| Photos (See all 42 | slideshow) | Videos (see all 14) |
Directed by | |||
| Mark Romanek | |||
Writing credits | ||
| Kazuo Ishiguro | (novel) | |
| Alex Garland | (screenplay) | |
Original Music by | |||
| Rachel Portman | |||
Cinematography by | |||
| Adam Kimmel | |||
Film Editing by | |||
| Barney Pilling | |||
Casting by | |||
| Kate Dowd | |||
Production Design by | |||
| Mark Digby | |||
Art Direction by | |||
| Paul Cripps | |||
| Denis Schnegg | (supervising art director) | ||
Set Decoration by | |||
| Michelle Day | |||
Costume Design by | |||
| Rachael Fleming | |||
| Steven Noble | |||
Makeup Department | |||
| Jessica Afshar-Shirazi | .... | hair trainee | |
| Jessica Afshar-Shirazi | .... | makeup trainee | |
| Jessica Alexander | .... | make-up and hair trainee | |
| Catherine Davies | .... | hair stylist | |
| Sian Grigg | .... | chief hair designer | |
| Sian Grigg | .... | chief makeup designer | |
| Sallie Jaye | .... | makeup artist: Scotland | |
| Waldo Mason | .... | prosthetic designer | |
| Belinda Parish | .... | hair stylist (as Bindy Parrish) | |
| Belinda Parish | .... | makeup artist (as Bindy Parrish) | |
| Alex Rouse | .... | wigmaker | |
| Tapio Salmi | .... | hair stylist | |
| Tapio Salmi | .... | makeup artist | |
Production Management | |||
| John Crampton | .... | unit manager | |
| Donald Sabourin | .... | production manager | |
| Clare St. John | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Lee Grumett | .... | first assistant director | |
| Carol-Anne Henderson | .... | third assistant director: Scotland (as Carol Anne Genderson) | |
| Carley Lane | .... | third assistant director | |
| Sarah MacFarlane | .... | second assistant director: crowd | |
| Jo Tew | .... | second assistant director | |
| Erin Lander | .... | additional third assistant director (uncredited) | |
Art Department | |||
| Matt Amos | .... | painter | |
| Viv Ball | .... | painter | |
| Bruce Barnes | .... | site supervisor | |
| Jon Bates | .... | stand-by propman | |
| Gillian Campbell | .... | hod painter | |
| Christopher Chandler | .... | dressing props | |
| Phil Claxton | .... | painter | |
| Nic Clayton | .... | carpenter | |
| Tim Cooke | .... | carpenter | |
| Joseph Craig | .... | dressing props | |
| Dan Crandon | .... | construction manager | |
| Steven Davies | .... | stagehand (as Steve Davies) | |
| Steve Deane | .... | studio supervisor | |
| Darren Flindall | .... | construction rigger | |
| Ronald Fowler | .... | plasterer (as Ron Fowler) | |
| Dean Hawley | .... | painter | |
| Jason Htay | .... | carpenter | |
| Ben Johnson | .... | stand-by propman | |
| Alex MacDonald | .... | painter | |
| Charlie Malik | .... | prop storeman | |
| Dan Marsden | .... | carpenter | |
| Richard Mason | .... | carpenter | |
| Zane McGill | .... | carpenter | |
| Brian Montgomery | .... | carpenter | |
| Garry Moore | .... | stand-by carpenter | |
| Adrian Platt | .... | dressing props | |
| Tim Powis | .... | assistant construction manager | |
| Ken Rai-Green | .... | carpenter | |
| Jody Raynes | .... | painter | |
| Paul Rigby | .... | stagehand | |
| Mike Short | .... | carpenter | |
| Nick Thomas | .... | property master | |
| Mark Wallis | .... | carpenter | |
| Paul 'Welcie' Wellstead | .... | construction rigger (as Paul Wellstead) | |
| Joe Wilmott | .... | carpenter (as Joe Wilmot) | |
| Lee Wiseman | .... | dressing props | |
| Nick Wood | .... | painter | |
| Cara Brower | .... | assistant art director (uncredited) | |
| Charlie Cobb | .... | fine artist (uncredited) | |
| Anita Dhillon | .... | graphic designer (uncredited) | |
| Katrina Dunn | .... | assistant set decorator (uncredited) | |
| Arwel Evans | .... | stand-by art director (uncredited) | |
| Nadine Herrmann | .... | art department assistant (uncredited) | |
| Robert Judd | .... | dressing props (uncredited) | |
| Loretta Lipworth | .... | art department runner (uncredited) | |
| Kathryn Pyle | .... | production buyer (uncredited) | |
| Andrew Tapper | .... | graphic designer (uncredited) | |
| Luke Whitelock | .... | draftsman (uncredited) | |
Special Effects by | |||
| Sam Conway | .... | special effects supervisor | |
| Chris Giles | .... | special effects technician | |
| Tez Palmer | .... | special effects technician (as Terry Palmer) | |
| Mark White | .... | special effects technician | |
Visual Effects by | |||
