| Photos (See all 59 | slideshow) | Videos (see all 7) |
Directed by | |||
| Mark Romanek | |||
Writing credits | ||
| Kazuo Ishiguro | (novel) | |
| Alex Garland | (screenplay) | |
Original Music by | |||
| Rachel Portman | |||
Cinematography by | |||
| Adam Kimmel | |||
Film Editing by | |||
| Barney Pilling | |||
Casting by | |||
| Kate Dowd | |||
Production Design by | |||
| Mark Digby | |||
Art Direction by | |||
| Paul Cripps | |||
| Denis Schnegg | (supervising art director) | ||
Set Decoration by | |||
| Michelle Day | |||
Costume Design by | |||
| Rachael Fleming | |||
| Steven Noble | |||
Makeup Department | |||
| Jessica Afshar-Shirazi | .... | hair trainee | |
| Jessica Afshar-Shirazi | .... | makeup trainee | |
| Jessica Alexander | .... | make-up and hair trainee | |
| Catherine Davies | .... | hair stylist | |
| Sian Grigg | .... | chief hair designer | |
| Sian Grigg | .... | chief makeup designer | |
| Sallie Jaye | .... | makeup artist: Scotland | |
| Waldo Mason | .... | prosthetic designer | |
| Belinda Parish | .... | hair stylist (as Bindy Parrish) | |
| Belinda Parish | .... | makeup artist (as Bindy Parrish) | |
| Alex Rouse | .... | wigmaker | |
| Tapio Salmi | .... | hair stylist | |
| Tapio Salmi | .... | makeup artist | |
Production Management | |||
| John Crampton | .... | unit manager | |
| Donald Sabourin | .... | production manager | |
| Clare St. John | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Lee Grumett | .... | first assistant director | |
| Carol-Anne Henderson | .... | third assistant director: Scotland (as Carol Anne Genderson) | |
| Carley Lane | .... | third assistant director | |
| Sarah MacFarlane | .... | second assistant director: crowd | |
| Jo Tew | .... | second assistant director | |
| Erin Lander | .... | additional third assistant director (uncredited) | |
Art Department | |||
| Matt Amos | .... | painter | |
| Viv Ball | .... | painter | |
| Bruce Barnes | .... | site supervisor | |
| Jon Bates | .... | stand-by propman | |
| Gillian Campbell | .... | hod painter | |
| Christopher Chandler | .... | dressing props | |
| Phil Claxton | .... | painter | |
| Nic Clayton | .... | carpenter | |
| Tim Cooke | .... | carpenter | |
| Joseph Craig | .... | dressing props | |
| Dan Crandon | .... | construction manager | |
| Steven Davies | .... | stagehand (as Steve Davies) | |
| Steve Deane | .... | studio supervisor | |
| Darren Flindall | .... | construction rigger | |
| Ronald Fowler | .... | plasterer (as Ron Fowler) | |
| Dean Hawley | .... | painter | |
| Jason Htay | .... | carpenter | |
| Ben Johnson | .... | stand-by propman | |
| Alex MacDonald | .... | painter | |
| Charlie Malik | .... | prop storeman | |
| Dan Marsden | .... | carpenter | |
| Richard Mason | .... | carpenter | |
| Zane McGill | .... | carpenter | |
| Brian Montgomery | .... | carpenter | |
| Garry Moore | .... | stand-by carpenter | |
| Adrian Platt | .... | dressing props | |
| Tim Powis | .... | assistant construction manager | |
| Ken Rai-Green | .... | carpenter | |
| Jody Raynes | .... | painter | |
| Paul Rigby | .... | stagehand | |
| Mike Short | .... | carpenter | |
| Nick Thomas | .... | property master | |
| Mark Wallis | .... | carpenter | |
| Rosie Wells | .... | art department assistant trainee | |
| Paul 'Welcie' Wellstead | .... | construction rigger (as Paul Wellstead) | |
| Joe Wilmott | .... | carpenter (as Joe Wilmot) | |
| Lee Wiseman | .... | dressing props | |
| Nick Wood | .... | painter | |
| Cara Brower | .... | assistant art director (uncredited) | |
| Charlie Cobb | .... | fine artist (uncredited) | |
| Anita Dhillon | .... | graphic designer (uncredited) | |
| Arwel Evans | .... | stand-by art director (uncredited) | |
