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While hunting in the forest, Lord Asano of Ako and his samurai find a young half-breed and take him with them to live in the castle. Several years later, Lord Asano holds a tournament to welcome the Shogun to Ako. The night after the tournament, Lord Asano is bewitched into hurting Lord Kira of Nagato, and is punished into committing seppuku by the Shogun. Realizing that it was a Lord Kira's evil plot, the samurais and the half-breed sets out for revenge against the Shogun's order. Written by
Due to studio interference, the film saw several script changes during filming, and a radical re-edit during post-production. The part of Yorick van Wageningen, who originally had a significant supporting role as Kapitan, was cut back to a silent cameo due to these decisions. See more »
In several of the scenes, it is highly noticeable that the flags and banners and tents used throughout the movie are machine stitched with modern double needle stitching. Also that the loops used to attached to poles are stitched in the "X in a box" style not used till very recently in history. For a clear example see (time-stamp)21m0s when the Samurai challenger in the silver mask and suit emerges from the tent and look at the banner in the background. The mechanical sewing machine will not have been invented for at least another 50 years after this historic incident had happened. and the sewing machine still would not reach Japan for many more decades. See more »
Ancient feudal Japan, a land shrouded in mystery, forbidden to foreigners. A group of magical islands home to witches and demons. A nation of rival provinces whose lords were ruled by a shogun whose will is absolute. Peace in the realm is kept by the samurai, master swordsmen tasked with protecting their lord and their province at all costs. Should a samurai ever lose of fail his master, he suffers the greatest shame in all Japanese society. He becomes a ronin. And yet, to know ...
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The Universal spinning Earth begins normally, but after the camera backs away to show the full globe and logo it then slowly zooms back in with the Earth still spinning to Japan and the movies title is drawn over the Pacific Ocean. Clouds then obscure everything then clear as the view zooms in to Japan and the narration begins. See more »
An odd, fantastical twist on a true story - not as bad as you're expecting, though not as good as history would have it.
It never bodes well for a film when its release date is delayed - much less when it's been pushed back a whole year, ostensibly to accommodate reshoots that would bump up Keanu Reeves' completely imaginary role in a Western blockbuster take on a classic, awe-inspiring tale right out of the Japanese history books. That way lies disaster and madness, one would think - and certainly the bland, monster-heavy trailers for 47 Ronin did the film no favours. Smack down your inner critic, however, and this epic fantasy flick - for that's what it is - turns out to be reasonably palatable fare.
The bare bones of the true story are all there: the kindly Lord Asano (Min Tanaka) is ordered to commit seppuku - ritual suicide by disembowelment - when he almost mortally offends Lord Kira (Tadanobu Asano - a nicely ironic name if ever there was one). This renders all the honourable samurai in Asano's service masterless i.e., ronin. Led by the noble Oishi (Hiroyuki Sanada), the loyal band of 47 ronin vow to avenge Asano - even though they have been ordered by their Shogun (top military commander) not to do so.
What's less accurate, of course, is pretty much all the rest of it. Reeves plays Kai, a half-British, half-Japanese orphan who's taken in by Asano but treated like an outcast by everyone in the household - except, of course, for Asano's loving daughter Mika (Kou Shibasaki). Kira's nefarious plans have the support of Mizuki (Rinko Kikuchi), a witch who can apparently take any form she likes: wolf, snake or dragon. It's all a bit nonsensical, especially when Kai tries to get swords for the ronin amongst some pretty creepy folk who have gone from society's outcasts to being part of what looks like a supernatural cult.
In other words, 47 Ronin is a faintly ridiculous addition to the wealth of Chūshingura - fictionalised accounts of the 47 ronin tale - that already exist in Japan. It's the kind of big, dumb blockbuster in which the good guys literally live to die another day as long as the plot calls for it. These fearless ronin even survive when the villain is protected by a witch with crazy mystical powers! She can set an entire field on fire, create poisonous spiders and turn into a dragon! And the ronin - at least 47 of them - live anyway! It's crazy!
That's what makes it all the more surprising when 47 Ronin turns out to be... well,actually not half-bad. Once you've accepted the sillier aspects of the film for what they are, it's easy to get swept along by its very earnest drama and spectacle. Reeves' storyline is a made-up jumble of nonsense, but is played very straight - this is, in effect, Sad Keanu: The Movie - and it just about works. Casting Reeves as the outsider allows him to do what he does best: play the role with stony-faced reserve, whether he's levelling up by battling demons in cage matches or pining moodily after Mika. Kai's restrained love story with Mika is fairly predictable stuff, with the girl fading a little too much into the background (don't expect any bloodletting from Shibasaki, Battle Royale fans), but it's salvaged by the rather non-Hollywood way in which it all ends.
For all that Reeves takes centre stage in the publicity campaign, the film belongs just as much to Sanada's Oishi. He undertakes a more arduous emotional journey: one that takes him from grudging to full-hearted acceptance of Kai's worth as a warrior and comrade. His relationship with his family is more fully examined than Kai's unwavering loyalty to the Asano clan. As Oishi plots his course of action, one that will bring him shame for disobeying the Shogun even as he avenges his master, he warns his wife and son Chikara (Jin Akanishi) to disavow him. Their reactions provide some of the most emotionally resonant moments in the entire film.
All things considered, the title of the film is a bit of a misnomer - it would more accurately be called 2 Ronin, subtitled Oishi And Kai's Excellent Adventure - and it suffers from a lamentable lack of humour and historical accuracy. But it's not a complete travesty. Tucked away beneath a layer of mystical beasts and witches lies a story with enough heart, nobility and soul to survive even the oddest twists and turns.
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