Arthur is a rich, alcoholic playboy with no regards to his working life. After another drunken run-in with the law, his aloof mother has had enough and forces him to marry Susan, a proper business woman, or else he will lose his inheritance. Just as he's engaged to Susan, he meets Naomi, a free-spirited girl who Arthur thinks is perfect for him. Any attempts at holding down a job are fruitless, so Arthur has to decide, what is more important: love, or his mother's money. Written by
In the final scene where there is a collection of movie cars, the car displayed on the far right is the Rolls-Royce from the original Arthur (1981). See more »
When Naomi and Arthur enjoy their "first date" in the middle of Grand Central Terminal, darkness is seen outside the windows as if its the middle of the night, even though they were in bright daylight moments earlier outside on 42nd Street. See more »
Why didn't you tell me before?
I didn't want you to feel bad.
Why are you telling me now?
Because I want you to feel bad.
See more »
During the animated storybook sequence played over the end credits, Arthur and Naomi are sitting across from each other and using binoculars. Arthur says (in a cartoon voice bubble) "Look, lesbian you!" and Naomi asks "Are you a boy or a girl?" See more »
Written by Marc Williams, Tinie Tempah (as Patrick Okogwu) and Labrinth (as Timothy McKenzie)
Performed by Tinie Tempah
Courtesy of Disturbing London Records Ltd under exclusive license to EMI Records Ltd
Under license from EMI Film & Television Music See more »
Enjoyable, marked with some sterling and poignant performances
I suspect that Russell Brand is a polarising personality in this world. Some find his idiosyncratic ways quite the put off. I, on the other hand, have always had a soft spot for old Rusty. I find him beguiling and very pleasant to watch.
I am not going to pontificate and deconstruct. This is a remake. I can't remember the Dudley Moore version but all I know is that this film was very charming. Fair enough, there are going to be no big surprises - no epiphanic moments. But what this has in bucket loads is a grand sense of heart.
Russell Brand is silly but underneath the silliness there is real, genuine stuff. You can see his heart break in a crescendo scene and if you let yourself you'll find you become very sympathetic to this lost boy. Jennifer Garner is scarily comfortable in the role of a-grade beyatch! Helen Mirren is just perfect as the man boy's nanny. Look, to be honest I am too lazy to get into nitty gritty stuff but this one is a winner if you are open enough to admit it.
Trust me. It's lovely.
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