A working mother puts herself through law school in an effort to represent her brother, who has been wrongfully convicted of murder and has exhausted his chances to appeal his conviction through public defenders.
A young girl buys an antique box at a yard sale, unaware that inside the collectible lives a malicious ancient spirit. The girl's father teams with his ex-wife to find a way to end the curse upon their child.
Jeffrey Dean Morgan
After moving with her mother to a small town, a teenager finds that an accident happened in the house at the end of the street. Things get more complicated when she befriends a boy who was the only survivor of the accident.
Michael returns home from military school to find his mother happily in love and living with her new boyfriend. As the two men get to know each other, he becomes more and more suspicious of the man who is always there with a helpful hand.
In New York, Dr. Juliet Bliss Devereau of the Brooklyn General Hospital has ended her relationship with her boyfriend Jack and is seeking an apartment in Brooklyn to live alone. She finds a bargain in an old apartment building owned by the handsome and lonely Max and one night she misinterprets his signals and dates him. However she concludes that it is too soon to have a love affair... but is that really the end of it? Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Christopher Lee fell over a cable and injured his back during production. On the plus side, he was also made a Knight while working on the film. See more »
During the scene where Max sneaks into Juliet's bed room and tries to kiss her while she's sleeping. When he's leaning in, she is laying on her side, then the camera angle changes and she's on her back, then the camera changes back and she's back on her side and he kisses her. Then she rolls over onto her back and Max stands up. See more »
[receiving ER patient]
Okay. We're going to intubate this guy and fix the hole in his heart.
See more »
Somewhat creepy, a voyeuristic "ick" factor, even decent acting but it never feels grounded and completely falls apart by the end. To its credit, the idea might've sounded better on paper, but doesn't work on film.
A major problem is we have little connection with our characters other than the likability and vulnerability Hilary Swank naturally brings to the screen. But there is no motivation for anything that happens: from coincidental meetings, to needing a giant apartment, to why the over-the-top infatuation, etc.
The plot holes are so gaping it ruins the realism. Seriously, would somebody visiting a hospital really find an ER doc extremely hot in scrubs? Is a $3800 apartment a good deal for any single lady? Why would a voyeur need to stalk around inside an apartment when he's got every vantage point from behind the walls? It's just full of dumb... and frankly, without realism you're removed from caring too much and it's not scary.
Oh, and if your only interest is peeking in on Hilary Swank (yes, pun intended), you'll likely be disappointed on that level as well.
Naturally the very moment "the resident" discovers the secrets of her landlord, she has no opportunity to escape, cell phone stops working, boyfriend is... well, basically the ending is full of chasing and one gotcha scare after another... and another... and another. Did they rewrite the script a bunch of times, but forget to remove the early endings? Perhaps the gotcha scares work on some level, but by the end I just wanted everything in fast-forward... and that's saying something for a movie where the credits roll after only 86 minutes. Skip it!
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