Ulrik is reluctantly let out of prison after serving 12 years for murder. He has to cope with his gang, his ex, a few women - and a snitch. His son has a fiancé. Her family doesn't approve ... See full summary »
The movie portrays Norway's most spectacular robbery, where 11 men occupied central Stavanger for twenty minutes and escaped with 57 million kroner (appx $10 million). A police officer was shot and killed.
Based on a true story: Norwegian winter, early 20th century. On the island Bastoy, located in the Oslo fjord live a group of delinquent, young boys aged 11 to 18. The boys daily, sadistic regime is run by the guards and the principal who bestow both mental and physical abuse on them. Instead of the boys being straightened out with education they end up being used as cheap, manual labor. The boys attempt to survive by adapting to their inhumane conditions. One day a new boy, Erling (17), arrives with his own agenda; how to escape from the island. How far is he willing to go in order to get his freedom? Written by
Based on true events that occurred on the Norwegian prison island of Bastoy in 1915. See more »
The movie grossly exaggerates the size of the lead ship of the Norwegian Navy at the time.
As the boys are trying to escape the island, at about 1 hour 34 minutes, the Battleship "Norge" appears in the fog. The "Norge" was a small 300 ft pre-dreadnought - significantly smaller than modern day Frigate. If one assumes that the men seen on deck, are about 1.7 meters tall, the ship in the movie is more than 3 times as large as the actual "Norge" - comparable to a modern day Aircraft Carrier. See more »
You are accused of fornication with a child. Do you understand what that means?
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In the U.S., Alcatraz used to serve as a prison known to the inmates as "The Rock," a place where criminals were sent in a boat, the island from which few had ever been known to escape. In Norway, until 1957, criminal children, even those committing relatively minor crimes were sent to an Island Prison on the island of Batsoy, another dismal isolation from which there was supposedly no escape. "The King of Devil's Island" as another young man arrives after committing a murder, consigned to the prison's special diet of silence and discipline, work amid dismally spartan conditions. The new inmate, after the usual give and take with more dominant prisoners, most of them young teens, manages to find himself a friend, sharing his plan to be the first to attempt a getaway.
Animosity between the inmates and those in charge, one of them an unregenerate pedophile and another taking money that should go to the welfare of the prisoners, develops quickly, and a steady intensity is constantly building--not with the buckets of profanity that pepper an American prison film, but a series of darker, psychological twists evolving from our knowledge of many of the young men involved.
Although in color, the atmosphere is dark, the skies seldom blue, the woods dark, the walks snowy: it is a moody film, but never lets the tension loosen much. I found it gripping and intense, building to a smashing final scene: not necessarily conclusive, but totally satisfying. The acting is universally excellent, the underlying music score appropriate without being intrusive. This well-made film was fully worthy of my time.
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