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5150 rue des Ormes (2009)

5150 ELM'S WAY is located at the end of a quiet street in a small town. When Yannick fell off his bike, he knocked at the door of the Beaulieu residence so he could clean the blood off his ... See full summary »

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Cast

Credited cast:
...
Normand D'Amour ...
Sonia Vachon ...
Maude Beaulieu
...
Élodie Larivière ...
Anne Beaulieu
...
Josée
Normand Chouinard ...
Jérome Bérubé
Louise Bombardier ...
Francine Bérubé
...
Simon
René-Daniel Dubois ...
Jean Guy Ruel
Jacques Allard ...
Lecteur de nouvelles
Rest of cast listed alphabetically:
Melanie Bergeron ...
Ambulancier
...
Déménageur
Stéphane Dufault ...
Policier
Karen Hader ...
Couple qui s'engeulo
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Storyline

5150 ELM'S WAY is located at the end of a quiet street in a small town. When Yannick fell off his bike, he knocked at the door of the Beaulieu residence so he could clean the blood off his hands. But Jack Beaulieu and his family had other plans for Ian. Beaulieu is a righteous psychopath and fanatic chess player who wants to rid the world of evil. And even though Ian has done nothing wrong, he is beaten, tortured and tormented before Beaulieu makes him an offer: win at chess and he is free to go. And so Ian is now a pawn in Beaulieu 's game. A game in which he will either lose his mind or his life. Written by Cirrus Communications

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23 April 2010 (USA)  »

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5150 Elm's Way  »

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User Reviews

 
A Psychological Nightmare on "Ormes" Street
27 April 2010 | by (the Draconian Swamp of Unholy Souls) – See all my reviews

"5150, Rue des Ormes" is a strong and compulsory thriller, but it's not exactly the type of film I would recommend in case you're searching for a relaxing late-night movie or something fun to watch together with a group of drunken friends. This is a seriously intense and harsh film that manages to make you feel genuinely uncomfortable and this in spite of the use of familiar themes, derivative plot twists and predictable character developments. How does director Eric Tessier pull that off? Quite simply, by maintaining a continuously monotonous, almost unbearably calm even, narrative and unnecessarily stretching the emotionally painful sequences. There's absolutely nothing in "5150, Rue Des Ormes" that you haven't seen a dozen of times before (including a serial killer who exclusively targets victims that deserve punishment, the "apprentice" killer and a prisoner who gradually grows psychopathic as well) but the atmosphere is grim and the tone of the film is overall extremely unpleasant, like a thriller ought to be. Film student Yannick Bérubé is so proud about getting accepted at the Quebec university that he shoots a little video about his new neighborhood to show the home front. He has a banal bike accident at the titular address, but when asking the seemingly friendly proprietor Jacques for assistance Yannick witnesses something that he wasn't supposed to witness. For you see, Jacques is a chess-obsessed serial killer who wants to make the world a better place by killing drug dealers, pedophiles and other scum. Obviously he can't allow Yannick to interfere with his divine mission, or with the training of his adolescent daughter, and thus Jacques locks him up in the house. As weeks pass by and Yannick's chances to escape are getting slimmer, it becomes clear that Jacques is preparing some kind of masterwork in his basement. The story of "5150, Rue des Ormes" becomes increasingly absorbing and the ambiance more embittering, but the last half hour holds a few surprises in store that are most of all unexpectedly cruel and shocking. Although quite far-fetched and illogical, the climax is truly nightmarish and is guaranteed to leave a sour aftertaste in your stomach. These are "qualities" that I can only applaud. It's like a horror-shocker with dramatic and film-noir allures. The movie also becomes extra peculiar because of the typically Quebecois dialogs – which are practically incomprehensible even if you're fluent in French – and the fantastic performances by relatively unknown but devoted native Canadian actors, like Norman D'Amour in the role of atypical and Mylène St. Sauveur as his luscious but unsympathetic teenage daughter.


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