| Nemanja Antanaskovic | .... | 3d artist: Baseblack | |
| Adrian Banton | .... | compositing lead: Baseblack | |
| Klaudija Cermak | .... | compositor: Baseblack | |
| Stephen Elson | .... | visual effects executive producer: Baseblack | |
| Adam Glasman | .... | DI colourist | |
| Neil Harrison | .... | digital intermediate systems administrator | |
| Dan Helme | .... | data wrangler: Ascent 142 Features | |
| Timothy P. Jones | .... | digital film bureau: Ascent 142 Features | |
| Stephanie C. Kelly | .... | compositor: Baseblack (as Stephanie Kelly) | |
| Robbie Lee | .... | visual effects editor: Baseblack | |
| Paul Nendick | .... | head of technology: Baseblack | |
| John Palmer | .... | digital film bureau manager: Ascent 142 Features | |
| Kate Phillips | .... | visual effects producer: Baseblack | |
| Gordon Pratt | .... | digital film bureau: Ascent 142 Features | |
| Matthew Twyford | .... | visual effects supervisor: Baseblack | |
| Pragti Wadhwa | .... | compositor: Baseblack | |
| Mark Webb | .... | visual effects coordinator: Baseblack | |
| Fiorenza Bagnariol | .... | digital film bureau (uncredited) | |
| Stuart Bullen | .... | compositor (uncredited) | |
Stunts | |||
| Nrinder Dhudwar | .... | stunt player | |
| Frank Henson | .... | stunt coordinator | |
| Dave Holland | .... | stunt player (as David Holland) | |
| Paul Kennington | .... | stunt player | |
| Jo McLaren | .... | stunt player | |
| Helen Steinway Bailey | .... | stunt player | |
| Claire Lawrence | .... | driving double (uncredited) | |
Camera and Electrical Department | |||
| Steve Arthur | .... | gaffer: Scotland (as Steve Arthurs) | |
| Alex Bailey | .... | still photographer | |
| Guy Bennett | .... | trainee grip | |
| Alfie Biddle | .... | clapper loader | |
| Reg Boddy | .... | rigging electrician | |
| Ashley Bond | .... | focus puller | |
| Tommy Carlin | .... | rigging electrician | |
| John Clarke | .... | additional electrician | |
| John Colley | .... | gaffer | |
| Vernon Connolly | .... | additional electrician | |
| Luke Coulter | .... | clapper loader: Scotland | |
| Barny Crocker | .... | loader: "b" camera | |
| Gary Donague | .... | rigging electrician (as Gary Donaghue) | |
| Avelino Fernandez | .... | electrician | |
| Stephen Finberg | .... | additional electrician | |
| Dan Garlick | .... | grip: "b" camera | |
| Robert Gavigan | .... | rigging electrician | |
| Stuart Godfrey | .... | grip | |
| Dave Grey | .... | stand-by rigger (as David Grey) | |
| Pat Hagerty | .... | rigger (as Pat Hagarty) | |
| Matthew Hall | .... | practical electrician | |
| Alex Howe | .... | focus puller: "b" camera | |
| Iain Johnstone | .... | grip: Scotland | |
| Benjamin Kerr | .... | additional electrician | |
| Frank King | .... | rigger | |
| Vince Madden | .... | rigging electrician (as Vinny Madden) | |
| Vince Madden | .... | rigging gaffer | |
| Ginger McCarthy | .... | supervising rigger (as Steve 'Ginger' McCarthy) | |
| Michael McDermott | .... | rigger | |
| Joe McGee | .... | practical electrician | |
| Pat Miller | .... | rigger (as Patrick Miller) | |
| Paul Molloy | .... | additional electrician | |
| Julian Morson | .... | camera operator: "b" camera | |
| Julian Morson | .... | steadicam operator | |
| Onkar Narang | .... | additional electrician | |
| Mark Packman | .... | additional electrician | |
| Mike Parsons | .... | electrician | |
| John Paxton | .... | video assist operator | |
| Mark Richards | .... | rigger | |
| John Saunders | .... | additional electrician | |
| Christopher Schneider | .... | camera intern | |
| Richard B. Shean | .... | video and computer playback operator | |
| Chris Tann | .... | electrician | |
| Dave Thom | .... | electrician: Scotland (as David Thom) | |
| Steve Walsh | .... | electrician | |
| Danny Webster | .... | rigger | |
| Steven Young | .... | additional electrician | |
| Sashi Kissoon | .... | camera trainee (uncredited) | |
| Danny McGee | .... | practical electrician (uncredited) | |
| Marc Woodcock | .... | lighting technician (uncredited) | |
Casting Department | |||
| Abigail Barbier | .... | adr voice casting | |
| Louis Elman | .... | adr voice casting | |
| Bernadette Gepheart | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Clementine Charity | .... | costume assistant: Scotland (as Clemantine Charity) | |
| Charlotte Child | .... | costume supervisor | |