| Nadine Herrmann | .... | art department assistant (uncredited) | |
| Robert Judd | .... | dressing props (uncredited) | |
| Loretta Lipworth | .... | art department runner (uncredited) | |
| Katrina Mackay | .... | assistant set decorator (uncredited) | |
| Kathryn Pyle | .... | production buyer (uncredited) | |
| Andrew Tapper | .... | graphic designer (uncredited) | |
| Luke Whitelock | .... | draftsman (uncredited) | |
Sound Department | |||
| Hugo Adams | .... | foley editor | |
| Niv Adiri | .... | sound effects editor | |
| Mark Appleby | .... | adr mixer | |
| Luke Brown | .... | assistant foley mixer | |
| Jodie Campbell | .... | sound assistant | |
| Ed Colyer | .... | foley mixer (as Edward Coluer) | |
| James Corless | .... | sound mix technician | |
| Tom Deane | .... | adr mixer | |
| Gillian Dodders | .... | supervising dialogue editor | |
| Mike Dowson | .... | sound re-recording mixer | |
| Danny Freemantle | .... | assistant sound editor | |
| Glenn Freemantle | .... | sound designer | |
| Glenn Freemantle | .... | supervising sound editor | |
| Glen Gathard | .... | assistant foley mixer | |
| Jim Greenhorn | .... | production sound mixer | |
| Andrea King | .... | foley artist | |
| Travis MacKay | .... | adr mixer | |
| Emilie O'Connor | .... | assistant dialogue editor | |
| Jordan O'Neill | .... | datasat sound mastering engineer | |
| Richard Pryke | .... | sound re-recording mixer | |
| Adam Scrivener | .... | sound mix technician | |
| Jack Stew | .... | foley artist | |
| Ian Tapp | .... | dialogue premix | |
| Tristan Tarrant | .... | boom operator | |
| Sandy Buchanan | .... | adr recordist (uncredited) | |
| Nick Foley | .... | adr mixer (uncredited) | |
| Jan Petrov | .... | adr recordist (uncredited) | |
| Tom Ryan | .... | adr recordist (uncredited) | |
| John Soukup | .... | sound transfer (uncredited) | |
| Philip Young | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Sam Conway | .... | special effects supervisor | |
| Chris Giles | .... | special effects technician | |
| Tez Palmer | .... | special effects technician (as Terry Palmer) | |
| Mark White | .... | special effects technician | |
Visual Effects by | |||
| Nemanja Antanaskovic | .... | 3d artist: Baseblack | |
| Adrian Banton | .... | compositing lead: Baseblack | |
| Klaudija Cermak | .... | compositor: Baseblack | |
| Stephen Elson | .... | visual effects executive producer: Baseblack | |
| Adam Glasman | .... | DI colourist | |
| Neil Harrison | .... | digital intermediate systems administrator | |
| Dan Helme | .... | data wrangler: Ascent 142 Features | |
| Timothy P. Jones | .... | digital film bureau: Ascent 142 Features | |
| Stephanie C. Kelly | .... | compositor: Baseblack (as Stephanie Kelly) | |
| Robbie Lee | .... | visual effects editor: Baseblack | |
| Paul Nendick | .... | head of technology: Baseblack | |
| John Palmer | .... | digital film bureau manager: Ascent 142 Features | |
| Kate Phillips | .... | visual effects producer: Baseblack | |
| Gordon Pratt | .... | digital film bureau: Ascent 142 Features | |
| Matthew Twyford | .... | visual effects supervisor: Baseblack | |
| Pragti Wadhwa | .... | compositor: Baseblack | |
| Mark Webb | .... | visual effects coordinator: Baseblack | |
| Fiorenza Bagnariol | .... | digital film bureau (uncredited) | |
| Stuart Bullen | .... | compositor (uncredited) | |
Stunts | |||
| Nrinder Dhudwar | .... | stunt player | |
| Frank Henson | .... | stunt coordinator | |
| Dave Holland | .... | stunt player (as David Holland) | |
| Paul Kennington | .... | stunt player | |
| Jo McLaren | .... | stunt player | |
| Helen Steinway Bailey | .... | stunt player | |
| Claire Lawrence | .... | driving double (uncredited) | |
