A working mother puts herself through law school in an effort to represent her brother, who has been wrongfully convicted of murder and has exhausted his chances to appeal his conviction through public defenders.
Police officer Dirk Hendricks (Bartlett) files an amnesty application for Alex Mpondo (Ejiofor), a member of the South African Parliament who can't remember the torture he once endured as a captive political activist. South African-born attorney Sarah Barcant (Swank), meanwhile, returns to her homeland to represent Mpondo, as well as Steve Sizela, Mpondo's friend who arrested along with him and ... See full summary »
Secretly imprisoned in a London insane asylum, the infamous Jack the Ripper helps Scotland Yard investigators solve a series of grisly murders whose victims all share one thing in common: dual puncture wounds to the neck.
In New York, Dr. Juliet Bliss Devereau of the Brooklyn General Hospital has ended her relationship with her boyfriend Jack and is seeking an apartment in Brooklyn to live alone. She finds a bargain in an old apartment building owned by the handsome and lonely Max and one night she misinterprets his signals and dates him. However she concludes that it is too soon to have a love affair and she asks Max to leave her apartment. However she does not know that Max is a deranged man obsessed on her and that he spies her from secret openings in her apartment. Further, Max is drugging Juliet every night and sexually abusing her. Juliet has troubles to wake up in the morning to go to the hospital and decides to install a monitoring system in her apartment. She learns the truth about Max but how will she escape from the insane landlord? Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Somewhat creepy, a voyeuristic "ick" factor, even decent acting but it never feels grounded and completely falls apart by the end. To its credit, the idea might've sounded better on paper, but doesn't work on film.
A major problem is we have little connection with our characters other than the likability and vulnerability Hilary Swank naturally brings to the screen. But there is no motivation for anything that happens: from coincidental meetings, to needing a giant apartment, to why the over-the-top infatuation, etc.
The plot holes are so gaping it ruins the realism. Seriously, would somebody visiting a hospital really find an ER doc extremely hot in scrubs? Is a $3800 apartment a good deal for any single lady? Why would a voyeur need to stalk around inside an apartment when he's got every vantage point from behind the walls? It's just full of dumb... and frankly, without realism you're removed from caring too much and it's not scary.
Oh, and if your only interest is peeking in on Hilary Swank (yes, pun intended), you'll likely be disappointed on that level as well.
Naturally the very moment "the resident" discovers the secrets of her landlord, she has no opportunity to escape, cell phone stops working, boyfriend is... well, basically the ending is full of chasing and one gotcha scare after another... and another... and another. Did they rewrite the script a bunch of times, but forget to remove the early endings? Perhaps the gotcha scares work on some level, but by the end I just wanted everything in fast-forward... and that's saying something for a movie where the credits roll after only 86 minutes. Skip it!
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