| Isla Wickham | .... | wardrobe assistant | |
| Anne T. Delaney | .... | costume assistant: dailies (uncredited) | |
Editorial Department | |||
| Mark Bankhead | .... | additional digital intermediate engineer | |
| Mark Dear | .... | additional digital intermediate engineer | |
| Marie Fernandes | .... | digital intermediate producer | |
| Alec Gibson | .... | color timer | |
| Emanuele Giraldo | .... | first assistant editor | |
| Adam Glasman | .... | digital colorist | |
| Emily Greenwood | .... | digital on-line editor | |
| Steve Harrow | .... | post-production consultant: Steeple Post Production Services | |
| Patrick Malone | .... | digital intermediate head of department | |
| Hanh Nguyen | .... | editor trainee | |
| Darren Rae | .... | colorist: dailies | |
| Aurora Shannon | .... | digital intermediate assistant | |
| Laurent Treherne | .... | digital intermediate technical supervisor | |
Music Department | |||
| Jeff Atmajian | .... | orchestrator | |
| Chris Cozens | .... | auricle control systems | |
| Helen Crayford | .... | musician: piano | |
| Marcia Crayford | .... | musician: violin solos | |
| Chris Dibble | .... | music recording engineer | |
| George Drakoulias | .... | music supervisor | |
| George Hamer | .... | orchestra contractor | |
| Yann McCullough | .... | music editor | |
| Jeremy Murphy | .... | assistant music recording engineer | |
| Rachel Portman | .... | orchestrator | |
| Randall Poster | .... | music supervisor | |
| Colin Rae | .... | music preparation | |
| David Snell | .... | conductor | |
| Jehan Stefan | .... | assistant to orchestrator | |
| Jehan Stefan | .... | music librarian | |
| Paul Watkins | .... | musician: cello solos | |
| Hugh Webb | .... | musician: harp | |
| Karen Westropp | .... | production assistant: Rachel Portman | |
| Youki Yamamoto | .... | music associate | |
| Marcia Crayford | .... | orchestra leader (uncredited) | |
Transportation Department | |||
| Mick Boddy | .... | driver: minibus | |
| Paul Brosman | .... | driver: facilities | |
| Simon Burgess | .... | driver: facilities | |
| Fergus Cotter | .... | unit driver | |
| Tim Harrison | .... | driver: facilities | |
| Darren Helman | .... | driver | |
| Jeff Hudson | .... | unit driver (as Jeff 'Jefferzz' Hudson) | |
| Marc Mills | .... | driver: minibus, Scotland | |
| Pete Newman | .... | driver: minibus (as Peter Newman) | |
| Graham Poppleton | .... | unit driver | |
| Barry Quibell | .... | driver: camera truck, Scotland | |
| Lea Robinson | .... | unit driver | |
| Dan Smith | .... | driver: facilities | |
| Marcus Ward | .... | unit driver | |
| Gary Weekes | .... | vehicle coordinator | |
| Barrie Williams | .... | transportation captain (as Barrie 'Bazza' Williams) | |
| Dave Williams | .... | facilities driver (uncredited) | |
Other crew | |||
| Steve 'Barney' Barnett | .... | catering manager | |
| Linda Bowen | .... | assistant accountant: post production | |
| Stuart Cadenhead | .... | floor runner: Scotland | |
| Fiona Carruthers | .... | accommodation coordinator | |
| Juliette Caton | .... | acting and voice coach: children | |
| Annie Clapton | .... | production trainee | |
| Sarah Clark | .... | unit publicist | |
| Leah Clarke | .... | assistant to producers | |
| Jonah Coombes | .... | supervising location manager | |
| Eleri Coulten | .... | location assistant | |
| David Coupland | .... | production runner | |
| Michael Davis | .... | dailies assistant (as Mike Davies) | |
| Ryan Delaney | .... | runner: DNA Films | |
| Diana Dill | .... | script supervisor | |
| Michael Dovey | .... | travel agent: ET Travel | |
| Ellie Downham | .... | guild trainee/cashier | |
| Lloret Dunn | .... | location manager: Scotland | |
| Jake Edmonds | .... | health & safety advisor | |
| Tom Forbes | .... | assistant: Mark Romanek | |
| Mark Gillespie | .... | runner: rushes | |
| Linda Gregory | .... | production accountant | |
| Paul Grindey | .... | head of business affairs: Film4 | |
| Tarn Harper | .... | accountant: post production | |
| Jo Harrop | .... | accommodation coordinator | |
| Stuart Hendry | .... | assistant stills photographer | |
| Charles Howes | .... | head tutor | |
| Adam Hutchins | .... | stand-in | |
| Amy Irvine | .... | stand in: Keira Knightley | |
| Carlton Jarvis | .... | medical advisor | |
| Tracey Josephs | .... | head of production: Film4 | |