Camera and Electrical Department | |||
| Steve Arthur | .... | gaffer: Scotland (as Steve Arthurs) | |
| Alex Bailey | .... | still photographer | |
| Guy Bennett | .... | trainee grip | |
| Alfie Biddle | .... | clapper loader | |
| Reg Boddy | .... | rigging electrician | |
| Ashley Bond | .... | focus puller | |
| Tommy Carlin | .... | rigging electrician | |
| John Clarke | .... | additional electrician | |
| John Colley | .... | gaffer | |
| Vernon Connolly | .... | additional electrician | |
| Luke Coulter | .... | clapper loader: Scotland | |
| Barny Crocker | .... | loader: "b" camera | |
| Gary Donoghue | .... | rigging electrician (as Gary Donaghue) | |
| Avelino Fernandez | .... | electrician | |
| Stephen Finberg | .... | additional electrician | |
| Dan Garlick | .... | grip: "b" camera | |
| Robert Gavigan | .... | rigging electrician | |
| Stuart Godfrey | .... | grip | |
| Dave Grey | .... | stand-by rigger (as David Grey) | |
| Pat Hagerty | .... | rigger (as Pat Hagarty) | |
| Matthew Hall | .... | practical electrician | |
| Alex Howe | .... | focus puller: "b" camera | |
| Iain Johnstone | .... | grip: Scotland | |
| Benjamin Kerr | .... | additional electrician | |
| Frank King | .... | rigger | |
| Vince Madden | .... | rigging gaffer | |
| Ginger McCarthy | .... | supervising rigger (as Steve 'Ginger' McCarthy) | |
| Michael McDermott | .... | rigger | |
| Joe McGee | .... | practical electrician | |
| Pat Miller | .... | rigger (as Patrick Miller) | |
| Paul Molloy | .... | additional electrician | |
| Julian Morson | .... | camera operator: "b" camera | |
| Julian Morson | .... | steadicam operator | |
| Onkar Narang | .... | additional electrician | |
| Mark Packman | .... | additional electrician | |
| Mike Parsons | .... | electrician | |
| John Paxton | .... | video assist operator | |
| Mark Richards | .... | rigger | |
| John Saunders | .... | additional electrician | |
| Christopher Schneider | .... | camera intern | |
| Richard B. Shean | .... | video and computer playback operator | |
| Ian Stowe | .... | balloon light technician | |
| Chris Tann | .... | electrician | |
| Dave Thom | .... | electrician: Scotland (as David Thom) | |
| Steve Walsh | .... | electrician | |
| Danny Webster | .... | rigger | |
| Steven Young | .... | additional electrician | |
| Sashi Kissoon | .... | camera trainee (uncredited) | |
| Danny McGee | .... | practical electrician (uncredited) | |
| Ian Speed | .... | libra technician (uncredited) | |
| Marc Woodcock | .... | lighting technician (uncredited) | |
Casting Department | |||
| Abigail Barbier | .... | adr voice casting | |
| Louis Elman | .... | adr voice casting | |
| Bernadette Gepheart | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Clementine Charity | .... | costume assistant: Scotland (as Clemantine Charity) | |
| Charlotte Child | .... | costume supervisor | |
| Isla Wickham | .... | wardrobe assistant | |
| Anne T. Delaney | .... | costume assistant: dailies (uncredited) | |
Editorial Department | |||
| Mark Bankhead | .... | additional digital intermediate engineer | |
| Mark Dear | .... | additional digital intermediate engineer | |
| Marie Fernandes | .... | digital intermediate producer | |
| Alec Gibson | .... | color timer | |
| Emanuele Giraldo | .... | first assistant editor | |
| Adam Glasman | .... | digital colorist | |
| Emily Greenwood | .... | digital on-line editor | |
| Steve Harrow | .... | post-production consultant: Steeple Post Production Services | |
| Patrick Malone | .... | digital intermediate head of department | |
| Hanh Nguyen | .... | editor trainee | |
| Darren Rae | .... | colorist: dailies | |
| Aurora Shannon | .... | digital intermediate assistant | |
