist | |
Production Management | |||
| Judi Babcock | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Kevin Leeson | .... | second assistant director | |
| Kevin Leslie | .... | first assistant director | |
| Michelle Nieken | .... | third assistant director | |
Art Department | |||
| Allan Burdett | .... | construction coordinator (as Alan Burdett) | |
| Ken Davies | .... | props master | |
| Francesca Gray | .... | assistant props master (as Francesca Grey) | |
| Miranda Middleditch | .... | dresser | |
| Josh Plaw | .... | lead dresser (as Josh Plow) | |
| Matthew Power | .... | lead dresser (as Matt Power) | |
| Matthew Versteeg | .... | assistant set decorator (as Matt Versteeg) | |
| Greg Williams | .... | on-set dresser | |
Special Effects by | |||
| Mike Holstedt | .... | special effects assistant | |
| Brant McIlroy | .... | special effects coordinator | |
| Martin Testa | .... | special effects first assistant | |
Visual Effects by | |||
| Judi Babcock | .... | visual effects coordinator | |
| Paul Cox | .... | visual effects supervisor (as Paul R. Cox) | |
| Pete Mastalyr | .... | senior Flame compositor (as Peter Mastalyr) | |
Stunts | |||
| Brent Connolly | .... | stunts | |
| Mike Desabrais | .... | stunts | |
| Rick Pearce | .... | stunts | |
| Jeffrey C. Robinson | .... | stunts (as Jeff Robinson) | |
| Clay Virtue | .... | stunts | |
| Danny Virtue | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Chelsea Barrie | .... | grip | |
| Melissa Beaupre | .... | best girl grip | |
| Monty Black | .... | generator operator | |
| Geoff Dane | .... | best boy electric | |
| Oliver Gläser | .... | grip | |
| Matt Hooker | .... | lamp operator | |
| Matt Hooker | .... | lighting technician | |
| Elizabeth House | .... | focus puller | |
| Ariane Jonassen | .... | focus puller | |
| Shannon Kohli | .... | camera operator: "b" camera | |
| Wayne MacConnell | .... | camera operator | |
| Rodrigo Carcamo Parga | .... | grip (as Rodrigo Parga) | |
| Dorian Perodie | .... | key grip | |
| Dan Pressler | .... | second assistant camera: "b" camera | |
| Kyle Sandilands | .... | grip | |
| Brian Shaw | .... | lamp operator | |
| Ken Sutherland | .... | second assistant camera | |
| Jim Swanson | .... | gaffer | |
| Jessica Urbie | .... | grip | |
| Jeff Weddell | .... | still photographer | |
| Katie Yu | .... | still photographer | |
| Knesha Yu | .... | lamp operator | |
Casting Department | |||
| Annette McCaffrey | .... | extras casting (as Annette MacAffrey) | |
| Martina Smyth | .... | casting associate | |
Costume and Wardrobe Department | |||
| Christina Barry | .... | on-set costume supervisor | |
| Luisa Dalmagro | .... | assistant costume designer (as Luisa Dal Magro) | |
| Stephanie L. Jones | .... | truck costumer (as Stephanie Jones) | |
| Sylvia Louis | .... | extras costumer | |
Editorial Department | |||
| Robert Appleby | .... | on-line editor | |
| Teresa Beckley | .... | post-production coordinator | |
| Paul Marshall | .... | first assistant editor | |
| Thomas Metzger | .... | colorist (as Tom Metzker) | |
Music Department | |||
| Stu Goldberg | .... | score mixer | |
| Stu Goldberg | .... | score performer | |
| Stu Goldberg | .... | score recordist | |
Transportation Department | |||
| Frank Guadagno | .... | driver (as Frank Guadango) | |
| Kent MacDonald | .... | transportation coordinator | |
| Geoff Obadia | .... | driver | |
| Peter Road | .... | driver | |
| Kevin Weber | .... | transportation captain | |
Other crew | |||
| Wendy L. Adjoury | .... | first assistant production coordinator (as Wendy Adjoury) | |
| Mackenzie Busch | .... | production assistant: LA | |
| Barbara Chisholm | .... | production coordinator | |
| Chantal Cholette | .... | production assistant: assistant director (as Chantal Colette) | |
| Dion York Foley | .... | assistant: Mr. Nasser (as Dion Foley) | |
| Damon Foster | .... | assistant production coodinator | |
| Mike Garthwaite | .... | animal wrangler (as Mike Garthwaiite) | |
| Than Hadjioannou | .... | security coordinator | |
| Ryan Hammerquist | .... | assistant chef | |
| Kerry Hansen | .... | animal wrangler | |
| Surya Kellar | .... | stand-in: male | |
| Dave Leader | .... | animal wrangler | |
| Nathaniel Moher | .... | office production assistant | |
| Elva Parsons | .... | production accountant (as Elva Parsons Mathieu) | |
| Collette Perry | .... | stand-in: female | |
| Oliver Rappard | .... | key location production assistant | |
| Kirk Renard | .... | key location production assistant | |
| Kirk Renard | .... | location manager | |
| Lisa Rerrie | .... | script supervisor | |
| Mike Sandyke | .... | craft service | |
| Mike Sandyke | .... | first aid | |
| Alan Stewart | .... | key location production assistant | |
| Danny Virtue | .... | animal wrangler | |
| Dal Watson | .... | chef | |
| Danny Webber | .... | legal services: Hall Webber, LLP | |
| Lori Yearwood | .... | tutor | |
| Eli Zagoudakis | .... | animal coordinator (as Eli Zagoubakis) | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Western section | IMDb Canada section |
Anyone who is expecting a word for word remake of the John Wayne classic Angel And The Badman will not be disappointed. With one glaring exception this Hallmark Channel remake sticks very close to the original story of a gunfighter reformed by a Quaker woman's love.
The exception is that instead of an innocent young unmarried girl as Gail Russell played in the original, Deborah Kara Unger is a widow with a young boy to raise which she is doing with her parents. She's a good woman, but even good women have their needs and when Lou Diamond Phillips as Quirt Evans literally lands on her doorstep, wounded after a gun battle, he gets her mojo going good and proper.
Wisely Lou did not opt for an imitation of John Wayne in his interpretation of the gunfighter. If he had he would have been laughed off the small screen. He's still one deadly individual and this screenplay make it clear just why Quirt Evans and Laredo Stevens as played by Luke Perry are fated to tangle.
The role of the marshal that Harry Carey played in the original is cut down somewhat, though Winston Rekert is effective in the scenes he does have. I liked the Carey character though, wish there had been more of the marshal in this one. The Wayne family put their imprimatur on this remake with the casting of the Duke's grandson Brendan Wayne as Randy McCall the sidekick to Phillips and played in the original film by Lee Dixon.
Probably important the Wayne family did that because the Duke's The Angel And The Badman was the very first film in which he not only worked on the production end, but also directed himself. Of the films John Wayne directed, that was far and away his best effort. So you can imagine the family had a big personal interest at stake.
I think even the hardest and most loyal of the Duke's legion of fans will not be disappointed with this version of The Angel And The Badman.