| Sue Lacy | .... | stand-in | |
| Claire Lawrence | .... | stand-in (as Claire Lawrence-Burgoyne) | |
| Sarah Lawrence | .... | additional runner | |
| Helene Lenszner | .... | location scout (as Helene Lenszer) | |
| Carl Lewin | .... | catering assistant (as Karl Lewin) | |
| Jules MacIver | .... | unit nurse: Scotland (as Jules McIver) | |
| Layla Mall | .... | production coordinator | |
| Lottie Mason | .... | location trainee | |
| Joy Maxwell Davis | .... | unit nurse (as Joy Maxwell-Davis) | |
| Karen McConnell | .... | assistant location manager: Scotland | |
| Clive Noakes | .... | laboratory contact | |
| Robert Norris | .... | legal services: Reed Smith, Film4 | |
| Christian Otty | .... | floor runner: Scotland | |
| Andy Parry | .... | safety advisor | |
| Alex Paterakis | .... | stand-in | |
| Heather Pearse | .... | stand-in | |
| Kate Penlington | .... | clearance coordinator | |
| Tanya Phegan | .... | development executive: DNA Films | |
| Neil Pierson | .... | second assistant accountant (as Neil Pearson) | |
| Kevin Pipkin | .... | location runner | |
| Martin Poultney | .... | digital intermediate sales: Ascent 142 Features | |
| Emma Reid | .... | location assistant: Isle of Man | |
| Claire Robertson | .... | location accountant | |
| Délia Rémy | .... | stand-in (as Delia Remy) | |
| Graham Samels | .... | catering assistant | |
| Neil Samels | .... | chef | |
| Asha Sharma | .... | location scout | |
| Jack Steed | .... | stand-in | |
| Vaughn Stein | .... | floor runner | |
| Yanel Tallada | .... | stand-in | |
| Amie Tridgell | .... | assistant location manager | |
| Lizanne Tulip | .... | stand-in: Sally Hawkins | |
| Josh Yudkin | .... | location manager | |
| Charlie Coombes | .... | runner (uncredited) | |
| Maureen Duffy | .... | completion guarantor (uncredited) | |
| Dan Maslen | .... | visual consultant (uncredited) | |
| Monty Till | .... | floor runner: dailies (uncredited) | |
| Eva Yates | .... | assistant: Tessa Ross (uncredited) | |
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I just recently finished reading Never Let Me Go. I have very rarely been so intrigued by the subject matter of a book and at the same time so bored by its style. Never Let Me Go, the book, was deadly dull. Still, I was so intrigued, as I say, by the plight of these characters, that I was compelled to see how the book translated to the big screen. You might say I felt this novel and original storyline deserved a second chance.
All in all, I give the movie adaptation a thumbs up, with one big caveat: I think those who did not read the book first would be left scratching their heads. While the book was slow and plodding (and devoted MUCH too much detail to certain occurrences in the storyline), nevertheless it offered the opportunity for reflection on the subtleties of what was taking place. Given the pacing of a typical movie, if you blink, you might miss something momentous and I think that was the case with this movie, so it certainly helped to have read the book prior to seeing the film. The screenwriters did an excellent job of condensing the book, and I felt, after having read it, that condensing was precisely what this otherwise compelling and poignant story required.
Never Let Me Go was a lyrical and visually beautiful production. The accompanying musical score was appropriate to a sad and heartbreaking story. The acting was terrific - especially by Cary Mulligan whose sad eyes reveal the melancholy of her character, and Keira Knightly, especially in the hospital scene where she portrays a nearly depleted "donor." I didn't care much for the male lead, but his one outbreak of emotion upon having his hopes of a "deferral" dashed was very significant. And the character of Miss Lucy comes across as more sympathetic in the movie than in the book.
My criterion for a good movie is this: If it stays with me once I hit the sidewalk in front of the theater, rather than evaporating like smoke, well, that's a good movie. Never Let Me Go has stayed with me. The ending left me with a feeling that although these fictionalized characters were little more than lab rats, we all, in a sense, share a similar fate. Life is short, loss hurts, live and love while you can.
It rarely happens that I enjoy a movie adaptation more than the book on which it was based, but I would have to say that was the case here. Bravo.