| Issac Solemon | .... | assistant editor | |
| Laurent Treherne | .... | digital intermediate technical supervisor | |
Music Department | |||
| Jeff Atmajian | .... | orchestrator | |
| Mark Berrow | .... | musician: violin | |
| Chris Cozens | .... | auricle control systems | |
| Helen Crayford | .... | musician: piano | |
| Marcia Crayford | .... | musician: violin solos | |
| Chris Dibble | .... | music recording engineer | |
| George Drakoulias | .... | music supervisor | |
| George Hamer | .... | orchestra contractor | |
| Yann McCullough | .... | music editor | |
| Jeremy Murphy | .... | assistant music recording engineer | |
| Rachel Portman | .... | orchestrator | |
| Randall Poster | .... | music supervisor | |
| Colin Rae | .... | music preparation | |
| David Snell | .... | conductor | |
| Jehan Stefan | .... | assistant to orchestrator | |
| Jehan Stefan | .... | music librarian | |
| Paul Watkins | .... | musician: cello solos | |
| Hugh Webb | .... | musician: harp | |
| Karen Westropp | .... | production assistant: Rachel Portman | |
| Youki Yamamoto | .... | music associate | |
| Marcia Crayford | .... | orchestra leader (uncredited) | |
| Ryan Hanifl | .... | musicians: vocals (uncredited) | |
Transportation Department | |||
| Mick Boddy | .... | driver: minibus | |
| Paul Brosman | .... | driver: facilities | |
| Simon Burgess | .... | driver: facilities | |
| Fergus Cotter | .... | unit driver | |
| Tim Harrison | .... | driver: facilities | |
| Darren Helman | .... | driver | |
| Jeff Hudson | .... | unit driver (as Jeff 'Jefferzz' Hudson) | |
| Marc Mills | .... | driver: minibus, Scotland | |
| Pete Newman | .... | driver: minibus (as Peter Newman) | |
| Graham Poppleton | .... | unit driver | |
| Barry Quibell | .... | driver: camera truck, Scotland | |
| Lea Robinson | .... | unit driver | |
| Dan Smith | .... | driver: facilities | |
| Marcus Ward | .... | unit driver | |
| Gary Weekes | .... | vehicle coordinator | |
| Barrie Williams | .... | transportation captain (as Barrie 'Bazza' Williams) | |
| Dave Williams | .... | facilities driver (uncredited) | |
Other crew | |||
| Steve 'Barney' Barnett | .... | catering manager | |
| Linda Bowen | .... | assistant accountant: post production | |
| Stuart Cadenhead | .... | floor runner: Scotland | |
| Fiona Carruthers | .... | accommodation coordinator | |
| Juliette Caton | .... | acting and voice coach: children | |
| Annie Clapton | .... | production trainee | |
| Sarah Clark | .... | unit publicist | |
| Leah Clarke | .... | assistant to producers | |
| Jonah Coombes | .... | supervising location manager | |
| Eleri Coulten | .... | location assistant | |
| David Coupland | .... | production runner | |
| Michael Davis | .... | dailies assistant (as Mike Davies) | |
| Ryan Delaney | .... | runner: DNA Films | |
| Diana Dill | .... | script supervisor | |
| Michael Dovey | .... | travel agent: ET Travel | |
| Ellie Downham | .... | guild trainee/cashier | |
| Lloret Dunn | .... | location manager: Scotland | |
| Jake Edmonds | .... | health & safety advisor | |
| Tom Forbes | .... | assistant: Mark Romanek | |
| Mark Gillespie | .... | runner: rushes | |
| Linda Gregory | .... | production accountant | |
| Paul Grindey | .... | head of business affairs: Film4 | |
| Tarn Harper | .... | accountant: post production | |
| Jo Harrop | .... | accommodation coordinator | |
| Stuart Hendry | .... | assistant stills photographer | |
| Charles Howes | .... | head tutor | |
| Adam Hutchins | .... | stand-in | |
| Amy Irvine | .... | stand in: Keira Knightley | |
| Carlton Jarvis | .... | medical advisor | |
| Tracey Josephs | .... | head of production: Film4 | |
| Emma Keele | .... | tutor | |
| Sue Lacy | .... | stand-in | |
