Arthur is a happy drunk with no pretensions at any ambition. He is also the heir to a vast fortune which he is told will only be his if he marries Susan. He does not love Susan, but she ... See full summary »
Devastated Peter takes a Hawaiian vacation in order to deal with the recent break-up with his TV star girlfriend, Sarah. Little does he know, Sarah's traveling to the same resort as her ex - and she's bringing along her new boyfriend.
Arthur is a rich, alcoholic playboy with no regards to his working life. After another drunken run-in with the law, his aloof mother has had enough and forces him to marry Susan, a proper business woman, or else he will lose his inheritance. Just as he's engaged to Susan, he meets Naomi, a free-spirited girl who Arthur thinks is perfect for him. Any attempts at holding down a job are fruitless, so Arthur has to decide, what is more important: love, or his mother's money. Written by
The 'Arthur' films are considered a modern reworking of the P.G. Wodehouse's Jeeves and Wooster tales, Arthur is the equivalent of Bertie Wooster and his servant Hobson the equivalent of Jeeves. See more »
When the semi-naked Arthur is talking to Naomi from the street, the onlookers behind Arthur (who are genuine passers-by, not extras) change from shot to shot and back again. There are two distinct groups of them, revealing that two separate takes were intercut to create the final scene. See more »
During the animated storybook sequence played over the end credits, Arthur and Naomi are sitting across from each other and using binoculars. Arthur says (in a cartoon voice bubble) "Look, lesbian you!" and Naomi asks "Are you a boy or a girl?" See more »
Enjoyable, marked with some sterling and poignant performances
I suspect that Russell Brand is a polarising personality in this world. Some find his idiosyncratic ways quite the put off. I, on the other hand, have always had a soft spot for old Rusty. I find him beguiling and very pleasant to watch.
I am not going to pontificate and deconstruct. This is a remake. I can't remember the Dudley Moore version but all I know is that this film was very charming. Fair enough, there are going to be no big surprises - no epiphanic moments. But what this has in bucket loads is a grand sense of heart.
Russell Brand is silly but underneath the silliness there is real, genuine stuff. You can see his heart break in a crescendo scene and if you let yourself you'll find you become very sympathetic to this lost boy. Jennifer Garner is scarily comfortable in the role of a-grade beyatch! Helen Mirren is just perfect as the man boy's nanny. Look, to be honest I am too lazy to get into nitty gritty stuff but this one is a winner if you are open enough to admit it.
Trust me. It's lovely.
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