Where are we humans going? A film poem inspired by the Peruvian poet César Vallejo. We meet people in the city. People trying to communicate, searching compassion and get the connection of small and large things.
Bengt C.W. Carlsson
The scene is set one Summer in La Ciotat, a town near Marseille which used to be prosperous thanks to its huge dockyard but has been in decline since its closing 25 years before. It is in ... See full summary »
Under the German occupation, in a small French town, the arrival of a new priest arouses the interest of all women... Barny, a young communist and atheist woman, can not however be more ... See full summary »
As children, Ruth, Kathy and Tommy spend their childhood at a seemingly idyllic English boarding school. As they grow into young adults, they find that they have to come to terms with the strength of the love they feel for each other, while preparing themselves for the haunting reality that awaits them. Written by
Fox Searchlight Pictures
Mark Romanek was glad to get the opportunity to direct this film "From the moment I finished the novel, it became my dream to film it. Kazuo Ishiguro's conception is so daring, so eerie and beautiful." See more »
In an establishing shot of Miss Emily's house in 1994, a blue Citroen Saxo is parked outside the house. They were first sold in England in 1996. See more »
The breakthrough in medical science came in 1952. Doctors could now cure the previously incurable. By 1967, life expectancy passed 100 years.
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The Hailsham School Song can be briefly heard at the very end of the credits. See more »
I was in awe of the visual overtones in this gorgeously made film. Deep, subtle, beautiful and cryptic--"Never Let Me Go" is sure to instigate profound conversations after the screening. Like "Dead Man Walking" (1995) and "Million Dollar Baby" (2004) there's a social morale buried under this sumptuous love story.
The film follows the friendship of three children growing up in a tightly-secured boarding school in Britain, beginning in 1978. They are cutoff from the outside world; a life without a choice, but a life with a designated focus. The story spans almost three decades, following them from childhood to adulthood. The surroundings are ever constant, even though the film follows them for three decades.
I would love to reveal what these special individuals are modeled and raised for, but giving away that revelation wouldn't be fair to the viewers. I must say, it's a very unique premise; one that gives the audience a very improbable connection between images and content. "Never Let Me Go" struck a nerve. I felt for these characters, very deeply. I wanted them to realize what these young and loving individuals could've achieved in the world they grew up in. They were brainwashed into thinking they were isolated from everyone else, but in reality, there were no boundaries. They could've escaped from the life they were brought-up in and should've rebelled from the establishment. Angry, sad, sweet, longing, optimistic—I love it when a film channels these ambivalent emotions and allows me to ponder about an alternate direction for the characters to venture into. If a film does that, then it must work.
After viewing this movie, I'm very curious about picking up the novel to see how the filmmakers translated the descriptions into these picturesque images. My guess is that the book is written on the same lines as "The Horse Whisperer"—with deft metaphors and rich characterizations.
As much as I wanted closure to the narrative, I think the film does a great justice by leaving the audience in the dark. It gives the viewer more room to think, and it stimulates an array of intelligent inquiries. "Never Let Me Go" dares the viewer to look beyond the beautiful imagery and delicate character interrelationships, and discover a multitude of hidden meanings and themes. Above all, this is an exquisitely crafted tale about love, loss, individuality, and the boundaries of life.
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