| Claire Lawrence | .... | stand-in (as Claire Lawrence-Burgoyne) | |
| Sarah Lawrence | .... | additional runner | |
| Helene Lenszner | .... | location scout (as Helene Lenszer) | |
| Carl Lewin | .... | catering assistant (as Karl Lewin) | |
| Jules MacIver | .... | unit nurse: Scotland (as Jules McIver) | |
| Layla Mall | .... | production coordinator | |
| Lottie Mason | .... | location trainee | |
| Joy Maxwell Davis | .... | unit nurse (as Joy Maxwell-Davis) | |
| Karen McConnell | .... | assistant location manager: Scotland | |
| Markus Meedt | .... | post production assistant | |
| Richard Neale | .... | on-set computer technician: CompuHire | |
| Clive Noakes | .... | laboratory contact | |
| Robert Norris | .... | legal services: Reed Smith, Film4 | |
| Christian Otty | .... | floor runner: Scotland | |
| Andy Parry | .... | safety advisor | |
| Alex Paterakis | .... | stand-in | |
| Heather Pearse | .... | stand-in: Ella Purnell | |
| Kate Penlington | .... | clearance coordinator | |
| Tanya Phegan | .... | development executive: DNA Films | |
| Neil Pierson | .... | second assistant accountant (as Neil Pearson) | |
| Kevin Pipkin | .... | location runner | |
| Martin Poultney | .... | digital intermediate sales: Ascent 142 Features | |
| Emma Reid | .... | location assistant: Isle of Man | |
| Claire Robertson | .... | location accountant | |
| Délia Rémy | .... | stand-in (as Delia Remy) | |
| Graham Samels | .... | catering assistant | |
| Neil Samels | .... | chef | |
| Joan Scheckel | .... | workshop development | |
| Asha Sharma | .... | location scout | |
| Jack Steed | .... | stand-in | |
| Vaughn Stein | .... | floor runner | |
| Yanel Tallada | .... | stand-in | |
| Amie Tridgell | .... | assistant location manager | |
| Lizanne Tulip | .... | stand-in: Sally Hawkins | |
| Josh Yudkin | .... | location manager | |
| Charlie Coombes | .... | runner (uncredited) | |
| Maureen Duffy | .... | completion guarantor (uncredited) | |
| Charlotte Ewart | .... | tutor (uncredited) | |
| Dan Maslen | .... | visual consultant (uncredited) | |
| Monty Till | .... | floor runner: dailies (uncredited) | |
| Eva Yates | .... | assistant: Tessa Ross (uncredited) | |
|
|
|
|
|
| Jane Eyre | Persepolis | An Education | The Children's Hour | Brokeback Mountain |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
"Never Let Me Go" is an interesting, haunting and affecting story of love and jealousy. The story that we see occurring on the surface is fairly commonplace of friends growing up together and falling in love. But the backdrop of this film, which eventually takes over the main story, is science fiction like. It's dark and tragic and thought-provoking.
The world the film is set in is 1980s England and it looks very similar to the real world. But it's not our world and I had a hard time fully realizing all the characterizations for characters in a world that I don't quite know and understand. But it's just such a well done film that my interest was piqued and the story had me captivated, or at least curious, from beginning to end.
The film was incredibly well shot, making dreary England look spectacular but still getting the feeling of damp and cold across. It was also really well cast. The kids playing the younger versions of Keira Knightley, Carey Mulligan and Andrew Garfield looked and sounded just like them and were able to carry the beginning of the film. As others noted, Garfield also really stood out for me and his character moved me.
I recommend "Never Let Me Go" because of the high quality of film-making. The science fiction elements are rather subtle so it's more for fans of romantic dramas, but it's an interesting enough film that it can cross into most genres.